In the Soviet House of Culture

In the Soviet House of Culture

Author: Bruce Grant

Publisher: Princeton University Press

Published: 1995-10-22

Total Pages: 250

ISBN-13: 9780691044323

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Based on years of research in the former Soviet Union, Bruce Grant's book draws upon Nivkh interviews, newly opened archives, and rarely translated Soviet ethnographic texts to examine the effects of this remarkable state venture in the construction of identity. With a keen sensitivity, Grant explores the often paradoxical participation by Nivkhi in these shifting waves of Sovietization and poses questions about how cultural identity is constituted and reconstituted, restructured and dismantled.


Soviet Culture and Power

Soviet Culture and Power

Author: Katerina Clark

Publisher: Yale University Press

Published: 2007-01-01

Total Pages: 576

ISBN-13: 0300106467

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Leaders of the Soviet Union, Stalin chief among them, well understood the power of art, and their response was to attempt to control and direct it in every way possible. This book examines Soviet cultural politics from the Revolution to Stalin’s death in 1953. Drawing on a wealth of newly released documents from the archives of the former Soviet Union, the book provides remarkable insight on relations between Gorky, Pasternak, Babel, Meyerhold, Shostakovich, Eisenstein, and many other intellectuals, and the Soviet leadership. Stalin’s role in directing these relations, and his literary judgments and personal biases, will astonish many. The documents presented in this volume reflect the progression of Party control in the arts. They include decisions of the Politburo, Stalin’s correspondence with individual intellectuals, his responses to particular plays, novels, and movie scripts, petitions to leaders from intellectuals, and secret police reports on intellectuals under surveillance. Introductions, explanatory materials, and a biographical index accompany the documents.


In the Soviet House of Culture

In the Soviet House of Culture

Author: Bruce Grant

Publisher: Princeton University Press

Published: 2020-10-06

Total Pages: 248

ISBN-13: 0691219702

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At the outset of the twentieth century, the Nivkhi of Sakhalin Island were a small population of fishermen under Russian dominion and an Asian cultural sway. The turbulence of the decades that followed would transform them dramatically. While Russian missionaries hounded them for their pagan ways, Lenin praised them; while Stalin routed them in purges, Khrushchev gave them respite; and while Brezhnev organized complex resettlement campaigns, Gorbachev pronounced that they were free to resume a traditional life. But what is tradition after seven decades of building a Soviet world? Based on years of research in the former Soviet Union, Bruce Grant's book draws upon Nivkh interviews, newly opened archives, and rarely translated Soviet ethnographic texts to examine the effects of this remarkable state venture in the construction of identity. With a keen sensitivity, Grant explores the often paradoxical participation by Nivkhi in these shifting waves of Sovietization and poses questions about how cultural identity is constituted and reconstituted, restructured and dismantled. Part chronicle of modernization, part saga of memory and forgetting, In the Soviet House of Culture is an interpretive ethnography of one people's attempts to recapture the past as they look toward the future. This is a book that will appeal to anthropologists and historians alike, as well as to anyone who is interested in the people and politics of the former Soviet Union.


Stories of House and Home

Stories of House and Home

Author: Christine Varga-Harris

Publisher: Cornell University Press

Published: 2015-10-22

Total Pages: 310

ISBN-13: 1501701835

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Stories of House and Home is a social and cultural history of the massive construction campaign that Khrushchev instituted in 1957 to resolve the housing crisis in the Soviet Union and to provide each family its own apartment. Decent housing was deemed the key to a healthy, productive home life, which was essential to the realization of socialist collectivism. Drawing on archival materials, as well as memoirs, fiction, and the Soviet press, Christine Varga-Harris shows how the many aspects of this enormous state initiative—from neighborhood planning to interior design—sought to alleviate crowded, undignified living conditions and sculpt residents into ideal Soviet citizens. She also details how individual interests intersected with official objectives for Soviet society during the Thaw, a period characterized by both liberalization and vigilance in everyday life.Set against the backdrop of the widespread transition from communal to one-family living, Stories of House and Home explores the daily experiences and aspirations of Soviet citizens who were granted new apartments and those who continued to inhabit the old housing stock due to the chronic problems that beset the housing program. Varga-Harris analyzes the contradictions apparent in heroic advances and seemingly inexplicable delays in construction, model apartments boasting modern conveniences and decrepit dwellings, happy housewarmings and disappointing moves, and new residents and individuals requesting to exchange old apartments. She also reveals how Soviet citizens identified with the state and with the broader project of building socialism.


