Between 1895 and 1945, Japan was heavily engaged in other parts of Asia, first in neighbouring Korea and northeast Asia, later in southern China and Southeast Asia. During this period Japanese ideas on the nature of national identities in Asia changed dramatically. At first Japan discounted the significance of nationalism, but in time Japanese authorities came to see Asian nationalisms as potential allies, especially if they could be shaped to follow Japanese patterns. At the same time, the ways in which other Asians thought of Japan also changed. Initially many Asians saw Japan as a useful but distant model, but with the rise of Japanese political power, this distant admiration turned into both cooperation and resistance. This volume includes chapters on India, Tibet, Siberia, Mongolia, Korea, Manchukuo, China, Taiwan, Vietnam, Thailand, the Philippines and Indonesia.
In 1940, Japan was into its third year of war with China, and relations with the United States were deteriorating, but it was a heady time for the Japanese nonetheless. That year, the Japanese commemorated the 2,600th anniversary of the founding of the Empire of Japan. According to the imperial myth-history, Emperor Jimmu, descended from the Sun Goddess Amaterasu, established the "unbroken imperial line" in 660 BCE. In carefully choreographed ceremonies throughout the empire, through new public monuments, with visual culture, and through heritage tourism, the Japanese celebrated the extension of imperial rule under the 124th emperor, Hirohito. These celebrations, the climactic moment for the ideology that was central to modern Japan's identity until the imperial cult's legitimacy was bruised by defeat in 1945, are little known outside Japan. Imperial Japan at Its Zenith, the first book in English about the 2,600th anniversary, examines the themes of the celebration and what they tell us about Japan at mid-century. Kenneth J. Ruoff emphasizes that wartime Japan did not reject modernity in favor of nativist traditionalism. Instead, like Nazi Germany and Fascist Italy, it embraced reactionary modernism. Ruoff also highlights the role played by the Japanese people in endorsing and promoting imperial ideology and expansion, documenting the significant grassroots support for the cult of the emperor and for militarism. Ruoff uses the anniversary celebrations to examine Japan's invention of a national history; the complex relationship between the homeland and the colonies; the significance of Imperial Japan's challenge to Euro-American claims of racial and cultural superiority; the role of heritage tourism in inspiring national pride; Japan's wartime fascist modernity; and, with a chapter about overseas Japanese, the boundaries of the Japanese nation. Packed with intriguing anecdotes, incisive analysis, and revelatory illustrations, Imperial Japan at Its Zenith is a major contribution to our understanding of wartime Japan.
In the Ruins of the Japanese Empire concludes that early East Asian Cold War history needs to be studied within the framework of post-imperial history. Japan’s surrender did not mean that the Japanese and former imperial subjects would immediately disavow imperial ideology. The end of the Japanese empire unleashed unprecedented destruction and violence on the periphery. Lives were destroyed; names of cities altered; collaborationist regimes—which for over a decade dominated vast populations—melted into the air as policeman, bureaucrats, soldiers, and technocrats offered their services as nationalists, revolutionaries or communists. Power did not simply change hands swiftly and smoothly. In the chaos of the new order, legal anarchy, revenge, ethnic displacement, and nationalist resentments stalked the postcolonial lands of northeast Asia, intensifying bloody civil wars in societies radicalized by total war, militarization, and mass mobilization. Kushner and Levidis’s volume follows these processes as imperial violence reordered demographics and borders, and involved massive political, economic, and social dislocation as well as stubborn continuities. From the hunt for “traitors” in Korea and China to the brutal suppression of the Taiwanese by the Chinese Nationalist government in the long-forgotten February 28 Incident, the research shows how the empire’s end acted as a catalyst for renewed attempts at state-building. From the imperial edge to the metropole, investigations shed light on how prewar imperial values endured during postwar Japanese rearmament and in party politics. Nevertheless, many Japanese actively tried to make amends for wartime transgressions and rebuild Japan’s posture in East Asia by cultivating religious and cultural connections. “This third book to emerge from Barak Kushner’s massive collaborative research project on the dissolution of Japan’s empire lays out a new geography of turning the ruins into social, economic, political, and cultural opportunities across Northeast Asia, and with lasting consequences. This book will change the way we research and teach ‘1945’ in a global context.” —Franziska Seraphim, Boston College “Writing imperial history, linking the prewar to postwar, is perilous because it must resist domestic taboos and social pressures. Today’s global society, where history incites extreme nationalism and serves as catalyst for conflict, calls for the creation of a new history of the end of empire as Kushner and his team have done in this volume.” —ASANO Toyomi, Waseda University
Nearly a century of Japanese Imperial rule, from the 1868 Meiji Restoration to the end of WWII, is explored in this sweeping history. Under Emperor Meiji’s rule, Imperial Japan established itself as a world power through rapid industrialization and militarization. Aligned with the Entente Powers during the First World War, Japan made a proposal for racial equality at the 1919 Paris Peace Conference—only to be overruled by American President Woodrow Wilson. In the 1920s, the empire began its military conquest of numerous countries and islands throughout Asia and the Pacific regions. Author Stephen Wynn examines Japan’s various military conflicts and colonial efforts, including its invasion of China that coincided with the Second World War. The book culminates with the atomic bombs dropped on Hiroshima and Nagasaki, which finally brought about Japan’s surrender and the end of the war in Asia and the Pacific.
