A look at the human sense of time, a biological rhythm that may follow a different beat from that dictated by external, "official," "objective" timepieces. Time and Place—Timeplace—is a continuum of the mind, as fundamental as the spacetime that may be the ultimate reality of the material world.Kevin Lynch's book deals with this human sense of time, a biological rhythm that may follow a different beat from that dictated by external, "official," "objective" timepieces. The center of his interest is on how this innate sense affects the ways we view and change—or conserve, or destroy—our physical environment, especially in the cities.
In this memoir, Lucy S. Dawidowicz recounts her time in Vilna where she went to study in 1938-39. She also reconstructs the history of Vilna Jews through the centuries and gives a first-hand account of Vilna’s Jewish community right before its destruction by the Nazis. Dawidowicz fled days before the German invasion of Poland, and returned to the American zone in Germany in 1946-47 to help Jews in Displaced Persons camps with the American Jewish Joint Distribution Committee. It was in that role that Dawidowicz helped salvage remnants of YIVO’s Vilna archives that were shipped to New York. “Dawidowicz, a well-known historian of the Jews, has presented us... a memoir on Vilna, a city she left on Aug. 24, 1939, just before World War II began. It is a tremendous collection of facts and names. There are sketches depicting the everyday life of a thriving community and reflections upon its unique culture. But the book is more than that: it is a monument to the community destroyed, not by forces of nature, but by the evil human hand.” — Tomas Venclova, The New York Times “In this deeply moving personal reminiscence, eminent historian Dawidowicz recounts the year she spent in Vilna, Poland [in 1938-39]... [a] poignant memoir... Her piercingly eloquent narrative gives us a sharp first-hand impression of a world in ruins and of the irreparable losses suffered by European Jewry.” — Publishers Weekly “The story of Dawidowicz’s early years and a tribute to the Jewish community and culture of Vilna... Crammed with descriptive details of a people and culture now destroyed and of WW II's chaotic aftermath: chastening, compelling, powerful.” —Kirkus Reviews “A leading historian of the Holocaust, Dawidowicz transports the reader from 1938, when she studied in Vilna, Poland, through 1946, when she returned to Europe to assist Jewish survivors. This is a powerful and absorbing memoir” — Library Journal “Lucy Dawidowicz's memoir comprises several books for the price of one: it portrays Jewish Vilna as the plucky American student encountered it in 1938, describes the fate of Jewish cultural treasures as she helped recover them after the War, and exposes the mind and spirit of an intrepid historian-in-the making.” — Ruth R. Wisse, Harvard University “Lucy Dawidowicz was an historian of monumental importance, best known for her classic The War Against the Jews. But she was also a vital chronicler of the world of European Jewry before its destruction... [A] compelling memoir of Vilna on the brink of destruction.” — Jonathan Rosen, author of The Talmud and the Internet: A Journey Between Worlds
Links changes in the sites at which medical services are offered to changes in medical practice, in medical economics, and in patterns of American commerce and urbanism. [back cover].
This volume champions vocation and calling as key elements of undergraduate education. It offers a historical and theoretical account of vocational reflection and discernment, as well as suggesting how these endeavours can be implemented through specific educational practices. Against the backdrop of the current national conversation about the purposes of higher education, it argues that the undergraduate years can provide a certain amount of relatively unfettered time, and a 'free and ordered space', in which students can consider their callings.
**A New York Times Editor's Choice selection!** This outrageous and hilarious memoir follows a film and television director’s life, from his idiosyncratic upbringing to his unexpected career as the director behind such huge film franchises as The Addams Family and Men in Black. Barry Sonnenfeld's philosophy is, "Regret the Past. Fear the Present. Dread the Future." Told in his unmistakable voice, Barry Sonnenfeld, Call Your Mother is a laugh-out-loud memoir about coming of age. Constantly threatened with suicide by his over-protective mother, disillusioned by the father he worshiped, and abused by a demonic relative, Sonnenfeld somehow went on to become one of Hollywood's most successful producers and directors. Written with poignant insight and real-life irony, the book follows Sonnenfeld from childhood as a French horn player through graduate film school at NYU, where he developed his talent for cinematography. His first job after graduating was shooting nine feature length pornos in nine days. From that humble entrée, he went on to form a friendship with the Coen Brothers, launching his career shooting their first three films. Though Sonnenfeld had no ambition to direct, Scott Rudin convinced him to be the director of The Addams Family. It was a successful career move. He went on to direct many more films and television shows. Will Smith once joked that he wanted to take Sonnenfeld to Philadelphia public schools and say, "If this guy could end up as a successful film director on big budget films, anyone can." This book is a fascinating and hilarious roadmap for anyone who thinks they can't succeed in life because of a rough beginning.
