Agastya Raj has a stroke that leaves him paralyzed from the neck down and unable to speak. As he lies in bed enveloped by a circle of love and care orchestrated by his wife Khushi, he shares with us the tumultuous thoughts that swirl in his mind. In this fictionalized narrative, Rima Pande immerses herself in her father’s consciousness to become his voice, bringing to you the story of her parents, her father’s illness and her powerful, giving mother. His Voice is a sensitive portrayal of deep family roots and often unspoken bonds across four generations. With plenty of little twists in between that will make you nod and smile.
"Jimmy doesn't want to go to school. He's been in the first grade for a few months now, but he still thinks the huge doors at the entrance to his school are scary. It's not just the big doors, though, that are making him nervous and a little scared; it's knowing that as soon as he speaks, the other kids in his class will laugh and make fun of him. Jimmy knows what he wants to say, but sometimes the words come out wrong. Jimmy gets even more nervous and scared when his teacher, Mrs. Lyons, tells the children they will be performing a play for all their friends and families. The play is 'The Elves and the Shoemaker' ... and she casts Jimmy as one fo the elves. Mrs. Lyons assures Jimmy that he'll do just fine. But how will he ever be able to speak in front of an audience?"--Book jacket.
Why do we speak the way we do, and what do our voices tell others about us? What is the truth behind the myths that surround how we speak? Jane Setter explores these and other fascinating questions in an accessible and engaging account that will appeal to anyone interested in how we use our voices in daily life.
A creative study of Maurice Blanchots theory of literary voice. In His Voice considers the idea of the neuter in Maurice Blanchots work, and seeks to work out through an exercise of literary impersonation, or ventriloquism, how and why Blanchot relied on this form. Neither active nor passive, the neuter expresses a kind of third voice beyond the command of the author, one that speaks paradoxically of what lies outside of speaking but nonetheless exerts an irrepressible influence on thought. The neuter is exilic, messianic, and fragmentary. Since it cannot be directly accounted for, Blanchot uses a number of indirect approachesnotably, mythto announce the key elements of his view. Orpheus, Odysseus, and principally Narcissus figure his conception and elaborate the operation of giving voice. Through a distillation of Blanchots narrative and critical textsfocusing on the late works, The Step Not Beyond, and The Writing of the Disasterand through an emphasis on performance, In His Voice enacts the event of writing in search of how authors inscriptive reality appears in the world.
A practical manual for voice users of all kinds, The Voice Book is written by one of the world's leading voice teachers. Michael McCallion has spent over 35 years training various professionals, from performers to auctioneers, how to use their voice. Used throughout the world in actor training and as suggested reading for lawyers, the earlier edition of The Voice Book became the classic work on using one's voice. It has now been revised to make use of the feedback from numerous readers of the earlier edition. Clearly written and easy to use, McCallion covers everything from Body Use and Breathing, to Tuning and Voice Energy. Whether you are a professional or amateur actor, a classical or popular singer, a teacher, or need to present for business, The Voice Book will help you discover how to use your voice freely, powerfully and with pleasure.
A New York Times bestselling writer explores what our unique sonic signature reveals about our species, our culture, and each one of us. Finally, a vital topic that has never had its own book gets its due. There’s no shortage of books about public speaking or language or song. But until now, there has been no book about the miracle that underlies them all—the human voice itself. And there are few writers who could take on this surprisingly vast topic with more artistry and expertise than John Colapinto. Beginning with the novel—and compelling—argument that our ability to speak is what made us the planet’s dominant species, he guides us from the voice’s beginnings in lungfish millions of years ago to its culmination in the talent of Pavoratti, Martin Luther King Jr., and Beyoncé—and each of us, every day. Along the way, he shows us why the voice is the most efficient, effective means of communication ever devised: it works in all directions, in all weathers, even in the dark, and it can be calibrated to reach one other person or thousands. He reveals why speech is the single most complex and intricate activity humans can perform. He travels up the Amazon to meet the Piraha, a reclusive tribe whose singular language, more musical than any other, can help us hear how melodic principles underpin every word we utter. He heads up to Harvard to see how professional voices are helped and healed, and he ventures out on the campaign trail to see how demagogues wield their voices as weapons. As far-reaching as this book is, much of the delight of reading it lies in how intimate it feels. Everything Colapinto tells us can be tested by our own lungs and mouths and ears and brains. He shows us that, for those who pay attention, the voice is an eloquent means of communicating not only what the speaker means, but also their mood, sexual preference, age, income, even psychological and physical illness. It overstates the case only slightly to say that anyone who talks, or sings, or listens will find a rich trove of thrills in This Is the Voice.
Harold is an amazing mimic, and can imitate the sound of everything in his home. Tired of repeating the same old noises, he yearns to find out what other voices there are in the big, wide world. But what happens when he suddenly realises that he doesn't yet have a voice of his own? This fantastic debut by author/illustrator Courtney Dicmas recounts Harold's hilarious tale. It's full of colour, humour and invention, and children will love to join in with Harold as he mimics everyday noises.
Vocal expression is a part of nearly everyone's workday, yet most of us are unaware of how much influence our voice exerts over our effectiveness. McAfee's work shows how we can deliberately marshal the power of our voices to support our intentions, aspirations, and relationships.
WHERE YOU'RE AT NOW IS NOT THE END. Is that it? Is this really all there is? This place you find yourself today - the dead-end, the pain, the frustration, the fear - is that your lot in life? Each of us has a past. Maybe yours is so horrific, you don't even know how to talk about it. Drenched in pain and heartache, you feel trapped and don't see a way out. You wonder if those thoughts plaguing your mind will follow you the rest of your life. You're tormented, sleepless and restless. Deep down, you know there has to be more. But you don't know what it looks like or where to find it. I've been where you are, and I'm here to help you move forward. My story is for you. "Finding His Voice" shows you how to navigate trauma, the voices around you, and your own mind as you face the hurricanes of life. As I found my voice to talk about those moments, I learned the secret, it wasn't about finding me...it was about finding Him. And the more I did not only did I continue to step further out of that darkenss and into the light...but I learned to overcome. There is a future you were meant for and designed for. "Finding His Voice' will show you how that Voice can guide you to it. Let me take you on my journey - OK, my rabbit hole - from despair to light. As we go along, I'll show you how to: + Overcome suicide, grief, and trauma + Overcome fear, confusion, and limiting beliefs! + Get past what's holding you back. + Start winning in the mind! + Get your referrals flourishing! + Dream BIG...and see it happen! I believe in big things. I believe in your future. I believe in you. It's your turn, to overcome. Let's go!
