In Whose Name?

In Whose Name?

Author: Armin von Bogdandy

Publisher: OUP Oxford

Published: 2014-07-25

Total Pages: 305

ISBN-13: 0191026948

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The vast majority of all international judicial decisions have been issued since 1990. This increasing activity of international courts over the past two decades is one of the most significant developments within the international law. It has repercussions on all levels of governance and has challenged received understandings of the nature and legitimacy of international courts. It was previously held that international courts are simply instruments of dispute settlement, whose activities are justified by the consent of the states that created them, and in whose name they decide. However, this understanding ignores other important judicial functions, underrates problems of legitimacy, and prevents a full assessment of how international adjudication functions, and the impact that it has demonstrably had. This book proposes a public law theory of international adjudication, which argues that international courts are multifunctional actors who exercise public authority and therefore require democratic legitimacy. It establishes this theory on the basis of three main building blocks: multifunctionality, the notion of an international public authority, and democracy. The book aims to answer the core question of the legitimacy of international adjudication: in whose name do international courts decide? It lays out the specific problem of the legitimacy of international adjudication, and reconstructs the common critiques of international courts. It develops a concept of democracy for international courts that makes it possible to constructively show how their legitimacy is derived. It argues that ultimately international courts make their decisions, even if they do not know it, in the name of the peoples and the citizens of the international community.


In Whose Name?

In Whose Name?

Author: Abbas

Publisher: Thames and Hudson

Published: 2009-08-25

Total Pages: 280

ISBN-13:

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"On 11 September 2001, the photographer Abbas watched the Twin Towers fall in New York - live on Siberian TV, thirteen time zones away. It spurred him to begin a journey through the Islamic world that would last seven years. The photographs published here are the final result of that project. Born in Iran, Abbas casts a sharp eye over a world seen by very few from the West until now. Seeking out people and places that have been overlooked by others, he reveals far more - and in greater depth - than photojournalists who focus on flashpoints or who race to break the latest news. Abbas is acclaimed for his special ability to freeze a moment in a particular social or political conflict, to frame actions or gestures that instantly become emblematic: what he calls 'the suspended moment'. Accompanied by Abbas's own candid personal travel diary, these photographs convey his robust enquiring spirit. 'I wanted to see how the umma [world community of Muslims] reacted to the jihadists in their midst, ' Abbas says. 'How does Islam, a religion, sustain a political ideology - Islamism?' Recording a route through sixteen countries - including Iran, Iraq, Lebanon, Afghanistan, Saudi Arabia, Israel and Palestine, Turkey, Indonesia, Thailand, Kenya and Zanzibar - Abbas's pictures swell with the undercurrents of global disturbance, uncertainty and threat. Yet there are gleams of optimism, too - a wedding, an impromptu ball game, children playing - that remind us of Abbas's gift as a humane interpreter of our existence. Abbas is widely recognized as one of the most exceptional photographers of our time. These images represent some of the most memorable and compelling work he has produced."--Publisher's description.


In Whose Name?

In Whose Name?

Author: Armin von Bogdandy

Publisher: Oxford University Press, USA

Published: 2014

Total Pages: 305

ISBN-13: 0198717466

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The vast majority of all international judicial decisions have been issued since 1990. This increasing activity of international courts over the past two decades is one of the most significant developments within the international law. It has repercussions on all levels of governance and has challenged received understandings of the nature and legitimacy of international courts. It was previously held that international courts are simply instruments of dispute settlement, whose activities are justified by the consent of the states that created them, and in whose name they decide. However, this understanding ignores other important judicial functions, underrates problems of legitimacy, and prevents a full assessment of how international adjudication functions, and the impact that it has demonstrably had. This book proposes a public law theory of international adjudication, which argues that international courts are multifunctional actors who exercise public authority and therefore require democratic legitimacy. It establishes this theory on the basis of three main building blocks: multifunctionality, the notion of an international public authority, and democracy. The book aims to answer the core question of the legitimacy of international adjudication: in whose name do international courts decide? It lays out the specific problem of the legitimacy of international adjudication, and reconstructs the common critiques of international courts. It develops a concept of democracy for international courts that makes it possible to constructively show how their legitimacy is derived. It argues that ultimately international courts make their decisions, even if they do not know it, in the name of the peoples and the citizens of the international community.


Whose Names Are Unknown

Whose Names Are Unknown

Author: Sanora Babb

Publisher: University of Oklahoma Press

Published: 2012-11-20

Total Pages: 261

ISBN-13: 0806187522

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Sanora Babb’s long-hidden novel Whose Names Are Unknown tells an intimate story of the High Plains farmers who fled drought dust storms during the Great Depression. Written with empathy for the farmers’ plight, this powerful narrative is based upon the author’s firsthand experience. This clear-eyed and unsentimental story centers on the fictional Dunne family as they struggle to survive and endure while never losing faith in themselves. In the Oklahoma Panhandle, Milt, Julia, their two little girls, and Milt’s father, Konkie, share a life of cramped circumstances in a one-room dugout with never enough to eat. Yet buried in the drudgery of their everyday life are aspirations, failed dreams, and fleeting moments of hope. The land is their dream. The Dunne family and the farmers around them fight desperately for the land they love, but the droughts of the thirties force them to abandon their fields. When they join the exodus to the irrigated valleys of California, they discover not the promised land, but an abusive labor system arrayed against destitute immigrants. The system labels all farmers like them as worthless “Okies” and earmarks them for beatings and worse when hardworking men and women, such as Milt and Julia, object to wages so low they can’t possibly feed their children. The informal communal relations these dryland farmers knew on the High Plains gradually coalesce into a shared determination to resist. Realizing that a unified community is their best hope for survival, the Dunnes join with their fellow workers and begin the struggle to improve migrant working conditions through democratic organization and collective protest. Babb wrote Whose Names are Unknown in the 1930s while working with refugee farmers in the Farm Security Administration (FSA) camps of California. Originally from the Oklahoma Panhandle are herself, Babb, who had first come to Los Angeles in 1929 as a journalist, joined FSA camp administrator Tom Collins in 1938 to help the uprooted farmers. As Lawrence R. Rodgers notes in his foreword, Babb submitted the manuscript for this book to Random House for consideration in 1939. Editor Bennett Cerf planned to publish this “exceptionally fine” novel but when John Steinbeck’s The Grapes of Wrath swept the nation, Cerf explained that the market could not support two books on the subject. Babb has since shared her manuscript with interested scholars who have deemed it a classic in its own right. In an era when the country was deeply divided on social legislation issues and millions drifted unemployed and homeless, Babb recorded the stories of the people she greatly respected, those “whose names are unknown.” In doing so, she returned to them their identities and dignity, and put a human face on economic disaster and social distress.