With this assured and powerful first collection, Henry Shukman springs fully-formed into the poetry world, having already won a raft of prizes for individual poems. His sensibility is unique, engaging and immediate; we are drawn into the worlds of these poems by his accurate eye, his sensual line and the warmth of his communion with the scene he describes. Ranging across the globe, from Mexico to Japan, from the States to Southern England, these poems can be lyrical and deeply affecting, wryly funny or wildly imaginative. From a lonely mother attempting to learn the piano to a ski-jump that never ends, from a redemptive encounter with horses on a cold day to a miraculous bowl of chicken soup, these poems display a vibrancy and variety rarely seen in contemporary poetry. But Shukman's great strength is in the domestic: the complexities of love, and the rites of passage of childhood and parenthood, are re-entered with candor, grace and originality. In Doctor No's Garden is an affectionate, refreshing debut, striking in its imagery and insight, remarkable for its lightness of touch and emotional weight.
With this assured and powerful first collection, Henry Shukman springs fully-formed into the poetry world, having already won a raft of prizes for individual poems. His sensibility is unique, engaging and immediate; we are drawn into the worlds of these poems by his accurate eye, his sensual line and the warmth of his communion with the scene he describes. Ranging across the globe, from Mexico to Japan, from the States to Southern England, these poems can be lyrical and deeply affecting, wryly funny or wildly imaginative. From a lonely mother attempting to learn the piano to a ski-jump that never ends, from a redemptive encounter with horses on a cold day to a miraculous bowl of chicken soup, these poems display a vibrancy and variety rarely seen in contemporary poetry. But Shukman's great strength is in the domestic- the complexities of love, and the rites of passage of childhood and parenthood, are re-entered with candour, grace and originality. In Doctor No's!Garden is an affectionate, refreshing debut, striking in its imagery and insight, remarkable for its lightness of touch and emotional weight.
A 2011 Notable Social Studies Trade Book for Young People 2012-2013 Children's Crown Gallery Nominee 2011 Growing Good Kids—Excellence in Children's Literature Award Dr. Carver knew everything in nature was connected. Sally is a young girl living in rural Alabama in the early 1900s, a time when people were struggling to grow food in soil that had been depleted by years of cotton production. One day, Dr. George Washington Carver shows up to help the grown-ups with their farms and the children with their school garden. He teaches them how to restore the soil and respect the balance of nature. He even prepares a delicious lunch made of plants, including "chicken" made from peanuts. And Sally never forgets the lessons this wise man leaves in her heart and mind. Susan Grigsby's warm story shines new light on a Black scientist who was ahead of his time.
A richly illustrated exploration of how late Georgian gardens associated with medical practitioners advanced science, education, and agricultural experimentation As Britain grew into an ever-expanding empire during the late eighteenth and early nineteenth centuries, new and exotic botanical specimens began to arrive within the nation's public and private spaces. Gardens became sites not just of leisure, sport, and aesthetic enjoyment, but also of scientific inquiry and knowledge dissemination. Medical practitioners used their botanical training to capitalize on the growing fashion for botanical collecting and agricultural experimentation in institutional, semipublic, and private gardens across Britain. This book highlights the role of these medical practitioners in the changing use of gardens in the late Georgian period, marked by a fluidity among the ideas of farm, laboratory, museum, and garden. Placing these activities within a wider framework of fashionable, scientific, and economic interests of the time, historian Clare Hickman argues that gardens shifted from predominately static places of enjoyment to key gathering places for improvement, knowledge sharing, and scientific exploration.
