In this little book you will learn the names of men, women and children who occupied the lowest rung in colonial society. As slaves, they tilled the soil, split the wood, cooked the food and, in some cases, fought in our wars.
The anti-communist violence that swept across Indonesia in 1965–1966 produced a particularly high death toll in East Java. It also transformed the lives of hundreds of thousands of survivors, who faced decades of persecution, imprisonment, and violence. In this book, Vannessa Hearman examines the human cost and community impact of the violence on people from different sides of the political divide. Her major contribution is an examination of the experiences of people on the political Left. Drawing on interviews, archival records, and government and military reports, she traces the lives of a number of individuals, following their efforts to build a base for resistance in the South Blitar area of East Java, and their subsequent journeys into prisons and detention centers, or into hiding and a shadowy underground existence. She also provides a new understanding of relations between the army and its civilian supporters, many of whom belonged to Indonesia’s largest Islamic organization, Nahdlatul Ulama. In recent times, the Indonesian killings have received increased attention, but researchers have struggled to overcome a dearth of available records and the stigma associated with communist party membership. By studying events in a single province and focusing on the experiences of individuals, Hearman has taken a large step toward a better understanding of a fraught period in Indonesia’s recent past.
“A wonderful new mystery series that will let us see the horrors of World War I through the eyes of Bess Crawford, battlefield nurse.” —Margaret Maron “Readers who can’t get enough of Jacqueline Winspear’s novels, or Hester Latterly, who saw action in the Crimean War in a series of novels by Anne Perry, are bound to be caught up in the adventures of Bess Crawford.” —New York Times Book Review The critically acclaimed, New York Times bestselling author of the Ian Rutledge mystery series, Charles Todd once again spotlights World War I nurse Bess Crawford in An Unmarked Grave. Gripping, powerful, and evocative, this superb mystery masterwork unfolds during the deadly Spanish Influenza pandemic of 1918, as Bess discovers the body of a murdered British officer among the many dead and sets out to unmask a craven killer.
In this gripping and provocative “ethnography of death,” anthropologist and MacArthur "Genius" Fellow Jason De León sheds light on one of the most pressing political issues of our time—the human consequences of US immigration and border policy. The Land of Open Graves reveals the suffering and deaths that occur daily in the Sonoran Desert of Arizona as thousands of undocumented migrants attempt to cross the border from Mexico into the United States. Drawing on the four major fields of anthropology, De León uses an innovative combination of ethnography, archaeology, linguistics, and forensic science to produce a scathing critique of “Prevention through Deterrence,” the federal border enforcement policy that encourages migrants to cross in areas characterized by extreme environmental conditions and high risk of death. For two decades, systematic violence has failed to deter border crossers while successfully turning the rugged terrain of southern Arizona into a killing field. Featuring stark photography by Michael Wells, this book examines the weaponization of natural terrain as a border wall: first-person stories from survivors underscore this fundamental threat to human rights, and the very lives, of non-citizens as they are subjected to the most insidious and intangible form of American policing as institutional violence. In harrowing detail, De León chronicles the journeys of people who have made dozens of attempts to cross the border and uncovers the stories of the objects and bodies left behind in the desert. The Land of Open Graves will spark debate and controversy.
A hauntingly beautiful travel guide to the world's most visited cemeteries, told through spectacular photography andtheir unique histories and residents. More than 3.5 million tourists flock to Paris's Pè Lachaise cemetery each year.They are lured there, and to many cemeteries around the world, by a combination of natural beauty, ornate tombstones and crypts, notable residents, vivid history, and even wildlife. Many also visit Mount Koya cemetery in Japan, where 10,000 lanterns illuminate the forest setting, or graveside in Oaxaca, Mexico to witness Day of the Dead fiestas. Savannah's Bonaventure Cemetery has gorgeous night tours of the Southern Gothic tombstones under moss-covered trees that is one of the most popular draws of the city. 199 Cemeteries to See Before You Die features these unforgettable cemeteries, along with 196 more, seen in more than 300 photographs. In this bucket list of travel musts, author Loren Rhoads, who hosts the popular Cemetery Travel blog, details the history and features that make each destination unique. Throughout will be profiles of famous people buried there, striking memorials by noted artists, and unusual elements, such as the hand carved wood grave markers in the Merry Cemetery in Romania.
