At an early age, Olga Sedakova began writing poetry and, by the 1970s, had joined up with other members of Russia's underground second culture' to create a vibrant literary movement - one that was at odds with the political powers that be. This conflict prevented Sedakova's books from being published in the U.S.S.R., they were only available as hand written books. But now Sedakova has published 27 volumes of verse and prose. This is a unique introduction to her work, bringing together a memoir-essay and two poetic works.'
Jane Hirshfield, the award-winning author of THE OCTOBER PALACE and editor of WOMEN IN PRAISE OF THE SACRED, presents a scintillating new volume of poems to be published to coincide with the hardcover release of NINE GATES, the author's primer on the reading and writing of poetry.
An acclaimed American poet reflects on the life and legacy of John Keats. Posthumous Keats is the result of Stanley Plumly's twenty years of reflection on the enduring afterlife of one of England's greatest Romanticists. John Keats's famous epitaph—"Here lies One Whose Name was writ in Water"—helped cement his reputation as the archetype of the genius cut off before his time. Keats, dead of tuberculosis at twenty-five, saw his mortality as fatal to his poetry, and therein, Plumly argues, lies his tragedy: Keats thought he had failed in his mission "to be among the English poets."In this close narrative study, Plumly meditates on the chances for poetic immortality—an idea that finds its purest expression in Keats, whose poetic influence remains immense. Incisive in its observations and beautifully written, Posthumous Keats is an ode to an unsuspecting young poet—a man who, against the odds of his culture and critics, managed to achieve the unthinkable: the elevation of the lyric poem to sublime and tragic status.
In Praise of Fragments is a collection of various and inter-related works, including a sequence of poems written about Venetian Jewish poet Sarra Copia Sulam (1592-1641), lyric essays about Venice, a suite of poems about Hyderabad, where Alexander lived for many years, and a series of brief sketches of memoir about her childhood in Kerala, the subject of her groundbreaking memoir Fault Lines. The writings are accompanied by a series of sumi ink drawings by Alexander and an afterword by Leah Suffrant.
This is Clara Burghelea's second full collection of poetry. Clare is a Romanian-born poet with an MFA in Poetry from Adelphi University. Recipient of the Robert Muroff Poetry Award, her poems and translations appeared in Ambit, Waxwing, The Cortland Review and elsewhere. Her collection The Flavor of The Other was published in 2020 with Dos Madres Press. She is the Translation/International Poetry Editor of The Blue Nib Literary Magazine.
One of the chief functions of poetry in Antiquity, the Middle Ages and the Renaissance was to praise gods, people and things. Heroes and kings were glorified in many varieties of praise, and the arts of encomium and panegyric were codified by classical rhetoricians and later by writers on poetry. J. A. Burrow's study spans over two thousand years, from Pindar to Christopher Logue, but its main concern is with the English poetry of the Middle Ages, a period when praise poetry flourished. He argues that the 'decline of praise' in English literature since the seventeenth century, which has meant that modern readers and critics find it hard to appreciate this kind of poetry. This erudite but accessible account by a leading scholar of medieval literature shows why the poetry of praise was once so popular, and why it is still worth reading today.
Winner of the 2008 Agnes Lynch Starrett Poetry Prize Enacting the Zen proverb "fall down seven times, get up eight," this collection explores the ways we fall--through disillusionment, disappointment, and plain, old-fashioned mistakes, and the ways we rise up--out of personal debacles, unfortunate circumstances, family legacies, and collective struggles.
The vibrant tradition of West African Arabic poetry is dominated by the genre of madih, that is, poetry in praise of the Prophet Muhammad. This genre of poetry has been mostly ignored in Western scholarship and dismissed as mere 'pious praise' lacking any significant intellectual content. In Poetry in Praise of Prophetic Perfection, Dr Oludamimi Ogunnaike challenges the misconceptions around West African madih poetry and addresses the scope and depth of this genre; he not only explores its rich lyrical nature and its foundations in the Qur'an, Hadith, pre-Islamic and early Islamic poetry, but also its inextricable link to Sufism and Sufi doctrines of cosmology, ontology and epistemology. Drawing on Sufi traditions and practices, the author expounds on the various ways in which West African madih poetry both describes and facilitates the ultimate fulfilment of the human potential, the Perfect Human (al-Insan al-Kamil) or the attainment of the Praiseworthy Station (al-Maqam al-Mahmud) of which the Prophet Muhammad is the highest example. Poetry in Praise of Prophetic Perfection includes translations of numerous extracts from madih poetry (accompanied by the original Arabic); while the Appendix presents a selection of complete poems--the most popular and influential poems of this tradition. Poetry in Praise of Prophetic Perfection is an opportunity for readers to gain access and appreciation of a unique genre of spiritual Islamic poetry, and, given that it includes the original Arabic, also enables the recitation of the poetry for devotional purposes.
This reprint of Lace & Pyrite: Letters from Two Gardens by Get Fresh Books Publishing comprises all of its original poetry and includes an interview published by The Margins titled, "Our Wholeness, Our Togetherness."
