The originality of Winnicott's thought and his originality as a person as inseparable. This book explores the way in which a search for an experiencing that feels real is evident in both Winnicott's life and work. He believes deeply that individuals possess a unique, innate authenticity. One feels most alive and free when in touch with this core sense of real self.
The writings of the "dean of the New York School of Abstract-Expressionist Painting." "The creative process lies not in imitating, but in paralleling nature; translating the impulse received from nature into the medium of expression, thus vitalizing this medium. The picture should be alive, the statue should be alive and every work of art should be alive." Thus Hans Hofmann wrote nearly half a century ago. He left the Old World, Germany, for the New, at the age of 50. In 1948, when the retrospective exhibition was held at the Addison Gallery of American Art, Hofmann was 68; he had been in the United States for 18 years, a citizen for seven years. Yet he was scarcely recognized in Europe or America as an artist of significance and had never had a full-scale retrospective exhibition of his work. Beginning with a group exhibition in Germany in 1909, he had been given 12 one-man shows and had been included in four group exhibitions before the exhibit at Andover. Subsequently, he was to have 33 one-man shows and to be in over 60 group exhibitions, including the 1960 Venice Biennale, in which he was one of the four artists chosen to represent America. The catalogue of the 1948 retrospective at the Addison Gallery incorporated Hofmann's writings, all originally written in German, some pieces translated fluently, others awkwardly paraphrasing the original. He had written them over a period of 40 years for periodicals journals, or his own teaching purposes; occasionally they overlapped; there was no sequence of development. In the original volume of Search for the Real, published in 1948, it was felt desirable to edit his writing as little as possible, nevertheless to present the essays in the most lucid English true to his meaning, printed only with his approval. "The Search for the Real in the Visual Arts," "Sculpture," and "Painting and Culture" were all printed in full. The section "Excerpts from the Teaching of Hans Hofmann" was composed of selections from his essays "On the Aims of Art" and "Plastic Creation." The last brief section, "Terms," was gleaned from the other essays, lectures, diagrams, notes, and cryptic memoranda written to himself, headed by one of Hoffman's diagrams. It was a further distillation of his own definitions in the nature of a vocabulary. In the last 18 years of his life, recognition was his, nationally and internationally, in proportion to the originality and depth of his thinking, his versatility and comprehensiveness, his productivity and vigor. His was a prophetic visual expression of action in a three-dimensional world on a vibrating two-dimensional surface. He was a dynamic teacher; the wide range of his influence is to be seen in the list of artists comprising an exhibition "Hans Hofmann and His Students," circulated in America and abroad during the three years before his death in 1966. Among the 32 painters and sculptors in this exhibition were students as varied in their developed personal idioms as Helen Frankenthaler, Larry Rivers, Louise Nevelson, Richard Stankiewicz, and Alan Kaprow. Running simultaneously and also shown in South America and Europe as well as in the United States, a one-man show of 40 major works initiated by the Museum of Modern Art, New York, is a testimony to the words of the "dean of the New York School of Abstract-Expressionist Painting."
Bestselling author David Dalton goes in seach of the real Bob Dylan in an electrifying biography that puts all the others in the shade. As an artist Bob Dylan has been a major force for half a century. As a musical influence he is without equal. Yet as a man he has always acted like an outlaw on the run, constantly seeking to cover his tracks by confounding investigators with a dizzying array of aliases, impersonations, tall tales and downright lies. David Dalton presents Dylan's extraordinary life in such a way that his subject's techniques for hiding in full sight are gradually exposed for what they are, Despite the changing images, the spiritual body swerves, the manipulative nature and the occasionally baffling lurches between making sublime music and self-indulgent whimsy, the real Bob Dylan has never been more visible. Among the eyewitnesses cited are Marianne Faithful, Allen Ginsberg, Andy Warhol, Larry 'Ratso' Sloman, Nat Hentoff, Suze Rotolo and many more. Yet in the end it is Dalton's impressive ability to find revealing patterns in Dylan's multiple disguises that reveals more than we ever expected to learn about the real man behind the Dylan legend.
'Here begins a very cruel, frightening story about a wild, bloodthirsty man, Dracula the voivod ...' Historian and crime writer M.J. Trow draws back the dark curtain of legend to look at the real Vlad Tepes, set against the background of his times. Later generations associated him with pure evil and accepted the stories of his murders, mutilations and impalements without question. And later still, thanks to Bram Stoker, he shifted his shape into the doyen of the undead, complete with haunted castles, terrifying bats and an unearthly aversion to sunlight. The real Vlad Dracula lived in Transylvania, in the horseshoe of the Carpathian Mountains (today's Romania) and ruled his state of Wallachia three times. Making war against the Ottoman Turks, rivals to his throne and keeping his people in check, his was a life steeped in blood. But was he 'a prince more sinned against than sinning'? To Romanians, he is a hero on a white horse, a nationalist leader who carried out dreadful deeds in order to save the country he loved. To others, he was a rapacious homicidal maniac whose cruelty has no parallel, in his day or any other. This stylishly-written and compelling narrative unravels the true story behind the image and takes us into the heart of the bloody, uncertain world of Medieval Europe.
