Important Pre-Columbian and Native American Art
Author: Heritage Auction Galleries (Dallas, Tex.)
Publisher: Heritage Capital Corporation
Published: 2006
Total Pages: 248
ISBN-13: 1599670704
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Author: Heritage Auction Galleries (Dallas, Tex.)
Publisher: Heritage Capital Corporation
Published: 2006
Total Pages: 248
ISBN-13: 1599670704
DOWNLOAD EBOOKAuthor: Colin McEwan
Publisher: Dumbarton Oaks Research Library & Collection
Published: 2021
Total Pages: 758
ISBN-13: 9780884024699
DOWNLOAD EBOOKThe final installment in the series of catalogues of the Robert Woods Bliss Collection, Pre-Columbian Art from Central America and Colombia at Dumbarton Oaks examines a comprehensive collection of jade and gold objects from Costa Rica, Panama, and Colombia. Full color photographs illustrate the breathtaking works of Indigenous artists and artisans.
Author: Donald A. Proulx
Publisher: University of Iowa Press
Published: 2009-08
Total Pages: 284
ISBN-13: 9781587298295
DOWNLOAD EBOOKFor almost eight hundred years (100 BC–AD 650) Nasca artists modeled and painted the plants, animals, birds, and fish of their homeland on Peru’s south coast as well as numerous abstract anthropomorphic creatures whose form and meaning are sometimes incomprehensible today. In this first book-length treatment of Nasca ceramic iconography to appear in English, drawing upon an archive of more than eight thousand Nasca vessels from over 150 public and private collections, Donald Proulx systematically describes the major artistic motifs of this stunning polychrome pottery, interprets the major themes displayed on this pottery, and then uses these descriptions and his stimulating interpretations to analyze Nasca society. After beginning with an overview of Nasca culture and an explanation of the style and chronology of Nasca pottery, Proulx moves to the heart of his book: a detailed classification and description of the entire range of supernatural and secular themes in Nasca iconography along with a fresh and distinctive interpretation of these themes. Linking the pots and their iconography to the archaeologically known Nasca society, he ends with a thorough and accessible examination of this ancient culture viewed through the lens of ceramic iconography. Although these static images can never be fully understood, by animating their themes and meanings Proulx reconstructs the lifeways of this complex society.
Author: Joanne Pillsbury
Publisher: Getty Publications
Published: 2017-09-26
Total Pages: 331
ISBN-13: 1606065483
DOWNLOAD EBOOKThis volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only artistic practices but also the historical, cultural, social, and political conditions in which luxury arts were produced and circulated, alongside their religious meanings and ritual functions. Golden Kingdoms creates new understandings of ancient American art through a thematic exploration of indigenous ideas of value and luxury. Central to the book is the idea of the exchange of materials and ideas across regions and across time: works of great value would often be transported over long distances, or passed down over generations, in both cases attracting new audiences and inspiring new artists. The idea of exchange is at the intellectual heart of this volume, researched and written by twenty scholars based in the United States and Latin America.
Author: Lawrence Waldron
Publisher: University Press of Florida
Published: 2019
Total Pages: 0
ISBN-13: 9781683400547
DOWNLOAD EBOOKIntroduction -- Pre-Columbian peoples of the Caribbean -- Ceramics of the eastern Caribbean -- Ceramics of the Greater Antilles -- Rock art -- Sculpture -- Personal adornment -- Epilogue: Living legacies
Author: Robert Woods Bliss
Publisher:
Published: 1959
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: Barbara Braun
Publisher: Abradale Press
Published: 1993
Total Pages: 356
ISBN-13:
DOWNLOAD EBOOKOffers an in-depth look at pre-Columbian sources of modern art.
Author: Dumbarton Oaks
Publisher: Dumbarton Oaks Research Library & Collection
Published: 2012
Total Pages: 0
ISBN-13: 9780884023753
DOWNLOAD EBOOKThis introduction to Maya art is based on study of one of the most important collections in the United States, assembled by Robert Woods Bliss between 1935 and 1962. The catalogue, written by leading Maya scholars, contains detailed analyses of specific works of art along with thematic essays situating them within the context of Maya culture.
Author:
Publisher: Ardent Media
Published:
Total Pages: 16
ISBN-13:
DOWNLOAD EBOOKAuthor: Élodie Dupey García
Publisher: University of Arizona Press
Published: 2019-06-11
Total Pages: 329
ISBN-13: 0816538441
DOWNLOAD EBOOKMesoamerican communities past and present are characterized by their strong inclination toward color and their expert use of the natural environment to create dyes and paints. In pre-Hispanic times, skin was among the preferred surfaces on which to apply coloring materials. Archaeological research and historical and iconographic evidence show that, in Mesoamerica, the human body—alive or dead—received various treatments and procedures for coloring it. Painting the Skin brings together exciting research on painted skins in Mesoamerica. Chapters explore the materiality, uses, and cultural meanings of the colors applied to a multitude of skins, including bodies, codices made of hide and vegetal paper, and even building “skins.” Contributors offer physicochemical analysis and compare compositions, manufactures, and attached meanings of pigments and colorants across various social and symbolic contexts and registers. They also compare these Mesoamerican colors with those used in other ancient cultures from both the Old and New Worlds. This cross-cultural perspective reveals crucial similarities and differences in the way cultures have painted on skins of all types. Examining color in Mesoamerica broadens understandings of Native religious systems and world views. Tracing the path of color use and meaning from pre-Columbian times to the present allows for the study of the preparation, meanings, social uses, and thousand-year origins of the coloring materials used by today’s Indigenous peoples. Contributors: María Isabel Álvarez Icaza Longoria Christine Andraud Bruno Giovanni Brunetti David Buti Davide Domenici Élodie Dupey García Tatiana Falcón Álvarez Anne Genachte-Le Bail Fabrice Goubard Aymeric Histace Patricia Horcajada Campos Stephen Houston Olivia Kindl Bertrand Lavédrine Linda R. Manzanilla Naim Anne Michelin Costanza Miliani Virgina E. Miller Sélim Natahi Fabien Pottier Patricia Quintana Owen Franco D. Rossi Antonio Sgamellotti Vera Tiesler Aurélie Tournié María Luisa Vázquez de Ágredos Pascual Cristina Vidal Lorenzo