Incest and the Literary Imagination

Incest and the Literary Imagination

Author: Elizabeth Barnes

Publisher:

Published: 2002

Total Pages: 382

ISBN-13: 9780813025407

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"Its range--both chronological and methodological--as well as the consistently high quality of its essays makes this collection stand out. A timely and important collection . . . on literary representations of incest [that will] become the touchstone for further work in the field."--Teresa A. Goddu, Vanderbilt University "These original and provocative essays fill a significant gap in our literary histories of sex and gender."--Bruce Burgett, University of Washington, Bothell This wide-ranging collection tracks the contradictory roles of incest in Anglo-American literature, politics, and culture from the Middle Ages, a period Elizabeth Barnes states is considered unrivaled for its "unblinking acceptance of many varieties of incest," to the present. Barnes explicates the role of incest in Anglo-American literature and culture, and in doing so sheds new light on the familiar story of incest as a vice of barbarians and a privilege of the elite. This unprecedented critical treatment of the subject speaks comprehensively to the greater attention placed on the occurrence of incest in the last several decades even as it provides a critical grasp of the topic from complex theoretical and historically nuanced perspectives. The essays range across a variety of methodological approaches--including psychoanalytic, cultural-historical, biographical, and queer theoretical. In this seminal work in the field, Elizabeth Barnes clarifies the role of literature as a privileged site for the inquiry into incest. She links literature's ability to "tell trauma"--a theoretical issue of the book--to the personal, political, and cultural approaches to incest that the volume addresses. The result is a collection, unlike many of such broad scope, whose essays flow seamlessly and coherently from one focus to the next. Contents Part I. The Royal Privilege of Incest 1. "Worse Than Bogery": Incest Stories in Middle English Literature, by Elizabeth Archibald 2. Incest and Authority in Pericles, Prince of Tyre, by Susan Frye 3. Sexual and Social Mobility in The Duchess of Malfi, by Frank Whigham 4. Incest and Class: 'Tis Pity She's a Whore and the Borgias, by Lisa Hopkins Part II. The Fall of the Fathers 5. The Ambivalence of Nature's Law: Representations of Incest in Dryden and His English Contemporaries, by T.G.A. Nelson 6. Natural and National Unions: Incest and Sympathy in the Early Republic, by Elizabeth Barnes 7. Temperance in the Bed of a Child: Incest and Social Order in Nineteenth-Century America, by Karen Sanchez-Eppler Part III. The Silence of the Daughters 8. Incest in the Story of Tancredi: Christine de Pizan's Poetics of Euphemism, by Elizabeth Allen 9. "Don't Say Such Foolish Things, Dear": Speaking Incest in The Voyage Out, by Jen Shelton 10. "Father, Don't You See I'm Burning?": Identification and Remembering in H.D.'s World War II Writing, by Madelyn Detloff Part IV. Incest in the House of Culture 11. Telling Fact from Fiction: Dorothy Allison's Disciplinary Stories, by Gillian Harkins 12. "Hereisthehouse": Cultural Spaces of Incest in The Bluest Eye, by Minrose C. Gwin 13. Sexual Trauma/Queer Memory: Incest, Lesbianism, and Therapeutic Culture, by Ann Cvetkovich 14. The New Face of Incest?: Race, Class, and the Controversy over Kathryn Harrison's The Kiss, by Mako Yoshikawa Elizabeth L. Barnes is associate professor of English at the College of William and Mary.


Incest and the Medieval Imagination

Incest and the Medieval Imagination

Author: Elizabeth Archibald

Publisher: OUP Oxford

Published: 2001-05-24

Total Pages: 313

ISBN-13: 0191540854

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Incest is a remarkably frequent theme in medieval literature; it occurs in a wide range of genres, including romances, saints's lives, and exempla. Historically, the Church in the later Middle Ages was very concerned about breaches of the complex laws against incest, which was defined very broadly at the time to cover family relationships outside the nuclear family and also spiritual relationships through baptism. Medieval writers accepted that incestuous desire was a widespread phenomenon among women as well as men. They are surprisingly open about incest, though of course they disapprove of it; in many exemplary stories incest is identified with original sin, but the moral emphasizes the importance of contrition and the availability of grace even to such heinous sinners. This study begins with a brief account of the development of medieval incest laws, and the extent to which they were obeyed. Next comes a survey of classical incest stories and their legacy; many were retold in the Middle Ages, but they were frequently adapted to the purposes of Christian moralizers. In the three chapters that follow, homegrown medieval incest stories are grouped by relationship: mother-son (focusing on the Gregorius legend), father-daughter (focusing on La Manekine and its analogues), and sibling (focusing on the Arthurian legend). The final chapter considers the very common medieval trope of the Virgin Mary as mother, daughter, sister and bride of Christ, the one exception to the incest taboo. In western society today, incest has recently been recognized as a serious social problem, and has also become a frequent theme in both fiction and non-fiction, just as it was in the Middle Ages. This interdisciplinary study is the first broad survey of medieval incest stories in Latin and the vernaculars (mainly French, English and German). It situates the incest theme in both literary and cultural contexts, and offers many thought-provoking comparisons and contrasts to our own society in terms of gender relations, the power of patriarchy, the role of religious institutions in regulating morality, and the relationship between life and literature.


