A mosaic of lyrical vignettes, at once deeply personal and political, set against the turbulent backdrop of Arab/Western relations. Adnan writes, "Contrary to what is usually believed, it is not general ideas and grandiose unfolding of great events that impress the mind during times of heightened historic upheavals, but rather the uninterrupted flow of little experiences, observations, disturbances, small ecstasies, or barely perceptible discouragements that make up day-to-day living." Etel Adnan, a Lebanese American poet, painter, and essayist, lives in Paris, Beirut, and the San Francisco Bay Area. Among her books, the novel Sitt Marie Rose is considered a classic of Middle Eastern literature. She has been a powerful voice for compassion and empowerment in feminist and antiwar movements.
A story told in prose as feverishly rich as William Faulkner's, In the Heart of the Country is a work of irresistable power. J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018. On a remote farm in South Africa, the protagonist of J. M. Coetzee's fierce and passionate novel watches the life from which she has been excluded. Ignored by her callous father, scorned and feared by his servants, she is a bitterly intelligent woman whose outward meekness disguises a desperate resolve not to become "one of the forgotten ones of history." When her father takes an African mistress, that resolve precipitates an act of vengeance that suggests a chemical reaction between the colonizer and the colonized—and between European yearnings and the vastness and solitude of Africa. With vast assurance and an unerring eye, J. M. Coetzee has turned the family romance into a mirror of the colonial experience.
Before she wrote the bestselling Brokeback Mountain, Annie Proulx was already producing some of the finest short fiction in the country. Here are her collected stories, including two new works never before anthologized. These stories reverberate with rural tradition, the rites of nature, and the rituals of small town life. The country is blue collar New England; the characters are native families and the dispossessed working class, whose heritage is challenged by the neorural bourgeoisie from the city; and the themes are as elemental as the landscape: revenge, malice, greed, passion. Told with skill and profundity and crafted by a master storyteller, these are lean, tough tales of an extraordinary place and its people.
Faith and Luke Carraday have it all. Faith is a beautiful singer turned socialite while Luke is an up-and-coming businessman. After taking his inheritance from his father’s stable, lucrative business to invest in a successful hedge fund with the Michov Brothers, he’s on the fast track as a rising young executive, and Faith is settling comfortably into her role as his wife. When rumors of the Michovs’ involvement in a Ponzi scheme reach Faith, she turns to Luke for confirmation, and he assures her that all is well. But when Luke is arrested, Faith can’t understand why he would lie to her, and she runs home to the farm and the family she turned her back on years ago. Meanwhile, Luke is forced to turn to his own family for help as he desperately tries to untangle himself from his mistakes. Can two prodigals return to families they abandoned, and will those families find the grace to forgive and forget? Will a marriage survive betrayal when there is nowhere to run but home?
“[Written] with a poet’s verve. . . . This memoir’s beauty is in its fierce intimacy.” —Roy Hoffman, The New York Times Book Review Native Country of the Heart: A Memoir is, at its core, a mother-daughter story. The mother, Elvira, was hired out as a child, along with her siblings, by their own father to pick cotton in California’s Imperial Valley. The daughter, Cherríe Moraga, is a brilliant, pioneering, queer Latina feminist. The story of these two women, and of their people, is woven together in an intimate memoir of critical reflection and deep personal revelation. As a young woman, Elvira left California to work as a cigarette girl in glamorous late-1920s Tijuana, where a relationship with a wealthy white man taught her life lessons about power, sex, and opportunity. As Moraga charts her mother’s journey—from impressionable young girl to battle-tested matriarch to, later on, an old woman suffering under the yoke of Alzheimer’s—she traces her own self-discovery of her gender-queer body and Lesbian identity. As her mother’s memory fails, Moraga is driven to unearth forgotten remnants of a US Mexican diaspora, and an American story of cultural loss. Poetically wrought and filled with insight into intergenerational trauma, Native Country of the Heart is a reckoning with white American history and a piercing love letter from a fearless daughter to her mother. “A masterpiece of literary art.” —Michael Nava, Los Angeles Review of Books “Poignant, beautifully written.” —Kirkus Reviews, starred review “A defiant, deep and soulful book about all our mothers, mother cultures, motherlands and languages.” —Julia Alvarez, national bestselling author of In the Time of the Butterflies
Longlisted for the 2011 Scotiabank Giller Prize Set in eighteenth-century Canada, this compelling new novel takes the reader deep into unexplored territory. Appearing only fleetingly in the historical record of the Hudson's Bay Company are the Native women who lived at the company's Prince of Wales Fort and served as companions to the European traders -- and whose survival was bound, for better or worse, to the fortunes of those men. Across more than two centuries, the mixed-blood woman Molly Norton, daughter of Governor Moses and personal favourite of the explorer Samuel Hearne, speaks to us from her dreams. As the story of her liaison with Hearne unfolds, we move toward its tragic consequences. When their small society is torn apart, Molly and the other women find themselves and their children abandoned by their British masters. Now -- in one of history's cruel ironies -- they must fend for themselves in the harsh country from which their own ancestors sprang. Unflinching, powerful and rich in moral ambiguity, Into the Heart of the Country explores a tragic meeting of cultures that still reverberates in the present day.
Stories carry the seeds of our humanness. They help us, teach us, heal us, and connect us to what matters. As Far As the Heart Can See is an invitation to be in relationship with deep and life-giving material. Many spiritual gurus present dense metaphysical theses with an intellectual approach for "working" a spiritual path; poet and philosopher Mark Nepo reaches people through their hearts, bringing something fresh and new to the field by stimulating change through reflection of thoughts and feelings. The stories he shares in As Far As the Heart Can See come from many places—from Nepo's personal history to dreams to the myths of our ancestors. Each one is an invitation to awaken an aspect of living in relationship with the sacred. Following each of the forty-five stories are three forms of an invitation to further the conversation: journal questions, table questions, and meditations. The questions, whether reflected upon in a journal or discussed in deeper conversation with friends or family, are meant to lead the seeker down unimagined paths and back into life; the meditations are meant to ground the learning. These stories and parables about universal concepts and themes offer a poet's sensuality and a philosopher's sensibility to personalizing the journey of the human experience in the world.
"Impossible to put down. It haunts me still.” -Alex Marzano-Lesnevich, author of The Fact of a Body: A Murder and a Memoir A riveting, deeply personal exploration of the opioid crisis-an empathic memoir infused with hints of true crime. In November 2013, Rose Andersen's younger sister Sarah died of an overdose in the bathroom of her boyfriend's home in a small town with one of the highest rates of opioid use in the state. Like too many of her generation, she had become addicted to heroin. Sarah was 24 years old. To imagine her way into Sarah's life, Rose revisits their volatile childhood, marked by their stepfather's omnipresent rage and their father's pathological lying. As the dysfunction comes into focus, so does a broader picture of the opioid crisis and the drug rehabilitation industry in small towns across America. And when Rose learns from the coroner that Sarah's cause of death was a methamphetamine overdose, the story takes a wildly unexpected turn. As Andersen sifts through her sister's last days, we come to recognize the contours of grief and its aftermath: the psychic shattering which can turn to anger, the pursuit of an ever-elusive verdict, and the intensely personal rites of imagination and art needed to actually move on. Reminiscent of Alex Marzano-Lesnevich's The Fact of a Body, Maggie Nelson's Jane: A Murder, and Lacy M. Johnson's The Other Side, Andersen's debut is a potent, profoundly original journey into and out of loss.