"My tears have been like rain to a garden, helping me grow in the right direction." How to Create a Wonderful Garden, 1995 "-watching my grandmother plow her garden made a lasting impression. It was there the seed was sown that would grow a gardener." Lasagna Gardening, 1998 "Flowers, with their beauty and grace, comfort and inspire me when I'm feeling worn down." Lasagna Gardening in Small Spaces, 2002 "Nothing lifts my spirits like time spent in my gardens among the herbs." Lasagna Gardening with Herbs, 2004 Patricia Lanza is an author of four garden books, numerous magazine articles, newspaper columnist, international public speaker, radio host and makes frequent appearances on television. Lasagna Gardening; No Digging, No Tilling, No Weeding, No Kidding! Won the Quill and Trowel Award in 1999 and is just shy of a million copies in publication. www.lasagnagardening.com
Finalist for the 2018 National Book Award for Nonfiction A New York Times Editors' Choice Selection The untold story of Hamilton’s—and Burr’s—personal physician, whose dream to build America’s first botanical garden inspired the young Republic. On a clear morning in July 1804, Alexander Hamilton stepped onto a boat at the edge of the Hudson River. He was bound for a New Jersey dueling ground to settle his bitter dispute with Aaron Burr. Hamilton took just two men with him: his “second” for the duel, and Dr. David Hosack. As historian Victoria Johnson reveals in her groundbreaking biography, Hosack was one of the few points the duelists did agree on. Summoned that morning because of his role as the beloved Hamilton family doctor, he was also a close friend of Burr. A brilliant surgeon and a world-class botanist, Hosack—who until now has been lost in the fog of history—was a pioneering thinker who shaped a young nation. Born in New York City, he was educated in Europe and returned to America inspired by his newfound knowledge. He assembled a plant collection so spectacular and diverse that it amazes botanists today, conducted some of the first pharmaceutical research in the United States, and introduced new surgeries to America. His tireless work championing public health and science earned him national fame and praise from the likes of Thomas Jefferson, James Madison, Alexander von Humboldt, and the Marquis de Lafayette. One goal drove Hosack above all others: to build the Republic’s first botanical garden. Despite innumerable obstacles and near-constant resistance, Hosack triumphed when, by 1810, his Elgin Botanic Garden at last crowned twenty acres of Manhattan farmland. “Where others saw real estate and power, Hosack saw the landscape as a pharmacopoeia able to bring medicine into the modern age” (Eric W. Sanderson, author of Mannahatta). Today what remains of America’s first botanical garden lies in the heart of midtown, buried beneath Rockefeller Center. Whether collecting specimens along the banks of the Hudson River, lecturing before a class of rapt medical students, or breaking the fever of a young Philip Hamilton, David Hosack was an American visionary who has been too long forgotten. Alongside other towering figures of the post-Revolutionary generation, he took the reins of a nation. In unearthing the dramatic story of his life, Johnson offers a lush depiction of the man who gave a new voice to the powers and perils of nature.
The forgotten garden which inspired Charles Darwin becomes the modern-day setting for an exploration of memory, family, and the legacy of genius. Darwin never stopped thinking about the garden at his childhood home, The Mount. It was here, under the tutelage of his green-fingered mother and sisters, that he first examined the reproductive life of flowers, collected birds’ eggs, and began the experiments that would lead to his theory of evolution. A century and a half later, with one small child in tow and another on the way, Jude Piesse finds herself living next door to this secret garden. Two acres of the original site remain, now resplendent with overgrown ashes, sycamores, and hollies. The carefully tended beds and circular flower garden are buried under suburban housing; the hothouses where the Darwins and their skilful gardeners grew pineapples are long gone. Walking the pathways with her new baby, Piesse starts to discover what impact the garden and the people who tended it had on Darwin’s work. Blending biography, nature writing, and memoir, The Ghost in the Garden traces the origins of the theory of evolution and uncovers the lost histories that inspired it, ultimately evoking the interconnectedness of all things.
THE STORY: As The New York Herald-Tribune outlined: ...in the Vermont village of Greenfield Center, there is a genial, benevolent and greatly loved old physician who is very proud of his community. It is peopled with fine, wholesome folk, and
A richly illustrated exploration of how late Georgian gardens associated with medical practitioners advanced science, education, and agricultural experimentation As Britain grew into an ever-expanding empire during the late eighteenth and early nineteenth centuries, new and exotic botanical specimens began to arrive within the nation’s public and private spaces. Gardens became sites not just of leisure, sport, and aesthetic enjoyment, but also of scientific inquiry and knowledge dissemination. Medical practitioners used their botanical training to capitalize on the growing fashion for botanical collecting and agricultural experimentation in institutional, semipublic, and private gardens across Britain. This book highlights the role of these medical practitioners in the changing use of gardens in the late Georgian period, marked by a fluidity among the ideas of farm, laboratory, museum, and garden. Placing these activities within a wider framework of fashionable, scientific, and economic interests of the time, historian Clare Hickman argues that gardens shifted from predominately static places of enjoyment to key gathering places for improvement, knowledge sharing, and scientific exploration.
NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.