Incest in contemporary literature

Incest in contemporary literature

Author: Miles Leeson

Publisher: Manchester University Press

Published: 2018-08-06

Total Pages: 382

ISBN-13: 1526122189

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This is the first edited collection of essays which focuses on the incest taboo and its literary and cultural presentation from the 1950s to the present day. It considers a number of key authors and artists, rather than a single author from this period. The collection exposes the wide use of incest and sexual trauma, and the frequency this appears within contemporary literature and related arts. Incest in contemporary literature discusses the impact of this change in attitudes on literature and literary adaptations in the latter half of the twentieth century, and early years of the twenty-first century. Although primarily concerned with fiction, the collection includes work on television and film. Authors discussed include Iain Banks, A.S. Byatt, Angela Carter, Simone de Beauvoir, Ted Hughes, Doris Lessing, Ian McEwan Iris Murdoch, Vladimir Nabokov, Andrea Newman and Pier Pasolini and Sylvia Plath.


Intersectional Trauma in American Women Writers' Incest Novels from the 1990s

Intersectional Trauma in American Women Writers' Incest Novels from the 1990s

Author: Marinella Rodi-Risberg

Publisher: Springer Nature

Published: 2022-03-24

Total Pages: 230

ISBN-13: 3030966194

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This book explores the intersections of sexualized, gendered, and racialized traumas in five US novels about father-daughter incest from the 1990s. It examines how incest can be connected to wider past and present structural oppression and institutional abuse, and what fiction looks like that testifies against and references a historical background of slavery, poverty, settler colonialism, annexation, and immigration. Investigating the means of resistance used against attempts at silencing and denial in these texts, the book also shows how contemporary women’s novels can propose social change. Overall, this study uniquely argues that the individual trauma of incest in these texts must be understood in relation to histories of and present collective wounding against marginalized communities. By sitting at the intersections between trauma theory and US third world feminism, it allows for theory to meet literary activism.


The Unspeakable, Gender and Sexuality in Medieval Literature, 1000-1400

The Unspeakable, Gender and Sexuality in Medieval Literature, 1000-1400

Author: Victoria Blud

Publisher: Boydell & Brewer

Published: 2017

Total Pages: 224

ISBN-13: 1843844680

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Frontcover -- Contents -- Acknowledgements -- Abbreviations -- Introduction: Words and Other Fragments -- 1 Speaking Up and Shutting Up: Expression and Suppression in the Old English Mary of Egypt and Ancrene Wisse -- 2 What Comes Unnaturally: Unspeakable Acts -- 3 Crying Wolf: Gender and Exile in Bisclavret and Wulf and Eadwacer -- 4 Taking the Words Out of Her Mouth: Glossing Glossectomy in Tales of Philomela -- Conclusion: After Words -- Bibliography -- Index


Visible Dissent

Visible Dissent

Author: Teresa V. Longo

Publisher: University of Iowa Press

Published: 2018-05-15

Total Pages: 171

ISBN-13: 1609385705

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As Teresa Longo’s groundbreaking examination reveals, North America’s dissident literature has its roots in the Latin American literary tradition. From Pablo Neruda’s Canto General to Eduardo Galeano’s Open Veins of Latin America to Gabriel García Márquez’s One Hundred Years of Solitude—among others—contemporary writers throughout the Americas have forced us to reconsider the United States’s relationship with Latin America, and more broadly with the Global South. Highlighting the importance of reading and re-reading the Latin American canon in the United States, Longo finds that literature can be an instrument of progressive social change, and argues that small literary presses—City Lights, Curbstone, and Seven Stories—have made that dissent visible in the United States. In the book’s final two chapters on the Robert F. Kennedy Center’s Speak Truth to Power initiative and the publication of Marc Falkoff’s Poems from Guantánamo, the author turns our attention further outward, probing the role poetry, theater, and photography play in global human rights work. Locating the work of artists and writers alongside that of scholars and legal advocates, Visible Dissent not only unveils the staying-power of committed writing, it honors the cross-currents and the on-the-ground implications of humane political engagement.


