Published by London's D. Giles Limited, the lavishly illustrated volume examines Walter Gay's life and work and features all 69 paintings in the exhibition. Main author Isabel L. Taube writes on Walter Gay's Poetic Rooms, and also wrote the catalogue portion of the exhibition, which organizes Walter Gay's work by residence;including sections on each of the Gay's own residences, as well as other homes Walter Gay was commissioned to paint in Europe and America. Other contributors are Priscilla Vail Caldwell, who writes on the enduring appeal of Walter Gay; arts expert Nina Gray, who focuses on interior decoration and the Rococo revival in America: and Frick Director of Curatorial Affairs Sarah Hall, who wrote essays about the three paintings in our collection.
NATIONAL BESTSELLER • The trendsetting designer known for her effortless style shares the secrets of the art of layering, with more than 250 gorgeous photographs of her signature interiors. “Livability is my true north. The materials I use time and again all change with age and wear. Not only is that okay, it’s how you achieve more than a re-creation of what you’ve already seen, or what somebody else has done. You can do this, too—I promise.”—from the introduction Designing a room with all the vibes comes down to how you layer your décor. The more you can mix the elements of your room—your pillows, objects, patterns, and lighting—the more finished it’ll feel: not too new, not too old, but just right. Known for her eclectic approach that stems from her California cool, Amber Lewis trains your eye in Made for Living, offering friendly advice on everything from nailing that perfect shade of paint to mismatching patterns with wild abandon to choosing a stone finish for new countertops. These pages will help you design a home that's made to be lived in.
With its awe-inspiring landmarks, its dense woodlands, and the delightful coolness of its mountain tops, the region of Asir stands in sharp contrast to the usual patterns of Saudi Arabian landscape. “This could have been the site of the Garden of Eden,” wrote St. John Philby in the 1930s, and as this extraordinary book of photographs demonstrates, the claim still holds true today. The story of the author’s two journeys around the Asir region is told through the architecture, frescoes and lifestyles of the people. Granted royal approval for his second project, Thierry Mauger has been able to gain access to previously unseen interiors and to win the trust of the people. In the process, he reveals how the art of the Asir region, the hand-painted, brightly colored interior decoration, the painted facades, the symbolism of the architecture, and the unique landscape form a complex code which provides valuable insights into understanding this little-known culture. In the midst of Westernizing trends, the author demonstrates the strong traditional forces which imbue the art and architecture of Asir today. New architecture is taking up forms and ornamentation from traditional regional styles, and as the author shows, the painted interiors by Asiri women resonate with the traditions of magic and religion, blended with new images drawn from the contemporary culture. الأبواب الألواح الألوان التقليدي الجدار الدرج الرسام الزخارف الطراز الطين الفن الكوارتز المعماري المملكة العربية السعودية المنازل المنطقة النوافذ أبها تهامة رجال ألمع زخارف الجدران سنحان شبه الجزيرة شريفة صورة عسير قحطان decoration frescoes house majlis men motifs mud patterns Qahtan quartz region Rijal Alma Sarat Saudi Arabia Sherifa Sinhan style Tihama Tihamat traditional tribes women Bilad Qahtan construction couleurs de quartz décoratif en évidence façade fenêtres fresque la maison la Sarat majlis matériaux modèle ouvertures région Rijal Alma rupture Sherifa Sinhan style terre Tihama tribus Yémen إصدارات وزارة الثقافة وشركة العبيكان للتعليم Abdulfattah analyse anciennes apparaissent arabique architecture climat Golvin identiques la maison Rijâl Alma mouvement nomades nouveau photographies Piémont najdi production réalisation ressources succession terrasse Tihâma des collines structure troisième Yémen Arabia Arabian Tableland architecture Asir colours construction cultural decoration expression Fatmai geometric houses materials murals patterns Qahtan quartz region Rijal Alma Sarat Saudi Arabia Sinhan style system Tihama tribes women Yemen الألوان الأمطار الأنماط البناء التشكيل الفني التقليدية الحجر الزخارف الطلاء الطين الفن القبائل الكوارتز المملكة العربية السعودية المنازل المواد النساء النوافذ اليمن أبها تهامة سنحان شريفة عسير غرفة فاطمة تيري موجيه Thierry Mauger façade Tihamah décors hutte Qahtan Najran huttes nomades Yémen tribus pluies Rabi’ah tribu Wadi Abha chameaux souk Hobab chèvres Jazan chevriers police Wadi Dala’ Dala’ tentes animals Arabia architecture Bedouins butter coffee desert flowers hair houses hut leather materials men mountain nomads people police Qahtan region road Saudi Arabia silver souk Tihama traditional tribe village wadi women Yemen Murrah animaux campement monde chèvre couleurs Najran sable bédouins des femmes dromadaire nomades enfants majlis la vie bédouine le désert porte les femmes les hommes patriarche place Rub al Khali tente Najran Rub al Khali bédouins campement cette région cheikh chèvres femmes hommes