This architectural study attempts to explain how the Incas, who did not have iron tools or a knowledge of the wheel, were able to mine and transport extremely heavy stone and rock, following which these materials were converted into remarkably large structures.
This lavishly illustrated volume, based on extensive archeological research and Spanish colonial documentation, provides important insights into many questions and contradictions regarding the Inca Empire. 337 illustrations, 106 in color. 12 maps.
By examining the stunning stone buildings and dynamic spaces of the royal estate of Chinchero, Nair brings to light the rich complexity of Inca architecture. This investigation ranges from the paradigms of Inca scholarship and a summary of Inca cultural practices to the key events of Topa Inca's reign and the many individual elements of Chinchero's extraordinary built environment. What emerges are the subtle, often sophisticated ways in which the Inca manipulated space and architecture in order to impose their authority, identity, and agenda. The remains of grand buildings, as well as a series of deft architectural gestures in the landscape, reveal the unique places that were created within the royal estate and how one space deeply informed the other. These dynamic settings created private places for an aging ruler to spend time with a preferred wife and son, while also providing impressive spaces for imperial theatrics that reiterated the power of Topa Inca, the choice of his preferred heir, and the ruler's close relationship with sacred forces. This careful study of architectural details also exposes several false paradigms that have profoundly misguided how we understand Inca architecture, including the belief that it ended with the arrival of Spaniards in the Andes. Instead, Nair reveals how, amidst the entanglement and violence of the European encounter, an indigenous town emerged that was rooted in Inca ways of understanding space, place, and architecture and that paid homage to a landscape that defined home for Topa Inca.
The world's most artful and skillful stone architecture is found at Tiahuanaco at the southern end of Lake Titicaca in Bolivia. The precision of the stone masonry rivals that of the Incas to the point that writers from Spanish chroniclers of the sixteenth century to twentieth-century authors have claimed that Tiahuanaco not only served as a model for Inca architecture and stone masonry, but that the Incas even imported stonemasons from the Titicaca Basin to construct their buildings. Experiments aimed at replicating the astounding feats of the Tiahuanaco stonecutters--perfectly planar surfaces, perfect exterior and interior right angles, and precision to within 1 mm--throw light on the stonemasons' skill and knowledge, especially of geometry and mathematics. Detailed analyses of building stones yield insights into the architecture of Tiahuanaco, including its appearance, rules of composition, canons, and production, filling a significant gap in the understanding of Tiahuanaco's material culture.
This book contains a unique collection of various perspectives on the relationship between structures and the forms and spaces of architecture. As such it provides students and professionals alike with an essential sourcebook that can be mined for visual inspiration as well as for textually rich and authoritative insight into the links between structure, architecture, and cultural context. The chapters address fundamental structural elements and systems: columns, walls, beams, trusses, frames, tensile structures, arches, domes and shells. Each chapter is subdivided into two parts: • The essays – introduce the chapters with the reprinting of a curated set of essays and excerpts by various authors that uniquely address how particular structural elements or systems relate in essential fashion to architectural design concepts. • The model studies – physical models of the overall structural systems of several notable contemporary buildings from Europe, North and South America, Africa and Asia are illustrated with large photographs, detail close-ups, and views of their external forms and internal spaces that establish the exceptional qualities of these projects in connecting structural form to architectural design objectives. Mosaic layouts complete the chapters with a collection of photographs of yet more models whose particular details and unique features serve to extend the visual repertoire of the structural type being considered. The combination, juxtaposition and mutual positive reinforcement of these two collections, one largely textual and the other image based, provides the reader with unique and multifaceted insights into how structural forms and systems can be related to architectural design intentions. Conveyed by a strong and deliberate graphical design format, this assembly of materials gets to the very essence of structures within the context of architecture, and will inspire students and practitioners alike to make strategic design decisions for their own projects.
