Michael Palmer has been hailed by John Ashbery as ``exemplarily radical'' and by The Village Voice as ``the most influential avant-gardist working, and perhaps the greatest poet of his generation.
Codes Appearing combines in a single volume three seminal and long unavailable collections by Michael Palmer. This volume rescues from limbo three of his most beautiful poetry volumes: Notes for Echo Lake, First Figure, and Sun (1981, 1984, 1988). Making available a great deal of Palmer's most influential, exciting, and stunning work, Codes Appearing is a landmark volume. The significance of his writing is every day more recognized. "It is impossible," as The Boston Review noted, "to overstate Palmer's importance." "Michael Palmer, '" as Joshua Clover declared in The Village Voice, "is the most influential avant-gardist working, and perhaps the greatest poet of his generation.... And his books, including the essential '80s triptych of Notes for Echo Lake, First Figure, and Sun, are organized not by story but by a dreamland of calculus and sway....[Palmer's] genius is for making the world strange again."
In lively, accessible prose, John Himmelman explains the intricacy of moths' life cycle, their importance in nature, and how just a tiny handful of the many moth species are truly pests to humans. He tells how to attract moths with lights and bait, when and where to observe them, and how best to photograph these tiny subjects. Entertaining personal anecdotes and short profiles of some of the country's foremost moth-ers add human interest. This new edition updates photos and information while focusing on states east of the Mississippi.
FINALIST FOR THE 2021 NATIONAL BOOK AWARD FOR YOUNG PEOPLE'S LITERATURE A debut YA novel-in-verse by Amber McBride, Me (Moth) is about a teen girl who is grieving the deaths of her family, and a teen boy who crosses her path. Moth has lost her family in an accident. Though she lives with her aunt, she feels alone and uprooted. Until she meets Sani, a boy who is also searching for his roots. If he knows more about where he comes from, maybe he’ll be able to understand his ongoing depression. And if Moth can help him feel grounded, then perhaps she too will discover the history she carries in her bones. Moth and Sani take a road trip that has them chasing ghosts and searching for ancestors. The way each moves forward is surprising, powerful, and unforgettable. Here is an exquisite and uplifting novel about identity, first love, and the ways that our memories and our roots steer us through the universe.
It is about this very bit of Indiana that Mrs. Porter has written her book,"Moths of the Limberlost," and it is the most unusual and interesting nature book ever imagined. It is a story of the "Moths" of the Limberlost which every reader of "A Girl of the Limberlost" will remember. Mrs. Porter pictures and describes the moth, hunted by Elnora, and in these chapters there is one oi the landscapes over which she hunted, much of the swamp, and the very bridge under which she was working to cut loose a cocoon when Philip came up the stream, fishing. There is also the log cabin in which Elnora lived. The text is just scientific enough to give the name and description of each moth, cocoon and caterpillar; the remainder is a fascinating record of personal experiences in finding or raising the specimens. This is the fully illustrated edition.
Sides (contributing editor, Outside) fields questions from readers of his column "The Wild File." Focusing on natural history and outdoor lore, this collection includes questions about the strange doings of the natural world. Do beavers ever get squashed by the trees they're chewing down? What good are goosebumps? Why do men have nipples? How do penguins keep their feet from freezing? Why do llamas spit? c. Book News Inc.
The moth snowstorm, a phenomenon Michael McCarthy remembers from his boyhood when moths “would pack a car’s headlight beams like snowflakes in a blizzard,” is a distant memory. Wildlife is being lost, not only in the wholesale extinctions of species but also in the dwindling of those species that still exist. The Moth Snowstorm is unlike any other book about climate change today; combining the personal with the polemical, it is a manifesto rooted in experience, a poignant memoir of the author’s first love: nature. McCarthy traces his adoration of the natural world to when he was seven, when the discovery of butterflies and birds brought sudden joy to a boy whose mother had just been hospitalized and whose family life was deteriorating. He goes on to record in painful detail the rapid dissolution of nature’s abundance in the intervening decades, and he proposes a radical solution to our current problem: that we each recognize in ourselves the capacity to love the natural world. Arguing that neither sustainable development nor ecosystem services have provided adequate defense against pollution, habitat destruction, species degradation, and climate change, McCarthy asks us to consider nature as an intrinsic good and an emotional and spiritual resource, capable of inspiring joy, wonder, and even love. An award-winning environmental journalist, McCarthy presents a clear, well-documented picture of what he calls “the great thinning” around the world, while interweaving the story of his own early discovery of the wilderness and a childhood saved by nature. Drawing on the truths of poets, the studies of scientists, and the author’s long experience in the field, The Moth Snowstorm is part elegy, part ode, and part argument, resulting in a passionate call to action.