Sixteen papers by foremost American, Canadian, and English historical geographers examine the sources of Imagery of the American and Canadian Great Plains, the processes of image formation, and the behavioral implications of various kinds of images. The papers deal with exploratory images of the Plains, resource evaluation in the prefrontier West, governmental appraisal of the western frontier, real and imagined climatic hazards, the desert and garden myths, and adaptations to reality.
A beautifully rendered reference guide to the Great Plains portion of the famous expedition through the American West highlights the explorer's remarkable encounters with previously undocumented flora and fauna as they moved through the Plains region. Original. (Biology & Natural History)
"These images reveal much about Red Cloud - from the height of his position as a tribal leader in the 1870s through his years as an effective and controversial statesman to his old age and death in the early twentieth century. Goodyear provides a fully drawn portrait of the renowned Lakota leader and his relationships with outsiders, particularly those who continually attempted to capture his likeness with a camera."--BOOK JACKET.
Archaeologist Keyser and Klassen share with readers the origins, diversity, and beauty of Plains rock art, with the hope of encouraging greater awareness and respect for this cultural tradition by society as a whole. Their guide covers the natural and archaeological history of the northwestern Plains; explains rock art forms, techniques, styles, terminology and dating; and suggests interpretations of images and compositions. The text is illustrated throughout with black-and-white photos, maps and drawings. The writing is serious, but accessible to the general reader. c. Book News Inc.
Eric Meola became interested in storms during a 1977 road trip across Nevada to photograph an album cover for musician Bruce Springsteen. While driving on a long dirt road in the desert they encountered a violent storm, and Springsteen wrote a song about the experience called 'The Promised Land'. Meola was transfixed as well by the display of nature's fury: "I always wanted to go back to that day when we drove up on a hilltop and watched as lightning revealed the valley floor." Meola began to photograph the tornadic storms of the Great Plains - the area in America's heartland west of the 98th meridian and east of the Rockies. Driving through the area known as Tornado Alley - from the Rio Grande in southern Texas, north to the Canadian provinces of Alberta and Saskatchewan - he photographed a forbidding landscape where atmospheric instability collides with moisture from the Gulf of Mexico and spectacular cumulonimbus clouds form at twilight. Over a period of several years he documented a landscape of elemental forces, where immense storms percolate miles above the ground, rotating with energy until tornadoes spin on the horizon. And he discovered a country of haunting beauty where the wail of coyotes and the glow of constellations fill the prairie's void with simple graces. Fierce Beauty: Storms of the Great Plains includes more than one hundred photographs made during six seasons of tornadoes, lightning, dust storms, and storm phenomena, as well as a detailed and vivid description of a moment-by-moment close encounter with a cataclysmic tornado by renowned storm chaser and meteorologist William T. Reid. AUTHOR: Eric Meola studied photography at the Newhouse School of Journalism at Syracuse University, and graduated with a BA degree in English Literature. Meola's photographs are included in the archive of the American Society of Media Photographers (ASMP), the National Portrait Gallery in Washington, DC, the International Center of Photography in New York City, and the George Eastman Museum in Rochester, New York. His previous books include Born to Run: The Unseen Photos (Insight Editions, 2006), and INDIA: In Word & Image (Welcome Books, 2008). He has won numerous awards, including the 'Advertising Photographer of the Year' award in 1986 from the American Society of Media Photographers. In 2014, he received the 'Power of the Image' George Eastman award as part of ceremonies and an exhibition in Beijing, China. Eric and his wife, photographer Joanna McCarthy, live in Sagaponack, New York, on the south shore of Long Island. SELLING POINTS: * Features more than 100 detailed and atmospheric photographs of tornadoes, lightning, dust storms, and storm phenomena taken during four decades of personal trips to the Great Plains and during six seasons of chasing storms, from 1977 to 2019 * Chronicles Eric Meola's initiation into storm chasing during a trip to Nevada with Bruce Springsteen in the late 1970s to make photographs that eventually would be used on Springsteen's album The Promise, and which he documented in the song 'The Promised Land' * Features several extracts of storm-chasing experiences by renowned storm chasers and meteorologists, such as Charles Chuck Doswell III, Chris Gullikson, and William T. Reid * An extensive recommended reading list of books includes Great Plains biographical texts; historical references, including social analysis and commentary on indigenous culture, pioneer settlements, and geographical references to the Great Plains; as well as literary fiction titles and works describing storms and tornadoes, and other meteorological themes * Meola's photographs of storms have been featured in Time, Outside Online, Communication Arts, and the Wall Street Journal 100 colour photographs
The Great Plains were once among the greatest grasslands on the planet. But as the United States and Canada grew westward, the Plains were plowed up, fenced in, overgrazed, and otherwise degraded. Today, this fragmented landscape is the most endangered and least protected ecosystem in North America. But all is not lost on the prairie. Through lyrical photographs, essays, historical images, and maps, this beautifully illustrated book gets beneath the surface of the Plains, revealing the lingering wild that still survives and whose diverse natural communities, native creatures, migratory traditions, and natural systems together create one vast and extraordinary whole. Three broad geographic regions in Great Plains are covered in detail, evoked in the unforgettable and often haunting images taken by Michael Forsberg. Between the fall of 2005 and the winter of 2008, Forsberg traveled roughly 100,000 miles across 12 states and three provinces, from southern Canada to northern Mexico, to complete the photographic fieldwork for this project, underwritten by The Nature Conservancy. Complementing Forsberg’s images and firsthand accounts are essays by Great Plains scholar David Wishart and acclaimed writer Dan O’Brien. Each section of the book begins with a thorough overview by Wishart, while O’Brien—a wildlife biologist and rancher as well as a writer—uses his powerful literary voice to put the Great Plains into a human context, connecting their natural history with man’s uses and abuses. The Great Plains are a dynamic but often forgotten landscape—overlooked, undervalued, misunderstood, and in desperate need of conservation. This book helps lead the way forward, informing and inspiring readers to recognize the wild spirit and splendor of this irreplaceable part of the planet.
White Plains in the 20th Century explores the community's growth as the county seat of Westchester through historic images that span a century. White Plains, located about 25 miles north of New York City, is the county seat of Westchester County and the birthplace of New York State. Its central location in Westchester made White Plains the hub of 18th-century stagecoach roads that ran from New York City to upstate New York and Connecticut. After the Revolutionary War and a famous battle, White Plains continued to grow into a large village connected to the city by train; its population exploded in the first decade of the 20th century thanks to European immigrants. In the 1920s, the population grew again, with professionals and commuters filling the new house and apartment developments created during a real estate boom. The city's last growth spurt was during the post-World War II baby boom, when urban renewal transformed the city into an imposing urban landscape. Through it all, White Plains has been a city with a diverse population in an affluent suburban county with strong governmental, business, educational, cultural, and commercial institutions.
The numbers of farms and farmers on the Great Plains are dwindling. Disappearing even faster are the farm places—the houses, barns, and outbuildings that made the rural landscape a place of habitation. Nancy Warner's photographs tell the stories of buildings that were once loved yet have now been abandoned. Her evocative images are juxtaposed with the voices of Nebraska farm people, lovingly recorded by sociologist David Stark. These plainspoken recollections tell of a way of life that continues to evolve in the face of wrenching change. Warner's spare, formal photographs invite readers to listen to the cadences and tough-minded humor of everyday speech in the Great Plains. Stark's afterword grounds the project in the historical relationship between people and their land. In the tradition of Wright Morris, this combination of words and images is both art and document, evoking memories, emotions, and questions for anyone with rural American roots.
