Imaging the Early Medieval Bible
Author: John Williams
Publisher: Penn State Press
Published: 1999
Total Pages: 238
ISBN-13: 0271017686
DOWNLOAD EBOOKA unique exploration of the beginnings of biblical illustration and decoration.
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Author: John Williams
Publisher: Penn State Press
Published: 1999
Total Pages: 238
ISBN-13: 0271017686
DOWNLOAD EBOOKA unique exploration of the beginnings of biblical illustration and decoration.
Author: Claus Michael Kauffmann
Publisher: Harvey Miller
Published: 2003
Total Pages: 414
ISBN-13:
DOWNLOAD EBOOKUsing examples of manuscripts, medieval art, sculpture, wall-painting, metal work and stained glass, the author explores the use of Biblical imagery in art during the medieval period in England.
Author: Paul Magdalino
Publisher: Harvard University Press
Published: 2010
Total Pages: 354
ISBN-13: 9780884023487
DOWNLOAD EBOOKThe Old Testament in Byzantium contains papers from a Dumbarton Oaks symposium based on an exhibition of early Bible manuscripts titled "In the Beginning: Bibles before the Year 1000." Topics include manifestations of the holy books in Byzantine manuscript illustration, architecture, and government, as well as in Jewish Bible translations.
Author: C. Chazelle
Publisher: Springer
Published: 2016-04-30
Total Pages: 264
ISBN-13: 1137123052
DOWNLOAD EBOOKThe articles in this volume, by scholars all pursuing careers in the United States, concern the theoretical approaches and methods of early medieval studies. Most of the issues examined span the period from roughly 400 to 1000 CE and regions stretching from westernmost Eurasia to the Black Sea and the Baltic. This is the first volume of essays explicitly to reassess the heuristic structures and methodologies of research on "early medieval Europe." Because of its geographic, chronological, thematic, and methodological diversity and scope, the collection also showcases the breadth of early medieval studies currently practiced in the United States.
Author: Jennifer O'Reilly
Publisher: Routledge
Published: 2019-06-19
Total Pages: 411
ISBN-13: 100000872X
DOWNLOAD EBOOKWhen she died in 2016, Dr Jennifer O’Reilly left behind a body of published and unpublished work in three areas of medieval studies: the iconography of the Gospel Books produced in early medieval Ireland and Anglo-Saxon England; the writings of Bede and his older Irish contemporary, Adomnán of Iona; and the early lives of Thomas Becket. In these three areas she explored the connections between historical texts, artistic images and biblical exegesis. This volume brings together seventeen essays, published between 1984 and 2013, on the interplay of texts and images in medieval art. Most focus on the manuscript art of early medieval Ireland and England. The first section includes four studies of the Codex Amiatinus, produced in Northumbria in the monastic community of Bede. The second section contains seven essays on the iconography and text of the Book of Kells. In the third section there are five studies of Anglo-Saxon Art, examined in the context of the Benedictine Reform. A concluding essay, on the medieval iconography of the two trees in Eden, traces the development of a motif from Late Antiquity to the end of the Middle Ages.(CS1080)
Author: Alun Williams
Publisher: Bloomsbury Publishing
Published: 2024-03-21
Total Pages: 320
ISBN-13: 1350143693
DOWNLOAD EBOOKThis book presents an original perspective on the variety and intensity of biblical narrative and rhetoric in the evolution of history writing in León-Castile during the twelfth and thirteenth centuries. It focuses on six Hispano-Latin chronicles, two of which make unusually overt and emphatic use of biblical texts. Of particular importance is the part played by the influence of exegesis that became integral to scriptural and liturgical influence, both in and beyond monastic institutions. Alun Williams provides close analysis of the text and comparisons with biblical typology to demonstrate how these historians from the north of Iberia were variously dependent on a growing corpus of patristic and early medieval interpretation to understand and define their world and their sense of place. Narrative, Piety and Polemic in Medieval Spain sees Williams examine this material as part of a comparative exploration of language and religious allusion, showing how the authors used these biblical-liturgical elements to convey historical context, purpose and interpretation.
Author: Elina Gertsman
Publisher: Penn State Press
Published: 2021-06-24
Total Pages: 599
ISBN-13: 0271089016
DOWNLOAD EBOOKWinner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.
Author: Giselle de Nie
Publisher: Routledge
Published: 2016-05-06
Total Pages: 194
ISBN-13: 1317142055
DOWNLOAD EBOOKOur imagination reveals our experience of ourselves and our world. The late philosopher of science and poetry Gaston Bachelard introduced the notion that each image that comes to mind spontaneously is a visual representation of the cognitive and affective pattern that is moving us at the time - often unconsciously. When such a mental image inspires a picture or text, it evokes in the mind of the reader or beholder a replication of the internal pattern that originally inspired the artist or writer. Thus mental images are rarely empty phantasies. Whereas intellectual concepts are conscious constructions of abstracted relations, mental images evoked by texts and pictures often point - like dreams - to pre-verbal experience that patterns itself through multiplying associations and analogies. These mental images can also manifest their own limits, pointing indirectly to experiences beyond what can be expressed and communicated. The six essays in this volume seek to uncover the dynamic patterns in verbal and pictorial images and to evaluate their potentialities and limitations. Thematically ordered according to their specific focus, the essays begin with material images and move on to increasing degrees of immateriality. The subjects treated are: verbal descriptions of an icon and of a statue; imaginative visions and auditions evoked by material depictions; verbal imagery describing imagined sculptures and scenes as compared with drawings of a moving historical pageant; drawings of symbolic figures representing subtle relationships between verbal expositions that cannot be syntactically represented; dream images that precipitate actual healing; and aural patterns in a sounded text that are experienced as 'images' of affective dynamisms.
Author: Lawrence Nees
Publisher: Oxford University Press, USA
Published: 2002
Total Pages: 274
ISBN-13: 9780192842435
DOWNLOAD EBOOKEarliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.
Author:
Publisher: Penn State Press
Published:
Total Pages: 408
ISBN-13: 9780271044088
DOWNLOAD EBOOKThe Bibles Moralisées are by far the richest and most complex attempt at biblical illustration ever undertaken. Seven of them survive today, made primarily for the kings and queens of France between the early thirteenth and late fifteenth centuries. John Lowden's pioneering two-volume study brings new material to light and offers a wholly new approach to understanding the Bibles, which contain literally thousands of figures. Volume I, based on exhaustive codicological analysis, considers the making and the later history of use of each of the manuscripts. Volume II investigates in detail the treatment of one portion of the Bible, the Book of Ruth, in all the manuscripts. Discussion is supported by many new photographs in color and black and white. Together the two volumes challenge conventional wisdom about both the Bibles Moralisées and the relationship of word and image in medieval culture.