The Bottom Drawer Book is your after death action plan. Your ideas, plans, and your life's reflections will sit quietly in its pages until they're needed. Then, when you go, there'll be no family squabbling over how much to spend on your casket, who'll tell stories at your funeral, and which songs to play. The notes you make in The Bottom Drawer Book will give your loved ones the opportunity to grieve and celebrate the real you and your honest story.
Hidden far from sight, deep in the thick underbrush of the North Florida woods are the ghostly graves of more than thirty unidentified bodies, some of which are thought to be children who were beaten to death at the old Florida Industrial School for Boys at Marianna. It is suspected that many more bodies will be found in the fields and swamplands surrounding the institution. Investigations into the unmarked graves have compelled many grown men to come forward and share their stories of the abuses they endured and the atrocities they witnessed in the 1950s and 1960s at the institution. The White House Boys: An American Tragedy is the true story of the horrors recalled by Roger Dean Kiser, one of the boys incarcerated at the facility in the late fifties for the crime of being a confused, unwanted, and wayward child. In a style reminiscent of the works of Mark Twain, Kiser recollects the horrifying verbal, sexual, and physical abuse he and other innocent young boys endured at the hands of their "caretakers." Questions remain unanswered and theories abound, but Roger and the other 'White House Boys' are determined to learn the truth and see justice served.
Maria Stepanova is one of the most powerful and distinctive voices of Russia’s first post-Soviet literary generation. An award-winning poet and prose writer, she has also founded a major platform for independent journalism. Her verse blends formal mastery with a keen ear for the evolution of spoken language. As Russia’s political climate has turned increasingly repressive, Stepanova has responded with engaged writing that grapples with the persistence of violence in her country’s past and present. Some of her most remarkable recent work as a poet and essayist considers the conflict in Ukraine and the debasement of language that has always accompanied war. The Voice Over brings together two decades of Stepanova’s work, showcasing her range, virtuosity, and creative evolution. Stepanova’s poetic voice constantly sets out in search of new bodies to inhabit, taking established forms and styles and rendering them into something unexpected and strange. Recognizable patterns of ballads, elegies, and war songs are transposed into a new key, infused with foreign strains, and juxtaposed with unlikely neighbors. As an essayist, Stepanova engages deeply with writers who bore witness to devastation and dramatic social change, as seen in searching pieces on W. G. Sebald, Marina Tsvetaeva, and Susan Sontag. Including contributions from ten translators, The Voice Over shows English-speaking readers why Stepanova is one of Russia’s most acclaimed contemporary writers.
FREAX – the biggest book ever written about the history of the computer demoscene. The book tells the complete history of the Commodore 64 and the Amiga, both about the machines and about the underground subcultures around them, from the cracker- and warez-scene to the demoscene, from hacking and phreaking to the ASCII art scene. Interviews with scene celebrities, former key persons of the computer industry, citations from contemporary magazines and fanzines make the narrative history of the big adventure complete. The book contains 350 pages and is illustrated with 480 color photos and screenshots. This is the comprehensive guide to the golden era of home computers.
One woman’s struggle to restore an old slave cemetery uncovers centuries-old racism When China Galland visited her childhood hometown in east Texas, she learned of an unmarked cemetery for slaves-Love Cemetery. Her ensuing quest to restore and reclaim the cemetary unearths racial wounds that have never completely healed. Research becomes activism as she organizes a grassroots, interracial committee, made up of local religious leaders and lay people, to work on restoring community access to the cemetery. The author also presents material from the time of slavery and the Reconstruction Era, including stories of “landtakings” (the theft of land from African Americans), and forms of slavery that continued well into the twentieth century. Ultimately Keepers of Love delivers a message of tremendous hope as members of both black and white communities come together to right an historical wrong, and in so doing, discover each other’s common dignity. “Galland captures the struggle to reclaim one small cemetery in Texas with such engrossing drama and personal detail that the story becomes something larger still-a universal struggle to reclaim the ground of Deep Compassion that lies untended in the human heart.”-Sue Monk Kidd