From the authoritative expert in personality disorders, Search for the Real Self is a thorough dissection of how one’s real self is developed, how it relates to the outer world, and how personality disorders are understood and treated in our modern society. Personality disorders—borderline, narcissistic, and schizoid—have become the classic psychological disorders of our age. Outwardly successful, charming and powerful, personality-disordered individuals have long confounded their colleagues, family, lovers and employees—as well as mental health professionals. The author helps the reader understand them. After describing how the healthy real self develops and functions, he explains what can go wrong. Drawing on case histories, he shows how the false self behaves in relationships and on the job, and then delineates appropriate treatments, offering real hope for cure.
When award-winning documentary film writer Jane Barnes was working on the PBS Frontline/American Experience special series The Mormons, she was surprised to find herself passionately drawn to Joseph Smith. The product of an Episcopalian, “WASPy” family, she couldn’t remember ever having met a Mormon before her work on the series—much less having dallied with the idea of converting to a religion shrouded in controversy. But so it was: She was smitten with a man who claimed to have translated the word of God by peering into the dark of his hat. In this brilliantly written book, Barnes describes her experiences working on the PBS series as she moved from secular curiosity to the brink of conversion to Mormonism. It all began when she came across Joseph Smith's early writings. She was delighted to discover how funny and utterly unique he was—and how widely divergent his wild yet profound visions of God were from the Church of Latter-day Saints as we know it today. Her fascination deepened when, much to her surprise, she learned that her eighth cousin Anna Barnes converted to Mormonism in 1833. Through Anna, Barnes follows her family’s close involvement with Smith and the crises caused by his controversial practice of polygamy. Barnes’ unlikely path helps her gain a newfound respect for the innovative American spirit that lies at the heart of Mormonism—and for a religion that is, in many ways, still coming into its own. An intimate portrait of the man behind one of America’s fastest growing religions, Falling in Love with Joseph Smith offers a surprising and provocative window into the Mormon experience.
"A proper travelogue - a joyful, moving and stereotype-busting ride." - National Geographic Traveller, Book of the Year In 2011, at the height of tension between the British and Iranian governments, travel writer Lois Pryce found a note left on her motorcycle outside the Iranian Embassy in London: ... I wish that you will visit Iran so you will see for yourself about my country. WE ARE NOT TERRORISTS!!! Please come to my city, Shiraz. It is very famous as the friendliest city in Iran, it is the city of poetry and gardens and wine!!! Your Persian friend, Habib Intrigued, Lois decides to ignore the official warnings against travel (and the warnings of her friends and family) and sets off alone on a 3,000 mile ride from Tabriz to Shiraz, to try to uncover the heart of this most complex and incongruous country. Along the way, she meets carpet sellers and drug addicts, war veterans and housewives, doctors and teachers - people living ordinary lives under the rule of an extraordinarily strict Islamic government. Revolutionary Ride is the story of a people and a country. Religious and hedonistic, practical and poetic, modern and rooted in tradition - and with a wild sense of humour and appreciation of beauty despite the comparative lack of freedom - this is the true story of real contemporary Iran.
Ask a British football fan what they know about Turkish football, and they are unlikely to describe scenes of camaraderie, hospitality and humour. They are more likely to mention banners proclaiming 'Welcome to hell'. Or Leeds United supporters stabbed to death on an Istanbul street. Frustrated by the game's distorted image back home, John McManus set out to show the Turkish football that he knew - the rich, funny, obsessive, fan culture that he had encountered on the terraces. But he hadn't accounted for the politics. Travelling from the elite training facilities of Istanbul to dusty pitches on the Syrian border, taking in visits to far-flung clubs, encounters with characterful players and experiences at riotous matches along the way, Welcome to Hell? offers a unique perspective on an alluring yet troubled football culture.
Martin and Chris Kratt search for the elusive Tasmanian devil; includes a description of the animal, its habits and behavior, and an overview of other animals in the area.
"An elegiac prose celebration . . . a classic in its genre."—Publishers Weekly In this acclaimed travel memoir, Donald Richie paints a memorable portrait of the island-studded Inland Sea. His existential ruminations on food, culture, and love and his brilliant descriptions of life and landscape are a window into an Old Japan that has now nearly vanished. Included are the twenty black and white photographs by Yoichi Midorikawa that accompanied the original 1971 edition. Donald Richie (1924-2013) was an internationally recognized expert on Japanese culture and film. Yoichi Midorikawa (1915-2001) was one of Japan's foremost nature photographers.