jeune maisons montagne nomades passage pierres piste pistes porte présence Saoudite soleil temps terre Tihama tribu véhicule village visage voiture Abha Arabia architecture art Asir colors decoration frescoes house majlis men motifs mud patterns Qahtan quartz region Rijal Alma Sarat Saudi Arabia Sherifa Sinhan style Tihama Tihamat traditional tribes women champ supérieur compositions compositions murales croissant de lune Fatma de la famille Zaïd de Rijal du champ Fatma Abu Gahas l’art mural de la façade de pilier la famille Zaïd la maison la peinture industrielle la Tihama la Tihama des collines le peintre les femmes les peintures les peintures murales Magali motifs mural de Rijal murales peintures murales pilier Sherifa supérieur de la façade tradition tradition esthétique travail aesthetic art artist Asir colors compositions decoration family Fatma houses men moon motifs mural painter paintings patterns photographs pillar principle region room Saudi Arabia Sherifa style sun Tihama tradition village women Bilad Qahtan construction couleurs de quartz décoratif en évidence façade fenêtres fresque la maison la Sarat majlis matériaux modèle ouvertures région Rijal Alma rupture Sherifa Sinhan style terre Tihama tribus Yémen al Murrah animal Arabia Bedouins camel civilization coffee desert dunes Emir family goats host life men Najran nomads people region Rub al Khali Saudi tent traditional tribe women Yabrin Abha Arabia area ASIR Bedouin camels COASTAL coffee colour DESERT highlands Hobab houses huts Jazan local mountains Najran PLATEAU Qahtan Rabi’ah Sarat Saudi Arabia souq tent Tihamah tree tribe UNDISCOVERED ASIR village Wadi water women years Yemen الإبل الأرض الأطفال الأمير البدو البدوية الحياة الحيوانات الخيمة الربع الخالي الرجال الرمال الشمس الصحراء القهوة الكثبان الرملية الماعز المخيم المملكة العربية النساء آل مرة صحراء قبيلة نجران يبرين الأشكال الألوان الأنماط التقاليد التكوينات الجزيرة العربية الحقل الخانات الدعامة الرسامة الزخرفية الشمس الصور العمود العناصر الغرفة الفن الفن الجداري القمر اللوحات المملكة العربية السعودية المنازل تهامة رجال ألمع شريفة عسير فاطمة مثلثات الأرض الأمطار الأمير البدو التقليدية الجبل الحيوانات الخيام الرجال السوق السيارة الشرطة الشمس القبائل القهوة الماعز المملكة العربية السعودية المنازل النباتات النساء الوادي اليمن أشجار أوراق تهامة شبه الجزيرة الأرض الألوان الأمطار البحر البدو الجبال الجدران الجرف الرجال الزهور السوق الشرطة الشمس الماعز المرتفعات المملكة العربية السعودية المنازل اليمن تهامة ربيعة شبه الجزيرة العربية قبيلة قحطان منطقة نجران
Interior designer Richard Mishaan believes that all good furniture and art can be combined successfully regardless of style, period, or price. Drawing on his international background and love of travel, he combs the world to find exquisite, unique pieces for his clients. Mishaan skillfully brings together furnishings and objects from myriad periods—Italian neoclassic, seventeenth-century French, African tribal, Art Deco, Biedermeier—in a contemporary fusion style that has become his signature. Mishaan approaches his projects with the knowing eye of a curator, integrating art and objects into the flow of everyday life. A proponent of introducing an element of luxury into all spaces, even the most utilitarian, the designer shares his inspiring ideas for how to infuse every room—from well-appointed formal dining and reception spaces to private spheres for relaxation and work—with personality and generosity of spirit. This lavish color presentation showcases dozens of completed projects, from elegant townhouses to pied-à-terre apartments, spacious second homes, and corporate offices. Mishaan's extensive knowledge of the fine arts, architecture, and modern and historic furnishings is revealed in engaging commentary that details his creative process, discloses his most valuable tips, and explains how his experiences have informed the creation of his own custom furniture and retail line. A directory of the designer's favorite sources from around the country and around the globe encourages those interested in creating eclectic and sophisticated interiors of their own to begin.
Encompassing black-and-white linoleum cuts made at community art centres in the 1960s and 1970s, resistance posters and other political art of the 1980s, and the wide variety of subjects and techniques explored by artists in printships over the last two decades, printmaking has been a driving force in contemporary South African artistic and political expression. Impressions from South Africa: 1965 to Now, published to accompany an exhibition at The Museum of Modern Art, introduces the vital role of printmaking through works by more than twenty artists in the Museum's collection. The volume features prints by John Muafangejo and Dan Rakgoathe, a selection of posters produced for anti-apartheid coalitions in the 1980s, and nuanced political work by SueWilliamson, Norman Catherine andWilliam Kentridge. The book features many more recent projects, demonstrating the contemporary relevance of the medium in South Africa today. The work, presented in a generous plate section, is contextualized in an introduction by Judith B. Hecker, and accompanied by brief biographies of the artists, a timeline of relevant events in South African history, and a selected bibliography.
