IMAGES deals with the discourse of cultural encounters within the context of social co-existence. Within this scope, the project deals with both verbal and non-verbal communication and focuses on the thematic fields of cultural encounter, poverty, and migration. This volume thus offers readers a cross-section of current research both on the perception of urbanity and on contemporary and historical representations of the city, coming from a variety of fields in people's daily lives. (Series: Anthropology / Ethnologie - Vol. 57) [Subject: Sociology, Cultural Studies, Urban Studies, Poverty Studies, Migration Studies]
The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
Criticism on the textual and iconographic construction of the city is extensive, yet the problem of historical change in representations of "the urban" has received little attention. Believing traditional accounts are limited by their reflection of a specific historical moment, Joan Ramon Resina and Dieter Ingenschay focus, by contrast, on transition. In essays written for this volume, scholars of literary and visual studies, the history of architecture, cultural theory, and urban geography explore the ways perceptual or conceptual paradigms of the city supersede or replace others, while at the same time retaining the "after-image" of what went before. The writers touch on a wide variety of issues related to contemporary urban cultures as they journey through cities including New York, Barcelona, Madrid, Paris, Tijuana, Berlin, and London. Drawing on the work of Roland Barthes, Walter Benjamin, Camilo José Cela, Honoré de Balzac, and Alfred Stieglitz, their approach is broadly cultural rather than technical. After-Images of the City takes into account the intrinsic instability of the image and reveals that representations of the modern metropolis cannot be fixed in time and history.
The Changing Image of the City describes urban planning and development from the end of World War II to 1973, when major elements of the design of Nebraska's largest city were in place. Janet Daly-Bednarek shows how the appraches to planning shifted during a period that saw Omaha change from a hub of food processing and transportation to a postindustrial center dominated by insurance and by educational, medical, and other services. Finally, she surveys recent developments such as the Central Park Mall and the Old Market area in light of earlier plans and their implementation. In considering the changes that have occurred in Omaha, this book reveals much about the growth of professional urban planning in America. In Omaha, as elsewhere, planners dealt with power brokers, coped with rampant suburbanism and sprawling shopping malls, searched for ways to reverse the inner-city decay, and concerned themselves with historic preservation, beautification, and quality of life.
If you’ve ever had a special attachment to a film, and also an attachment to the city it was shot in, Xiaofei Haos book will give you a fresh eye on how the city is expressed in the film by the filmmaker. From the perspective of social science, each face of the city in a film comes from a choice – shown only on the basis of the filmmakers’ selection criteria. In this process, the film becomes the cognitive map of that city. The interweaving of the city space and film language will be elaborated first from the perspective of urban studies. Then some viewpoints of tourism studies will be provided to explore the relation between the image of the city in the film and in reality. Two films about the city Taipei are looked at as case studies: A One and a Two (Yi Yi, Director Edward Yang, 2000) and Au Revoir Taipei (Director Arvin Chen, 2010).
The conversion of an agricultural nation into an overwhelmingly urbanized continent was accompanied by Americans' attempts to make sense of what was happening. Within these pages, Anselm L. Strauss depicts the vast and varied color of American urban development and the imagery associated with it. This reprinted classic focuses on individuals rather than institutions. It describes what people have felt about their cities, whether they lived within or outside them. Its concerns are with regional periods of urban growth and development insofar as they relate to individual reactions and life-styles. In analyzing these feelings, the author maintains, one can depict how Americans have lived in their cities and how they have coped with the problems raised by the conditions of urban life.
The Criminal's Image of the City focuses on the factors influencing the increase in crimes in cities, taking into consideration the behavior patterns of criminals. The manuscript first details approaches on the spatial and environmental analyses of crimes. The text then takes a look at the conceptual framework needed in understanding the spatial activity of criminals through their environmental perceptions. Considerations include criminals' evaluation of their environments, distinguishing property crime and property criminals, and offender and non-offender samples. The publication examines how criminals perceive the different areas of cities and how they assess such areas as targets for the commission of crimes. The text also reviews the relationship of public policy and criminal behavior with area images, including approaches to crime prevention, crime and environmental design, predicting locales for crime, relationship between images and behavior, and implementation problems. The book is a useful reference for readers wanting to dig deeper into the behavior of criminals.
This urban and architectural study of Aleppo reconstructs the city's evolution over the first two centuries of Ottoman rule and proposes a new model for the understanding of the reception and adaptation of imperial forms, institutions and norms in a provincial setting.
The essays in this collection discuss how the city is ‘textualized’, and address many aspects of how texts and images are written and produced in, and about, cities. They demonstrate how urban texts and images provoke reactions, in city-dwellers, visitors, civic and political actors, that, in turn, impact upon the shape of the city itself. Many kinds of urban texts – both manuscript and print – are discussed, including chapbooks, periodicals, poetry, graffiti and street-signs. The essays derive from a range of disciplines including book history, urban history, cultural history, literary studies, art history and urban planning, and explore some key questions in urban cultural history, including the relationship between text, image and the city; the function of the text or image within an urban environment; how urban texts and images have been used by those in positions of power and by those with little or no power; the ways in which urban identity and values have been reflected in ‘street literature’, graffiti and subversive texts and images; and whether theories of urban space can help us to understand the relationship between text, image and the city. As such, this volume will serve to enhance the reader’s understanding of the nature of urbanism from a historical perspective, the creation and representation of urban space, and the processes of urbanization. It investigates how the creation, distribution and consumption of urban texts and images actively affect the shaping of the city itself – a mutually constitutive process whereby text, image and city create and sustain each other.