The Cultural Front

The Cultural Front

Author: Sheila Fitzpatrick

Publisher: Cornell University Press

Published: 2018-08-06

Total Pages: 289

ISBN-13: 1501724088

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When Lenin asked, "Who will beat whom?" (Kto kogo?), he had no plan to wage revolutionary class war in culture. Many young Communists thought differently, however. Seeking in the name of the proletariat to wrest "cultural hegemony" from the intelligentsia, they turned culture into a battlefield in the 1920s. But was this, as Communist militants thought, a genuine class struggle between "proletarian" Communists and the "bourgeois" intelligentsia? Or was it, as the intelligentsia believed, an onslaught by the ruling Communist Party on the eternal principles of cultural autonomy and intellectual freedom? In this volume, one of the foremost historians of the Soviet Union chronicles the fierce battle on "the cultural front" from the October Revolution through the Stalinist 1930s. Sheila Fitzpatrick brings together ten of her essays—two previously unpublished and all revised for inclusion here—which illuminate key arenas of the prolonged struggle over cultural values and institutional control. Individual essays deal with such major issues as the Cultural Revolution, the formation of the new Stalinist elite, and socialist realism, as well as recounting colorful episodes including the uproar over Shostakovich's opera Lady Macbeth of the Mtsensk District, arguments over sexual mores, and the new consumerism of the 1930s. Closely examining the cultural elites and orthodoxies that developed under Stalin, Fitzpatrick offers a provocative reinterpretation of the struggle's final outcome in which the intelligentsia, despite its loss of autonomy and the debasement of its culture, emerged as a partial victor. The Cultural Front is essential reading for anyone interested in the formative history of the Soviet Union and the dynamic relationship between culture and politics.


Reconstructing the House of Culture

Reconstructing the House of Culture

Author: Brian Donahoe

Publisher:

Published: 2011

Total Pages: 336

ISBN-13: 9780857452757

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Notions of culture, rituals and their meanings, the workings of ideology in everyday life, public representations of tradition and ethnicity, and the social consequences of economic transition- these are critical issues in the social anthropology of Russia and other postsocialist countries. Engaged in the negotiation of all these is the House of Culture, which was the key institution for cultural activities and implementation of state cultural policies in all socialist states. The House of Culture was officially responsible for cultural enlightenment, moral edification, and personal cultivation-in short, for implementing the socialist state's program of "bringing culture to the masses." Surprisingly, little is known about its past and present condition. This collection of ethnographically rich accounts examines the social significance and everyday performance of Houses of Culture and how they have changed in recent decades. In the years immediately following the end of the Soviet Union, they underwent a deep economic and symbolic crisis, and many closed. Recently, however, there have been signs of a revitalization of the Houses of Culture and a re-orientation of their missions and programs. The contributions to this volume investigate the changing functions and meanings of these vital institutions for the communities that they serve.


