We know from our literary histories that there was a movement called the Irish Literary Renaissance, and that Yeats was at its head. We know from our political histories that there is now a Republic of Ireland because of a nationalistic movement that, militarily, began with the insurrection of Easter Week, 1916. But what do these two movements have to do with one another?... Because I came to history with literary eyes, I could not help seeing history in terms and shapes of imaginative experience. Thus Movement, Myth, and Image came to be the way in which the nature of the insurrection appeared to me. This method of analyzing historical event as if it were a work of art is not altogether as inappropriate as it might seem when the historical event happens to be a revolution. The Irish revolutionaries lived as if they were in a work of art, and this inability to tell the difference between sober reality and the realm of imagination is perhaps one very important characteristic of a revolutionary. The tragedy of actuality comes from the fact that when, in a revolution, history is made momentarily into a work of art, human beings become the material that must be ordered, molded, or twisted into shape. (from the preface)
Providing a new and stimulating conceptual framework for the study of Irish historiography, this book combines a theoretical approach with close analysis of important case studies and presents the first historical and theoretical examination of the trailblazer historians who, from 1938, spearheaded an unpoliticized Irish history
Marcus Mosiah Garvey (1887- 1940) led an extraordinary mass movement of black social protest. His Universal Negro Improvement Association and his "back to African" program of racial nationalism introduced many ideas that emerged again during the Black Power years of the 1960s: pride in black roots, pride in black physical features and African culture, and rejection of assimilation into white America. Yet the charismatic black Jamaican who roared his credo before huge audiences on the st reet corners of Harlem remains an enigma. His image as an honest idealist urging blacks to build their own nation has been clouded by accusations that he was a con man who, in the name of black pride, perpetrated one of history's greatest swindles. The Marcus Garvey And Universal Negro Improvement Association Papers clarifies the Garvey phenomenon. This is the first volume in a monumental ten-volume survey of thirty thousand archival documents and original manuscripts from widely separated sources, brought together by editor Robert A. Hill to provide a compelling picture of the evolution, spread, and influence of the UNIA. Letters, pamphlets, vital records, intelligence reports, newspaper articles, speeches, legal records, and diplomatic dispatches are enhanced by Hill's descriptive source notes, explanatory footnotes, and comprehensive introduction. Of the over three hundred items included in Volume I, only very few have ever been published or reprinted before. Volume I begins with the earliest mentions in 1826 of the Garvey family in Jamaica's slave records, and closes with Garvey's triumphant address at Carnegie Hall on August 25, 1919. The information is fascinating and often startling, tracing Garvey's early career in Jamaica, Central America, Europe, and the United States, and detailing the first stirrings of what was to become an international mass movement. Hill presents complete documentation of the first official surveillance of the UNIA, which prepared the way for the beginning of the criminal and civil litigation that engulfed Garvey and his movement, as American and European governments reacted to the perceived threat with repressive policies. The documents also record the internal structure and political splits during the early years of the UNIA, and provide the financial history of Garvey's controversial Black Star Line steamship venture, one of the schemes that ultimately led to the financial collapse of his movement. The first volume and the following five focus on America, the seventh and eighth on Mrica, and the last two on the Caribbean. The information Hill has compiled goes far beyond preoccupation with a single intriguing historical figure to document the growth and demise of a mass social phenomenon, an Mro-American protest movement with strong links to African and Caribbean nationalism in the first decades of the twentieth century.
The elusive search for stability is the subject of Professor D. George Boyce's Nineteenth-Century Ireland, the fifth in the New Gill History of Ireland series. Nineteenth-century Ireland began and ended in armed revolt. The bloody insurrections of 1798 were the proximate reasons for the passing of the Act of Union two years later. The 'long nineteenth century' lasted until 1922, by which the institutions of modern Ireland were in place against a background of the Great War, the Ulster rebellion and the armed uprising of the nationalist Ireland. The hope was that, in an imperial structure, the ethnic, religious and national differences of the inhabitants of Ireland could be reconciled and eliminated. Nationalist Ireland mobilised a mass democratic movement under Daniel O'Connell to secure Catholic Emancipation before seeing its world transformed by the social cataclysm of the Great Irish Potato Famine. At the same time, the Protestant north-east of Ulster was feeling the first benefits of the Industrial Revolution. Although post-Famine Ireland modernised rapidly, only the north-east had a modern economy. The mixture of Protestantism and manufacturing industry integrated into the greater United Kingdom and gave a new twist to the traditional Irish Protestant hostility to Catholic political demands. In the home rule period from the 1880s to 1914, the prospect of partition moved from being almost unthinkable to being almost inevitable. Nineteenth-century Ireland collapsed in the various wars and rebellions of 1912–22. Like many other parts of Europe than and since, it had proved that an imperial superstructure can contain domestic ethnic rivalries, but cannot always eliminate them. Nineteenth-Century Ireland: Table of Contents Introduction - The Union: Prelude and Aftermath, 1798–1808 - The Catholic Question and Protestant Answers, 1808–29 - Testing the Union, 1830–45 - The Land and its Nemesis, 1845–9 - Political Diversity, Religious Division, 1850–69 - The Shaping of Irish Politics (1): The Making of Irish Nationalism, 1870–91 - The Shaping of Irish Politics (2): The Making of Irish Unionism, 1870–93 - From Conciliation to Confrontation, 1891–1914 - Modernising Ireland, 1834–1914 - The Union Broken, 1914–23 - Stability and Strife in Nineteenth-Century Ireland
Last Weapons explains how the use of hunger strikes and fasts in political protest became a global phenomenon. Exploring the proliferation of hunger as a form of protest between the late-nineteenth and mid-twentieth centuries, Kevin Grant traces this radical tactic as it spread through trans-imperial networks among revolutionaries and civil-rights activists from Russia to Britain to Ireland to India and beyond. He shows how the significance of hunger strikes and fasts refracted across political and cultural boundaries, and how prisoners experienced and understood their own starvation, which was then poorly explained by medical research. Prison staff and political officials struggled to manage this challenge not only to their authority, but to society’s faith in the justice of liberal governance. Whether starving for the vote or national liberation, prisoners embodied proof of their own assertions that the rule of law enforced injustices that required redress and reform. Drawing upon deep archival research, the author offers a highly original examination of the role of hunger in contesting an imperial world, a tactic that still resonates today.
The Encyclopedia of Political Revolutions is an important reference work that describes revolutionary events that have affected and often changed the course of history. Suitable for students and interested lay readers yet authoritative enough for scholars, its 200 articles by leading scholars from around the world provide quick answers to specific questions as well as in-depth treatment of events and trends accompanying revolutions. Includes descriptions of specific revolutions, important revolutionary figures, and major revolutionary themes such as communism and socialism, ideology, and nationalism. Illustrative material consists of photographs, detailed maps, and a timeline of revolutions.
The Irish Writer and the World is a major new book by one of Ireland's most prominent scholars and cultural commentators. Declan Kiberd, author of the award-winning Irish Classics and Inventing Ireland, here synthesises the themes that have occupied him throughout his career as a leading critic of Irish literature and culture. Kiberd argues that political conflict between Ireland and England ultimately resulted in cultural confluence and that writing in the Irish language was hugely influenced by the English literary tradition. He continues his exploration of the role of Irish politics and culture in a decolonising world, and covers Anglo-Irish literature, the fate of the Irish language and the Celtic Tiger. This fascinating collection of Kiberd's work demonstrates the extraordinary range, astuteness and wit that have made him a defining voice in Irish studies and beyond, and will bring his work to new audiences across the world.
