Incorporating the Familiar

Incorporating the Familiar

Author: Susan G. Drummond

Publisher: McGill-Queen's Press - MQUP

Published: 1997-09-30

Total Pages: 200

ISBN-13: 0773566902

DOWNLOAD EBOOK

Drummond explores a series of philosophic, ethnographic, and legal dilemmas produced by the interaction between legal cultures, setting up a dialogue between narrative and theory by interspersing accounts of her field experiences in Inuit communities with analytical chapters. In the first section she addresses problems of delivery of justice among Inuit communities and explores the cultural determinacy of understanding. In the second section she focuses on the problem of family violence and the complexities to which it gives rise in rendering justice in Inuit communities. In the third section she provides an ethnographic account of Nunavik's first sentencing circle, underlining her contention that juridical rules emerge from the habits and forms of a society. Exploring the quandaries of intercultural communication and contemplating how diverse legal sensibilities might be mutually recognized, Incorporating the Familiar evokes the possibilities and limits of intercultural accommodation.


The Familiar, Volume 1

The Familiar, Volume 1

Author: Mark Z. Danielewski

Publisher: Knopf

Published: 2015-05-12

Total Pages: 890

ISBN-13: 0375714952

DOWNLOAD EBOOK

From the author of the international best seller House of Leaves and National Book Award–nominated Only Revolutions comes a monumental new novel as dazzling as it is riveting. The Familiar (Volume 1) ranges from Mexico to Southeast Asia, from Venice, Italy, to Venice, California, with nine lives hanging in the balance, each called upon to make a terrifying choice. They include a therapist-in-training grappling with daughters as demanding as her patients; an ambitious East L.A. gang member contracted for violence; two scientists in Marfa, Texas, on the run from an organization powerful beyond imagining; plus a recovering addict in Singapore summoned at midnight by a desperate billionaire; and a programmer near Silicon Beach whose game engine might unleash consequences far exceeding the entertainment he intends. At the very heart, though, is a twelve-year-old girl named Xanther who one rainy day in May sets out with her father to get a dog, only to end up trying to save a creature as fragile as it is dangerous . . . which will change not only her life and the lives of those she has yet to encounter, but this world, too—or at least the world we think we know and the future we take for granted. (With full-color illustrations throughout.) Like the print edition, this eBook contains a complex image-based layout. It is most readable on e-reading devices with larger screen sizes.


Arthur Lessac's Embodied Actor Training

Arthur Lessac's Embodied Actor Training

Author: Melissa Hurt

Publisher: Routledge

Published: 2014-03-05

Total Pages: 134

ISBN-13: 1317914597

DOWNLOAD EBOOK

Arthur Lessac’s Embodied Actor Training situates the work of renowned voice and movement trainer Arthur Lessac in the context of contemporary actor training. Supported by the work of Constantin Stanislavsky and Maurice Merleau-Ponty's theories of embodiment, the book explores Lessac's practice in terms of embodied acting, a key subject in contemporary performance. In doing so, the author explains how the actor can come to experience both skill and expression as a subjective whole through active meditation and spatial attunement. As well as feeding this psychophysical approach into a wider discussion of embodiment, the book provides concrete examples of how the practice can be put into effect. Using insights gleaned from interviews conducted with Lessac and his Master Teachers, the author enlightens our own understanding of Lessac’s practices. Three valuable appendices enhance the reader’s experience. These include: a biographical timeline of Lessac’s life and career sample curricula and a lesson plan for teachers at university level explorations for personal discovery Melissa Hurt is a Lessac Certified Trainer and has taught acting and Lessac’s voice, speech, and movement work at colleges across the United States. She has a PhD from the University of Oregon and an MFA from Virginia Commonwealth University.