Twins in Early Modern English Drama and Shakespeare

Twins in Early Modern English Drama and Shakespeare

Author: Daisy Murray

Publisher: Taylor & Francis

Published: 2017-01-06

Total Pages: 210

ISBN-13: 1317199634

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This volume investigates the early modern understanding of twinship through new readings of plays, informed by discussions of twins appearing in such literature as anatomy tracts, midwifery manuals, monstrous birth broadsides, and chapbooks. The book contextualizes such dramatic representations of twinship, investigating contemporary discussions about twins in medical and popular literature and how such dialogues resonate with the twin characters appearing on the early modern stage. Garofalo demonstrates that, in this period, twin births were viewed as biologically aberrant and, because of this classification, authors frequently attempt to explain the phenomenon in ways which call into question the moral and constitutional standing of both the parents and the twins themselves. In line with current critical studies on pregnancy and the female body, discussions of twin births reveal a distrust of the mother and the processes surrounding twin conception; however, a corresponding suspicion of twins also emerges, which monstrous birth pamphlets exemplify. This book analyzes the representation of twins in early modern drama in light of this information, moving from tragedies through to comedies. This progression demonstrates how the dramatic potential inherent in the early modern understanding of twinship is capitalized on by playwrights, as negative ideas about twins can be seen transitioning into tragic and tragicomic depictions of twinship. However, by building toward a positive, comic representation of twins, the work additionally suggests an alternate interpretation of twinship in this period, which appreciates and celebrates twins because of their difference. The volume will be of interest to those studying Shakespeare and Renaissance Literature in relation to the History of Emotions, the Body, and the Medical Humanities.


Screening the Gothic

Screening the Gothic

Author: Lisa Hopkins

Publisher: University of Texas Press

Published: 2010-01-01

Total Pages: 189

ISBN-13: 0292779593

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Filmmakers have long been drawn to the Gothic with its eerie settings and promise of horror lurking beneath the surface. Moreover, the Gothic allows filmmakers to hold a mirror up to their own age and reveal society's deepest fears. Franco Zeffirelli's Jane Eyre, Francis Ford Coppola's Bram Stoker's Dracula, and Kenneth Branagh's Hamlet are just a few examples of film adaptations of literary Gothic texts. In this ground-breaking study, Lisa Hopkins explores how the Gothic has been deployed in these and other contemporary films and comes to some surprising conclusions. For instance, in a brilliant chapter on films geared to children, Hopkins finds that horror resides not in the trolls, wizards, and goblins that abound in Harry Potter, but in the heart of the family. Screening the Gothic offers a radical new way of understanding the relationship between film and the Gothic as it surveys a wide range of films, many of which have received scant critical attention. Its central claim is that, paradoxically, those texts whose affiliations with the Gothic were the clearest became the least Gothic when filmed. Thus, Hopkins surprises readers by revealing Gothic elements in films such as Sense and Sensibility and Mansfield Park, as well as exploring more obviously Gothic films like The Mummy and The Fellowship of the Ring. Written in an accessible and engaging manner, Screening the Gothic will be of interest to film lovers as well as students and scholars.


Culture/Contexture

Culture/Contexture

Author: E. Valentine Daniel

Publisher: Univ of California Press

Published: 2023-11-10

Total Pages: 420

ISBN-13: 0520323696

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The rapprochement of anthropology and literary studies, begun nearly fifteen years ago by such pioneering scholars as Clifford Geertz, Edward Said, and James Clifford, has led not only to the creation of the new scholarly domain of cultural studies but to the deepening and widening of both original fields. Literary critics have learned to "anthropologize" their studies—to ask questions about the construction of meanings under historical conditions and reflect on cultural "situatedness." Anthropologists have discovered narratives other than the master narratives of disciplinary social science that need to be drawn on to compose ethnographies. Culture/Contexture brings together for the first time literature and anthropology scholars to reflect on the antidisciplinary urge that has made the creative borrowing between their two fields both possible and necessary. Critically expanding on such pathbreaking works as James Clifford and George Marcus's Writing Culture and Marcus and Michael M. J. Fischer's Anthropology as Cultural Critique, contributors explore the fascination that draws the disciplines together and the fears that keep them apart. Their topics demonstrate the rich intersection of anthropology and literary studies, ranging from reading and race to writing and representation, incest and violence, and travel and time. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.