Massive yet elegantly executed masonry architecture and andenes (agricultural terraces) set against majestic and seemingly boundless Andean landscapes, roads built in defiance of rugged terrains, and fine textiles with orderly geometric designs—all were created within the largest political system in the ancient New World, a system headed, paradoxically, by a single, small minority group without wheeled vehicles, markets, or a writing system, the Inka. For some 130 years (ca. A.D. 1400 to 1533), the Inka ruled over at least eighty-six ethnic groups in an empire that encompassed about 2 million square kilometers, from the northernmost region of the Ecuador–Colombia border to northwest Argentina. The Inka Empire brings together leading international scholars from many complementary disciplines, including human genetics, linguistics, textile and architectural studies, ethnohistory, and archaeology, to present a state-of-the-art, holistic, and in-depth vision of the Inkas. The contributors provide the latest data and understandings of the political, demographic, and linguistic evolution of the Inkas, from the formative era prior to their political ascendancy to their post-conquest transformation. The scholars also offer an updated vision of the unity, diversity, and essence of the material, organizational, and symbolic-ideological features of the Inka Empire. As a whole, The Inka Empire demonstrates the necessity and value of a multidisciplinary approach that incorporates the insights of fields beyond archaeology and ethnohistory. And with essays by scholars from seven countries, it reflects the cosmopolitanism that has characterized Inka studies ever since its beginnings in the nineteenth century.
This book examines the theoretical foundations of the processes of planning and design. When people – alone or in groups – want to solve problems or improve their situation, they make plans. Horst Rittel studied this process of making plans and he developed theories – including his notion of "wicked problems" – that are used in many fields today. From product design, architecture and planning – where Rittel’s work was originally developed – to governmental agencies, business schools and software design, Rittel’s ideas are being used. This book collects previously unavailable work of Rittel’s within the framework of a discussion of Rittel’s theories and philosophical influences.
A major contribution to both art history and Latin American studies, A Culture of Stone offers sophisticated new insights into Inka culture and the interpretation of non-Western art. Carolyn Dean focuses on rock outcrops masterfully integrated into Inka architecture, exquisitely worked masonry, and freestanding sacred rocks, explaining how certain stones took on lives of their own and played a vital role in the unfolding of Inka history. Examining the multiple uses of stone, she argues that the Inka understood building in stone as a way of ordering the chaos of unordered nature, converting untamed spaces into domesticated places, and laying claim to new territories. Dean contends that understanding what the rocks signified requires seeing them as the Inka saw them: as potentially animate, sentient, and sacred. Through careful analysis of Inka stonework, colonial-period accounts of the Inka, and contemporary ethnographic and folkloric studies of indigenous Andean culture, Dean reconstructs the relationships between stonework and other aspects of Inka life, including imperial expansion, worship, and agriculture. She also scrutinizes meanings imposed on Inka stone by the colonial Spanish and, later, by tourism and the tourist industry. A Culture of Stone is a compelling multidisciplinary argument for rethinking how we see and comprehend the Inka past.
David Hatcher Childress, popular Lost Cities author and star of the History Channel’s long-running show Ancient Aliens, takes us to the mysterious ruins in the mountains of Peru and Bolivia in search of ancient technology and the secrets of megalith building. In his new book, packed with photos and diagrams, Childress examines the amazing stonecutting at Puma Punku, a site neighboring the ancient ruins of Tiwanaku near Lake Titicaca in Bolivia. He looks at whether the so-called “Inca walls”-found in Cuzco and at other sites such as Sacsayhuaman, Ollantaytambo and Machu Picchu-were really made by the Incas. The evidence seems to support the idea that they were actually constructed by a far older culture. Childress examines the megalithic construction and underground chambers of Chavin in the Cordillera Blanca of Peru, possibly the oldest megalithic site in South America. He also speculates on the existence of a sunken city in Lake Titicaca and reveals new evidence that the Sumerians may have arrived in South America over 4,000 years ago. Childress demonstrates that the use of “keystone cuts” with metal clamps poured into them to secure megalithic construction was an advanced technology used all over the world, from the Andes to Egypt, Greece and Southeast Asia. He maintains that only power tools could have made the intricate articulation and drill holes found in extremely hard granite and basalt blocks in Bolivia and Peru, and that the megalith builders had to have had advanced methods for moving and stacking gigantic blocks of stone, some weighing over 100 tons. The incredible high-tech world of South America is illuminated in the informative and breezy style for which Childress has always been known. Chapters in the book include: The Lost World of South America; The Enigma of Ancient Technology; Ancient Technology at Tiwanaku and Puma Punku; The Sumerian Mining Complex at Tiwanaku; Mysteries of Lake Titicaca and the Towers; Ancient Technology in Cuzco; The Megaliths of Ollantaytambo; Did the Incas Build Machu Picchu?; and more!