Mass Culture in Soviet Russia

Mass Culture in Soviet Russia

Author: James von Geldern

Publisher: Indiana University Press

Published: 1995-12-22

Total Pages: 544

ISBN-13: 0253013399

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This anthology offers a rich array of documents, short fiction, poems, songs, plays, movie scripts, comic routines, and folklore to offer a close look at the mass culture that was consumed by millions in Soviet Russia between 1917 and 1953. Both state-sponsored cultural forms and the unofficial culture that flourished beneath the surface are represented. The focus is on the entertainment genres that both shaped and reflected the social, political, and personal values of the regime and the masses. The period covered encompasses the Russian Revolution and Civil War, the mixed economy and culture of the 1920s, the tightly controlled Stalinist 1930s, the looser atmosphere of the Great Patriotic War, and the postwar era ending with the death of Stalin. Much of the material appears here in English for the first time. A companion 45-minute audio tape (ISBN 0-253-32911-6) features contemporaneous performances of fifteen popular songs of the time, with such favorites as "Bublichki," "The Blue Kerchief," and "Katyusha." Russian texts of the songs are included in the book.


The Soviet Mind

The Soviet Mind

Author: Henry Hardy

Publisher: Brookings Institution Press

Published: 2016-08-23

Total Pages: 296

ISBN-13: 0815728883

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“Berlin’s great powers of observation combine with his great knowledge and literary gifts to provide us with a fascinating series of insights.” —Geoffrey Riklin George Kennan, the architect of U.S. policy toward the Soviet Union, called Isaiah Berlin “the patron saint among the commentators of the Russian scene.” In The Soviet Mind, Berlin proves himself worthy of that accolade. Although the essays in this book were originally written to explore tensions between Soviet communism and Russian culture, the thinking about the Russian mind that emerges is as relevant today under Putin’s post-communist Russia as it was when this book first appeared more than a decade ago. This Brookings Classic brings together Berlin's writings about the Soviet Union. Among the highlights are accounts of Berlin's meetings with Russian writers in the aftermath of the war; a celebrated memorandum written for the British Foreign Office in 1945 about the state of the arts under Stalin; Berlin's account of Stalin's manipulative "artificial dialectic"; portraits of Pasternak and poet Osip Mandel’shtam; Berlin's survey of Russian culture based on a visit in 1956; and a postscript reflecting on the fall of the Berlin Wall and other events in 1989. Henry Hardy prepared the essays for publication; his introduction describes their history. In his revised foreword, Brookings’ Strobe Talbott, a longtime expert on Russia and the Soviet Union, relates the essays to Berlin's other work. The essays and other pieces in The Soviet Mind—including a new essay, “Marxist versus Non-Marxist Ideas in Soviet Policy”—represent Berlin at his most brilliant and are invaluable for policymakers, students, and anyone interested in Russian politics and thought—past, present, and future.


Material Culture in Russia and the USSR

Material Culture in Russia and the USSR

Author: Graham H. Roberts

Publisher: Bloomsbury Publishing

Published: 2017-05-04

Total Pages: 281

ISBN-13: 1472586158

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Material Culture in Russia and the USSR comprises some of the most cutting-edge scholarship across anthropology, history and material and cultural studies relating to Russia and the Soviet Union, from Peter the Great to Putin. Material culture in Russia and the USSR holds a particularly important role, as the distinction between private and public spheres has at times developed in radically different ways than in many places in the more commonly studied West. With case studies covering alcohol, fashion, cinema, advertising and photography among other topics, this wide-ranging collection offers an unparalleled survey of material culture in Russia and the USSR and addresses core questions such as: what makes Russian and Soviet material culture distinctive; who produces it; what values it portrays; and how it relates to 'high culture' and consumer culture.


Russian Postmodernism

Russian Postmodernism

Author: Mikhail N. Epstein

Publisher: Berghahn Books

Published: 2016

Total Pages: 601

ISBN-13: 1782388648

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Recent decades have been decisive for Russia not only politically but culturally as well. The end of the Cold War has enabled Russia to take part in the global rise and crystallization of postmodernism. This volume investigates the manifestations of this crucial trend in Russian fiction, poetry, art, and spirituality, demonstrating how Russian postmodernism is its own unique entity. It offers a point of departure and valuable guide to an area of contemporary literary-cultural studies insufficiently represented in English-language scholarship. This second edition includes additional essays on the topic and a new introduction examining the most recent developments.