Dal the Thief has arrived in Andulia to practice his trade. But before he can, he’s brought before Princess Eliarra. The Princess needs help. Her father, the King, wants to marry her! Is the King mad? Are spells being cast upon him? Dal has to sort through suspects and come up with clever tricks to figure out what’s going on. It seems he’s caught up in yet another adventure...
When a mermaid princess needs help protecting her adorable sea goats from being eaten by a greedy kraken, the Princess in Black and her friends come to her rescue, working together to take down the big blue monster.
Women's contributions to science fiction have been lasting and important. This is a collection of 11 key stories, alongside 11 essays that explore the stories' contexts, meanings, and theoretical implications. Organized chronologically, it aims to create a different canon of feminist science fiction and examines the theory that addresses it.
Combining humor, honesty, and plainspoken advice, Momma Zen distills the doubts and frustrations of motherhood into vignettes of Zen wisdom Drawing on her experience as a first-time mother and her years of Zen meditation and study, Karen Miller explores how the daily challenges of parenthood can become the most profound spiritual journey of our lives. Her compelling and wise memoir follows the timeline of early motherhood from pregnancy through toddlerhood. Momma Zen takes readers on a transformative journey, charting a mother’s growth beyond naive expectations and disorientation to finding fulfillment in ordinary tasks, developing greater self-awareness and acceptance—to the gradual discovery of "maternal bliss," a state of abiding happiness and ease that is available to us all. In her gentle and reassuring voice, Karen Miller convinces us that ancient and authentic spiritual lessons can be as familiar as a lullaby, as ordinary as pureed peas, and as frequent as a sleepless night. She offers encouragement for the hard days, consolation for the long haul, and the lightheartedness every new mom needs to face the crooked path of motherhood straight on.
Although Americans are no longer compelled to learn Greek and Latin, classical ideals remain embedded in American law and politics, philosophy, oratory, history and especially popular culture. In the Western genre, many film and television directors (such as John Ford, Raoul Walsh, Howard Hawks, Anthony Mann and Sam Peckinpah) have drawn inspiration from antiquity, and the classical values and influences in their work have shaped our conceptions of the West for years. This thought-provoking, first-of-its-kind collection of essays celebrates, affirms and critiques the West's relationship with the classical world. Explored are films like Cheyenne Autumn, The Wild Bunch, The Track of the Cat, Trooper Hook, The Furies, Heaven's Gate, and Slow West, as well as serials like Gunsmoke and Lonesome Dove.
The most prolific historian of early modern German literature in the twentieth century, Klaus Garber has largely remained unknown to English-language scholars. The seven essays selected here are translated into English for the first time and represent the ’essence’ of Garber’s work. Central to Garber’s outlook is a break with the traditional canonization of culture into national categories. Moreover, he argues that literary history consists not only of intellectual history, but also political and social history. As he states in his preface to this volume: ’To bring Old Europe to life in all the variety of its cultural landscapes; to hear across space and time the voices that praised this multiplicity as a valuable possession; to be inspired by the past to respond to our own needs - these tasks constitute the noblest goal of early modern literary studies today.’
"L.C. Morse's Sundial is the defintive novel of the Black college experience. It captures vividly the depths of human passions shot through the intellectual and affective rites of passage in a turbulent time. Morse stands in the grand tradition of Ellison, Baldwin and Morrison!" - Cornel West, Princeton University "The 60s were a dramtic time in the lives of Black college students. Campuses, particularly Black ones, became the stage -- often the staging area -- for Black discontent and the search for new values. They were the places where Black heroes could be not only held but touched; where often the first confrontations with class and color prejudice, regional differences and adult authority took place. For many, it was during the college years when they came face to face for the first time with the tragedy of the death of peers; when love left indelible impressions on the heart; when traditions found meaning and adulthood finally arrived. All of these things are poignantly described by L.C. Morse in his novel Sundial." - ESSENCE Magazine
"The Tale of Genji (ca. 1008), by noblewoman Murasaki Shikibu, is known for its sophisticated renderings of fictional characters’ minds and its critical perspectives on the lives of the aristocracy of eleventh-century Japan. Unreal Houses radically rethinks the Genji by focusing on the figure of the house. Edith Sarra examines the narrative’s fictionalized images of aristocratic mansions and its representation of the people who inhabit them, exploring how key characters in the Genji think about houses in both the architectural and genealogical sense of the word. Through close readings of the Genji and other Heian narratives, Unreal Houses elucidates the literary fabrication of social, architectural, and affective spaces and shows how the figure of the house contributes to the structuring of narrative sequences and the expression of relational nuances among fictional characters. Combining literary analysis with the history of gender, marriage, and the built environment, Sarra opens new perspectives on the architectonics of the Genji and the feminine milieu that midwifed what some have called the world’s first novel."
Offering original analysis of the convergence between 'sacred' and 'secular' in medieval works of art and architecture, this collection explores both the usefulness and limitations of these terms for describing medieval attitudes. The modern concepts of 'sacred' and 'secular' are shown to be effective as scholarly tools, but also to risk imposing false dichotomies. The authors consider medieval material culture from a broad perspective, addressing works of art and architecture from England to Japan, and from the seventh to the fifteenth century. Although the essays take a variety of methodological approaches they are unified in their emphasis on the continuing and necessary dialectic between sacred and secular. The contributors consciously frame their interpretations in terms and perspectives derived from the Middle Ages, thereby demonstrating how the present art-historical terminology and conceptual frameworks can obscure the complexity of medieval life and material culture. The resonance among essays opens possibilities for productive cross-cultural study of an issue that is relevant to a diversity of cultures and sub-periods. Introducing an innovative approach to the literature of the field, this volume complicates and enriches our understanding of social realities across a broad spectrum of medieval worlds.