Named One of the Top 20 Books of 2009 by Cleveland Plain Dealer Medical school taught John Rich how to deal with physical trauma in a big city hospital but not with the disturbing fact that young black men were daily shot, stabbed, and beaten. This is Rich's account of his personal search to find sense in the juxtaposition of his life and theirs. Young black men in cities are overwhelmingly the victims—and perpetrators—of violent crime in the United States. Troubled by this tragedy—and by his medical colleagues' apparent numbness in the face of it—Rich, a black man who grew up in relative safety and comfort, reached out to many of these young crime victims to learn why they lived in a seemingly endless cycle of violence and how it affected them. The stories they told him are unsettling—and revealing about the reality of life in American cities. Mixing his own perspective with their seldom-heard voices, Rich relates the stories of young black men whose lives were violently disrupted—and of their struggles to heal and remain safe in an environment that both denied their trauma and blamed them for their injuries. He tells us of people such as Roy, a former drug dealer who fought to turn his life around and found himself torn between the ease of returning to the familiarity of life on the violent streets of Boston and the tenuous promise of accepting a new, less dangerous one. Rich's poignant portrait humanizes young black men and illustrates the complexity of a situation that defies easy answers and solutions.
While on a brief leave home from the deadly skies of World War II, a decorated German flying ace must decide between conscience and country when his courageous fiancé reveals her potentially deadly secret she's been keeping right under the nose of the SS. She wondered if he was the man she was searching for. How many men after all could have that name, and be both a retired musician and a former Luftwaffe ace? She had so many unanswered questions. How would he explain the violence, the many deaths by his own hand? How had he survived when so many of his comrades perished under the guns of the Allied air armadas? And most important, had this man somehow found redemption? Or was he just another grizzled old Nazi living out his last days in undeserved anonymity, still unrepentant for the horrors his people inflicted upon the world, and her people in particular. Rachael Azerod, a New York reporter, flies to London to interview Harmon Becker, the former German WW II hero whom Hitler himself awarded the highest honors—but she has her own reasons for meeting. Was he just a soldier? Or did he do something so astounding that not even he was willing to remember it…until now. Of Another Time and Place is a novel about love, redemption, and two young lovers separated by war and desperate to survive the unparalleled violence consuming their war-torn nation. It is the story of a country gone astray, mesmerized by their mad Fuehrer, and the artist-turned-warrior and his courageous bride who vow to break his spell and make a difference, even it if means dangling at end of a Nazi rope. A worthy addition to the pantheon of beloved war novels from A Farewell to Arms to All Quiet on the Western Front, Brad Schaeffer’s gripping story draws the reader into the very heart of the conflagration that was the Second World War. He takes the reader deep into the conflicts that raged not only in the skies over Germany, but within the hearts of combatants and non-combatants alike who found themselves trying to maintain their humanity when all decency seemed to have abandoned the happy lives they once knew.
Of Time and Place is a legacy from one of the best-loved woodsman writers of our time. To the outdoorsmen who often canoed and portaged with him through the northern Lake country, Sigurd Olson was affectionately known as the Bourgeois—the name that voyageurs gave two hundred years ago to the trusted guides who took them over this same territory. And in this, his last book, completed just before his death in early 1982, Olson is our guide through his wide-ranging memories of a lifetime dedicated to the preservation of the wilderness, especially of his beloved Quetico-Superior country. He recalls his many friendships of trail and woods and portage, his favorite campsites, the stories behind the artifacts and mementos hanging in his cabin at Listening Point. He muses on the fragile beauty of the prairies, on the significance of ancient trails, on the resonance and the origins of place names. Whether he is remembering the day when he caught his first brook trout, or admiring the playful grace of the otter, or pondering the earth’s great cycles of climatic change, these moving and evocative essays reaffirm Audubon magazine’s celebration of Sigurd Olson as “the poetic voice of the modern wilderness movement.”
