Basically I write songs. I wrote this book way back when I was young but never published it until recently. It's a semi-fictional cartoon animation story for kids and adults
Troy Hull has troubles. After the death of his parents, he left college to take up his family's traditional lobster-fi shing life. Now, thanks to poor fi shing, a misguided second mortgage, and the changing nature of his hometown, Troy fi nds himself faced with the loss of that life. As a former highschool classmate turned banker tells him: This isn't a fi sherman's town anymore. Indeed, soaring property values have made it increasingly a haven for land speculators, wealthy summer residents, and tax-sheltered retirees, and Troy's home- just off the harbor on a quiet stretch of Hull Creek-is exactly the sort of property these newcomers covet. So Troy must decide whether to join his friend on an illegal path to solvency or let the straight-andnarrow take him from his beloved home. Hull Creek is a timely tale of change on the coast of Maine and the challenges it brings to the men who still seek their livelihood from the sea.
Jim Nichols was a lively, vigorous frontiersman who came to Texas about the time of its Revolution. As with many men of that day, Nichols' formal education was lacking, but he was a born writer with a vivid way of saying things. He had an abundance of exciting events to write about: fighting against Mexicans and Indians, Ranger activities, an attack by wolves, a buffalo stampede, and many other colorful episodes. Nichols' account is fast-moving, fascinating frontier history by a man who was really there.
A tenderly written, poignant novel from award-winning Maine fiction writer, Jim Nichols. Tightly constructed of gem-like linked stories told from the different points of view of residents of the small town of Baxter, Maine, all of whom discover--in turn--that the heart can grow only after it shatters.
Efter at James D. Nichols har været tilbageholdt, fordi han er blevet sat i forbindelse med Oklahoma-bomben i april 1995, begynder han sammen med Robert S. Papovich sin egen efterforskning af sagen, hvori hans bror Terry Nichols samt Timothy J. McVeigh var anklaget
At forty, Cal Shaw has seen better days, that's for sure, but it wasn't always like this. He grew up with his brother, Alvin, and his sister Julia, in the small Maine town of Baxter, confident in his own capabilities, especially regarding music. He took his happy life for granted, as lucky children often do. But everything changed when he was ten and his dad died in a freak accident. Soon, trouble, mostly in the form of a violent stepfather, found a home -- his home. As an escape, the Shaw kids turned to music lessons with family friend Uncle Gus, but it turns out no one can escape the violence and grief that rains down on the Shaws.
It's. Nice. Outside. explores that universal tension between being a parent and keeping true to yourself. In this laugh-out-loud, heartbreaking, generous family novel, Jim Kokoris returns to the heartfelt writing of The Rich Part of Life. Meet John Nichols. He's 50-something years old, an ex-basketball player, ex-author, ex-philanderer, ex-husband, ex-high school English teacher. And he's father to three: two overachieving adult daughters, and 19 year-old Ethan, who will never be an adult. John's oldest daughter is getting married, and as the whole family travels from their homes in New York and the Chicago area, John is secretly preparing for a life-change that will alter his family's hearts forever.
War is waged not only on battlefields. In the mid-1980s a high-stakes political struggle to redesign the relationships among the president, secretary of defense, Joint Chiefs of Staff, chairman of the Joint Chiefs, and warfighting commanders in the field resulted in the Goldwater-Nichols Act of 1986. Author James R. Locher III played a key role in the congressional effort to repair a dysfunctional military whose interservice squabbling had cost American taxpayers billions of dollars and put the lives of thousands of servicemen and women at risk. Victory on this front helped make possible the military successes the United States has enjoyed since the passage of the bill and to prepare it for the challenges it must still face.Victory on the Potomac provides the first detailed history of how Congress unified the Pentagon and does so with the benefit of an insider's view. In a fast-paced account that reads like a novel, Locher follows the bill through congressional committee to final passage, making clear that the process is neither abstract nor automatic. His vivid descriptions bring to life the amazing cast of this real-life drama, from the straight-shooting chairman of the Senate Armed Services Committee, Barry Goldwater, to the peevishly stubborn secretary of defense, Caspear Weinberger.Locher's analysis of political maneuvering and bureaucratic infighting will fascinate anyone who has an interest in how government works, and his understanding of the stakes in military reorganization will make clear why this legislative victory meant so much to American military capability. James R. Locher III, a graduate of West Point and Harvard Business School began his career in Washington as an executive trainee in the Office of the Secretary of Defense. He has worked in the White House, the Pentagon, and the Senate. During the period covered by this book, he was a staff member for the Senate Committee on Armed Services. Since then, he has served as an assistant secretary of defense in the first Bush and the early Clinton administrations. Currently, he works as a consultant and lecturer on defense matters.
In the fall of 1988, Sue Miller found herself caring for her father as he slipped into the grasp of Alzheimer's disease. She was, she claims, perhaps the least constitutionally suited of all her siblings to be in the role in which she suddenly found herself, and in The Story of My Father she grapples with the haunting memories of those final months and the larger narrative of her father's life. With compassion, self-scrutiny, and an urgency born of her own yearning to rescue her father's memory from the disorder and oblivion that marked his dying and death, Sue Miller takes us on an intensely personal journey that becomes, by virtue of her enormous gifts of observation, perception, and literary precision, a universal story of fathers and daughters. James Nichols was a fourth-generation minister, a retired professor from Princeton Theological Seminary. Sue Miller brings her father brilliantly to life in these pages-his religious faith, his endless patience with his children, his gaiety and willingness to delight in the ridiculous, his singular gifts as a listener, and the rituals of church life that stayed with him through his final days. She recalls the bitter irony of watching him, a church historian, wrestle with a disease that inexorably lays waste to notions of time, history, and meaning. She recounts her struggle with doctors, her deep ambivalence about many of her own choices, and the difficulty of finding, continually, the humane and moral response to a disease whose special cruelty it is to dissolve particularities and to diminish, in so many ways, the humanity of those it strikes. She reflects, unforgettably, on the variable nature of memory, the paradox of trying to weave a truthful narrative from the threads of a dissolving life. And she offers stunning insight into her own life as both a daughter and a writer, two roles that swell together here in a poignant meditation on the consolations of storytelling. With the care, restraint, and consummate skill that define her beloved and best-selling fiction, Sue Miller now gives us a rigorous, compassionate inventory of two lives, in a memoir destined to offer comfort to all sons and daughters struggling-as we all eventually must-to make peace with their fathers and with themselves.
Nichols examines the major writings of Alexandre Koj_ve, and clarifies the character and brings to light the importance of his political philosophy. While emphasizing the political dimension of Koj_ve's thought, Nichols treats all his major published writings and shows how the remarkably varied parts of Koj_ve's intellectual endeavor go together. This is an essential assessment of Koj_ve which considers the works that preceded his turn to Hegel, seeks to articulate the character of his Hegelianism, and reflects in detail on the two different meanings that the end of history had in two different periods of his thought.