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Author: Colley Whisson
Publisher:
Published: 2009
Total Pages: 128
ISBN-13: 9781929834631
DOWNLOAD EBOOK"Each workshop targets an important facet of impressionist painting and provides many top tips for achieving an excellent result." "Throughout this book Colley Whisson's aim is to make successful impressionist painting an attainable goal for more artists so they too can experience the joy of creating stunning paintings filled with light."--BOOK JACKET.
Author: Jonathan Stephenson
Publisher:
Published: 2019-04
Total Pages: 0
ISBN-13: 9780500295052
DOWNLOAD EBOOKIn this innovative approach to Impressionism and its methods, Jonathan Stephenson's instruction enables amateurs the world over to paint like the Impressionists. Vibrantly illustrated in colour throughout, both with well-known works of art and step-by-step examples, the book shows how the masters achieved their diverse effects and how their ideas and styles can be adapted to today's tastes. Sections on the artists provide fascinating insights into individual techniques: learn how Monet produced his oil colour sketches, or how Sisley created his atmospheric landscapes. With an introduction providing the historical background to Impressionism, and a comprehensive section on artists' materials, this is a highly practical book that will appeal both to beginners and more experienced artists, as well as to the many thousands of of people inspired by the brilliance and beauty of Impressionist painting.
Author: Robert Hagan
Publisher: International Artist Publishing
Published: 2003
Total Pages: 0
ISBN-13: 9781929834297
DOWNLOAD EBOOKRegardless of previous experience, readers are instructed in the ways to create sensitive, impressionistic paintings almost immediately, by using Hagan's placement theory and simple colour system. The book offers eight demonstrations and advice on pulling elements together from references.
Author: Susie Hodge
Publisher: Harper Collins
Published: 2004-08-17
Total Pages: 148
ISBN-13: 0060747919
DOWNLOAD EBOOKImpressionism has captured the imagination of people the world over since its first exhibition in Paris in 1874. People have long sought to understand how and why the Impressionists created their paintings and how their techniques might be replicated. Susie Hodge reveals the answers to these questions by assessing the techniques and styles of the great masters of Impressionism and showing how artists today can use their methods. An informative introduction explains how the Impressionist movement came about, explores its historical context, and defines the style and inspiration of the artists involved. The heart of the book, however, focuses on eight major Impressionist painters -- Monet, Pissarro, Renoir, Cassatt, Degas, Cezanne, Seurat and Van Gogh -- revealing how they worked and analyzing their well-known paintings. Each case includes step-by-step demonstrations that show the reader exactly how to re-create Impressionist painting details in appropriate style.
Author: Ines Janet Engelmann
Publisher: Prestel Publishing
Published: 2007
Total Pages: 144
ISBN-13:
DOWNLOAD EBOOKPresents fifty of the most important works from the early nineteenth to the turn of twentieth centuries in colour.
Author: Lois Griffel
Publisher: Watson-Guptill
Published: 2008
Total Pages: 0
ISBN-13: 9780823095193
DOWNLOAD EBOOKMaster Impressionism with an art-instruction classic. Impressionism has inspired generations of American artists. And no one has done more for the cause of American Impressionism than Charles Hawthorne, the founder of the Cape Cod School of Art. In Painting the Impressionist Landscape, author and artist Lois Griffel explores Hawthorne’s theories about color and light in depth. Griffel, the longtime director of the school Hawthorne founded, teaches his philosophy like no other painter can, with inspiring step-by-step painting lessons and illuminating text. A true classic of art instruction, Painting the Impressionist Landscape has sold more than 30,000 copies in hardcover in the fifteen years since it was first published. Now a new generation of painters can bring impressionism into their work with this convenient and affordable paperback edition.
Author: Susan Landauer
Publisher: Univ of California Press
Published: 1996
Total Pages: 112
ISBN-13: 9780915977222
DOWNLOAD EBOOKThe years around the turn of the century were a dynamic time in American art. Different and seemingly contradictory movements were evolving, and the dominant style that emerged during this period was Impressionism. Based in part on the broken brushwork and high-keyed palette of Claude Monet, it was a form especially suited to the dramatic landscape and shimmering light of California . . . This book celebrates forty Impressionist painters who worked in California from 1900 through the beginning of the Great Depression . . . it includes widely recognized California artists such as Maurice Braun and Guy Rose, less well known artists such as Mary DeNeale Morgan and Donna Schuster, and eastern painters who worked briefly in the region, such as Childe Hassam and William Merritt Chase . . . The contributors' essays examine the socioeconomic forces that shaped this art movement, as well as the ways in which the art reflected California's self-cultivated image as a healthful, sun-splashed arcadia.
Author: Marnin Young
Publisher: Yale University Press
Published: 2015-01-01
Total Pages: 273
ISBN-13: 0300208324
DOWNLOAD EBOOKThe late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-Franocois Raffaeelli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young's highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art.
Author: Vern G. Swanson
Publisher: Antique Collectors Club Dist
Published: 2008
Total Pages: 472
ISBN-13:
DOWNLOAD EBOOKA completely revised and updated edition of Soviet Impressionism.
Author: Laura Anne Kalba
Publisher: Penn State Press
Published: 2017-04-21
Total Pages: 713
ISBN-13: 0271079789
DOWNLOAD EBOOKThis study analyzes the impact of color-making technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers’ perfection of the autochrome color photography process. Focusing on Impressionist art, Laura Anne Kalba examines the importance of dyes produced in the second half of the nineteenth century to the vision of artists such as Edgar Degas, Pierre-Auguste Renoir, and Claude Monet. The proliferation of vibrant new colors in France during this time challenged popular understandings of realism, abstraction, and fantasy in the realms of fine art and popular culture. More than simply adding a touch of spectacle to everyday life, Kalba shows, these bright, varied colors came to define the development of a consumer culture increasingly based on the sensual appeal of color. Impressionism—emerging at a time when inexpensively produced color functioned as one of the principal means by and through which people understood modes of visual perception and signification—mirrored and mediated this change, shaping the ways in which people made sense of both modern life and modern art. Demonstrating the central importance of color history and technologies to the study of visuality, Color in the Age of Impressionism adds a dynamic new layer to our understanding of visual and material culture.