Gruhl's narrative makes clear why Japan's World War II aggression still touches deep emotions with East Asians and Western ex-prisoners of war, and why there is justifiable sensitivity to the way modern Japan has dealt with this legacy. Knowledge of the enormity of Japan's total war is also necessary to assess the United States' and her allies' policies toward Japan, and their reactions to its actions, extending from Manchuria in 1931 to Hiroshima in 1945. Gruhl takes the view that World War II started in 1931 when Japan, crowded and poor in raw materials but with a sense of military invincibility, saw empire as her salvation and invaded China. Japan's imperial regime had volatile ambitions but limited resources, thus encouraging them to unleash a particularly brutal offensive against the peoples of Asia and surrounding ocean islands. Their 1931 to 1945 invasions and policies further added to Asia's pre-war woes, particularly in China, by badly disrupting marginal economies, leading to famines and epidemics. Altogether, the victims of Japan's World War Two aggression took many forms and were massive in number. Gruhl offers a survey and synthesis of the historical literature and documentation, statistical data, as well as personal interviews and first-hand accounts to provide a comprehensive overview analysis. The sequence of diplomatic and military events leading to Pearl Harbor, as well as those leading to the U.S. decision to drop the atom bomb, are explored here as well as Japan's war crimes and postwar revisionist/apologist views regarding them. This book will be of intense interest to Asian specialists, and those concerned with human rights issues in a historical context.
This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.
"Because imperialism has had such an appalling ideological reputation, we’ve lost sight of its excitement, the breathless anticipation of adventures in far-off lands. The Attractive Empire is a tour de force of enthralling historical scholarship that puts the appeal, and seductions, of imperialism on display, without underestimating its ugly consequences. Like its chosen subject, the book covers an astonishing array of texts, events, people, and issues. The clarity and vividness of the writing make it work effortlessly. Baskett’s organizational skills, narrative, and rhetoric deftly orchestrate a complex subject." —Darrell William Davis, University of New South Wales "Michael Baskett removes imperial Japanese film from its solitary confinement and commandingly analyzes how it functioned internationally. He commits a depth of research rarely found in English-language studies of Japanese cinema, and his mastery of the primary and secondary sources from beyond Japan’s borders distinctly set his book apart from previous scholarship on the subject. Not only is this a work that historians and film scholars will appreciate but also one that I look forward to assigning to undergraduates." —Barak Kushner, Cambridge University Japanese film crews were shooting feature-length movies in China nearly three decades before Akira Kurosawa’s Rashomon (1950) reputedly put Japan on the international film map. Although few would readily associate Japan’s film industry with either imperialism or the domination of world markets, the country’s film culture developed in lock step with its empire, which, at its peak in 1943, included territories from the Aleutians to Australia and from Midway Island to India. With each military victory, Japanese film culture’s sphere of influence expanded deeper into Asia, first clashing with and ultimately replacing Hollywood as the main source of news, education, and entertainment for millions. The Attractive Empire is the first comprehensive examination of the attitudes, ideals, and myths of Japanese imperialism as represented in its film culture. In this stimulating new study, Michael Baskett traces the development of Japanese film culture from its unapologetically colonial roots in Taiwan and Korea to less obvious manifestations of empire such as the semicolonial markets of Manchuria and Shanghai and occupied territories in Southeast Asia. Drawing on a wide range of previously untapped primary sources from public and private archives across Asia, Europe, and the United States, Baskett provides close readings of individual films and trenchant analyses of Japanese assumptions about Asian ethnic and cultural differences. Finally, he highlights the place of empire in the struggle at legislative, distribution, and exhibition levels to wrest the "hearts and minds" of Asian film audiences from Hollywood in the 1930s as well as in Japan’s attempts to maintain that hegemony during its alliance with Nazi Germany and Fascist Italy.
