Imagining Reperformance in Ancient Culture

Imagining Reperformance in Ancient Culture

Author: Richard Hunter

Publisher: Cambridge University Press

Published: 2017-06-09

Total Pages:

ISBN-13: 1108211011

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This book offers a series of studies of the idea and practice of reperformance as it affects ancient lyric poetry and drama. Special attention is paid to the range of phenomena which fall under the heading 'reperformance', to how poets use both the reality and the 'imaginary' of reperformance to create a deep temporal sense in their work and to how audiences use their knowledge of reperformance conditions to interpret what they see and hear. The studies range in scope from Pindar and fifth-century tragedy and comedy to the choral performances and reconstructions of the Imperial Age. All chapters are informed by recent developments in performance studies, and all Greek and Latin is translated.


Theatrical Reenactment in Pindar and Aeschylus

Theatrical Reenactment in Pindar and Aeschylus

Author: Anna Uhlig

Publisher: Cambridge University Press

Published: 2019-07-18

Total Pages: 319

ISBN-13: 1108481833

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Argues that the songs of Pindar and Aeschylus share a "theatrical" spirit that illuminates choral performance in Classical Greece.


Greek Tragedy After the Fifth Century

Greek Tragedy After the Fifth Century

Author: Vayos Liapis

Publisher: Cambridge University Press

Published: 2019

Total Pages: 431

ISBN-13: 1107038553

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What happened to Greek tragedy after the death of Euripides? This book provides some answers, and a broad historical overview.


While Rome Burned

While Rome Burned

Author: Virginia M. Closs

Publisher: University of Michigan Press

Published: 2020-05-06

Total Pages: 363

ISBN-13: 0472126660

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While Rome Burned attends to the intersection of fire, city, and emperor in ancient Rome, tracing the critical role that urban conflagration played as both reality and metaphor in the politics and literature of the early imperial period. Urban fires presented a consistent problem for emperors from Augustus to Hadrian, especially given the expectation that the princeps be both a protector and provider for Rome’s population. The problem manifested itself differently for each leader, and each sought to address it in distinctive ways. This history can be traced most precisely in Roman literature, as authors addressed successive moments of political crisis through dialectical engagement with prior incendiary catastrophes in Rome’s historical past and cultural repertoire. Working in the increasingly repressive environment of the early principate, Roman authors frequently employed “figured” speech and mythopoetic narratives to address politically risky topics. In response to shifting political and social realities, the literature of the early imperial period reimagines and reanimates not just historical fires, but also archetypal and mythic representations of conflagration. Throughout, the author engages critically with the growing subfield of disaster studies, as well as with theoretical approaches to language, allusion, and cultural memory.


Sensing Greek Drama

Sensing Greek Drama

Author: Zachary Case

Publisher: Cambridge Philological Society

Published: 2023-08-01

Total Pages: 233

ISBN-13: 1913701476

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Sensing Greek Drama explores ancient Greek tragedy and comedy through the lens of the senses. It works within and beyond a number of recent developments in the scholarship of Classics and related fields. The individual chapters engage with the senses in drama in manifold ways: through various theoretical frameworks borrowed from kindred fields in the humanities and sciences – postmodernism, humanism, feminism, phenomenology, cognitive theory and neuroscience, to name a few – as well as through the more traditional approaches within Classics, including philology, historicism, performance studies and reception. Above all, Sensing Greek Drama serves as a call to “to recover our senses”, as Susan Sontag wrote in her famous essay “Against Interpretation”, in a modern age characterized by sensory overload and deprivation.


Reading Greek Tragedy with Judith Butler

Reading Greek Tragedy with Judith Butler

Author: Mario Telò

Publisher: Bloomsbury Publishing

Published: 2024-05-30

Total Pages: 316

ISBN-13: 1350323403

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Considering Butler's “tragic trilogy”-a set of interventions on Sophocles' Antigone, Euripides' Bacchae, and Aeschylus's Eumenides-this book seeks to understand not just how Butler uses and interprets Greek tragedy, but also how tragedy shapes Butler's thinking, even when their gaze is directed elsewhere. Through close readings of these tragedies, this book brings to light the tragic quality of Butler's writing. It shows how Butler's mode of reading tragedy-and, crucially, reading tragically-offers a distinctive ethico-political response to the harrowing dilemmas of our current moment. Deeply committed both to critical theory and political activism, Judith Butler is one of the most influential intellectuals today. Their ideas have touched the lives of many people, both readers and those who have never heard Butler's name. In encompassing gender performativity and sexual difference, vulnerability and precarity, disidentification and bodily interdependency, as well as the politics of protest, Butler's work is often predicated on a strong engagement with or proximity to Greek tragedy.


Reception in the Greco-Roman World

Reception in the Greco-Roman World

Author: Marco Fantuzzi

Publisher: Cambridge University Press

Published: 2021-05-27

Total Pages: 479

ISBN-13: 1316518582

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Harnesses the insights generated by 30 years of reception studies to enhance the study of classical Greek literature.


Ancient Greek Comedy

Ancient Greek Comedy

Author: Almut Fries

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2020-06-22

Total Pages: 371

ISBN-13: 3110646269

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This volume, in honour of Angus M. Bowie, collects seventeen original essays on Greek comedy. Its contributors treat questions of origin, genre and artistic expression, interpret individual plays from different angles (literary, historical, performative) and cover aspects of reception from antiquity to the 20th century. Topics that have not received much attention so far, such as the prehistory of Doric comedy or music in Old Comedy, receive a prominent place. The essays are arranged in three sections: (1) Genre, (2) Texts and Contexts, (3) Reception. Within each section the chapters are as far as possible arranged in chronological order, according to historical time or to the (putative) dates of the plays under discussion. Thus readers will be able to construe their own diachronic and thematic connections, for example between the portrayal of stock characters in early Doric farce and developed Attic New Comedy or between different forms of comic reception in the fourth century BC. The book is intended for professional scholars, graduate and undergraduate students. Its wide range of subjects and approaches will appeal not only to those working on Greek comedy, but to anyone interested in Greek drama and its afterlife.