Ideology and the Image
Ideology and the Image

Author: Bill Nichols

Publisher: Bloomington : Indiana University Press

Published: 1981

Total Pages: 360

ISBN-13:

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To what degree, Nichols asks, does ideology inform images in films, advertising, and other media? Does the cinema or any other sign system liberate or manipulate us? How can we as spectators know when the media are subtly perpetuating a specific set of values? To address these issues, the author draws from a variety of approaches -- Marxism, psycholanalysis, communication theory, semiotics, structuralism, the psychology of perception. Working with two interrelated theories -- ideology and image-systems, and ideology and principles of textual criticism -- Nichols shows how and why we make emotional investments in sign sytsems with an ideological context.

Imagery and Ideology
Imagery and Ideology

Author: William J. Berg

Publisher: Associated University Presse

Published: 2007

Total Pages: 286

ISBN-13: 9780874139952

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Literature is ostensibly a sequential and thus temporal medium, and painting a static and spatial one; yet writers like George Sand and Emile Zola have attempted repeatedly to represent visual and spatial phenomena in literary texts, just as painters like Eugene Delacroix and Claude Monet have sought consistently to capture effects of time and movement on canvas. The incorporation of elements from one artistic medium into another creates a dynamic interplay of image and ideology, both between art forms and within individual texts and paintings, which constitutes the crux of this book. Each chapter involves the detailed analysis of a text and a painting, related through topic, theme, and technique. By juxtaposing the works of ten major writers and ten painters of comparable stature, the book explores the various modalities and layers of meaning in nineteenth-century French art, both verbal and visual, and proposes ways of reading the ambivalent artifacts of "modernity." Illustrated.

Mediating Ideology in Text and Image
Mediating Ideology in Text and Image

Author: Inger Lassen

Publisher: John Benjamins Publishing

Published: 2006-01-01

Total Pages: 267

ISBN-13: 902722708X

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While ideology has been treated widely in CDA-literature, the role played by the interaction of text and image in multiplying meaning and furthering ideological stances has not so far received a lot of attention. Mediating Ideology in Text and Image offers a number of approaches to such analysis, offering students and academics valuable tools for identifying possible discrepancies between the world and the way it is represented through various mediational means. The authors' common aim is one of assisting the audience in reading between the lines, thus offering a variety of approaches that may contribute to a better understanding of how ideologies possibly work and how they may be denaturalised from text and image. The articles in part I look at rhetorical strategies used in meaning construction processes unfolding in various kinds of mass media. Part II focuses on the re-semiotization of meaning and looks at how analysing the combination of text and image may contribute to a better understanding of ideological processes brought about by multimodal resources. Foreword by Ruth Wodak.

Iconology
Iconology

Author: W.J.T. Mitchel

Publisher: University of Chicago Press

Published: 2013-05-03

Total Pages: 237

ISBN-13: 022614805X

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"[Mitchell] undertakes to explore the nature of images by comparing them with words, or, more precisely, by looking at them from the viewpoint of verbal language. . . . The most lucid exposition of the subject I have ever read."—Rudolf Arnheim, Times Literary Supplement

Image and Ideology in Modern/Postmodern Discourse
Image and Ideology in Modern/Postmodern Discourse

Author: David B. Downing

Publisher: State University of New York Press

Published: 1991-09-27

Total Pages: 368

ISBN-13: 1438401493

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This book addresses the function and status of the visual and verbal image as it relates to social, political, and ideological issues. The authors first articulate some of the lost connections between image and ideology, then locate their argument within the modernist/postmodernist debates. The book addresses the multiple, trans-disciplinary problems arising from the ways cultures, authors, and texts mobilize particular images in order to confront, conceal, work through, or resolve contradictory ideological conditions.

Violence and Power in Ancient Egypt
Violence and Power in Ancient Egypt

Author: Laurel Bestock

Publisher: Routledge

Published: 2017-10-25

Total Pages: 571

ISBN-13: 1134856261

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Violence and Power in Ancient Egypt examines the use of Egyptian pictures of violence prior to the New Kingdom. Starting with the assertion that making and displaying such images served as a tactic of power, related to but separate from the actual practice of violence, the book explores the development and deployment of this imagery across different contexts. By comparatively utilizing violent images from a variety of other times and cultures, the book asks that we consider not only how Egyptian imagery was related to Egyptian violence, but also why people create pictures of violence and place them where they do, and how such images communicate what to whom. By cataloging and querying Egyptian imagery of violence from different periods and different contexts—royal tombs, divine temples, the landscape, portable objects, and private tombs—Violence and Power highlights the nuances of the relationship between aspects of royal ideology, art, and its audiences in the first half of pharaonic Egyptian history.

The Power of Images
The Power of Images

Author: David Freedberg

Publisher: University of Chicago Press

Published: 2013-02-01

Total Pages: 561

ISBN-13: 022625903X

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"This learned and heavy volume should be placed on the shelves of every art historical library."—E. H. Gombrich, New York Review of Books "This is an engaged and passionate work by a writer with powerful convictions about art, images, aesthetics, the art establishment, and especially the discipline of art history. It is animated by an extraordinary erudition."—Arthur C. Danto, The Art Bulletin "Freedberg's ethnographic and historical range is simply stunning. . . . The Power of Images is an extraordinary critical achievement, exhilarating in its polemic against aesthetic orthodoxy, endlessly fascinating in its details. . . . This is a powerful, disturbing book."—T. J. Jackson Lears, Wilson Quarterly "Freedberg helps us to see that one cannot do justice to the images of art unless one recognizes in them the entire range of human responses, from the lowly impulses prevailing in popular imagery to their refinement in the great visions of the ages."—Rudolf Arnheim, Times Literary Supplement

Imagery, Spirituality and Ideology in Baroque Spain and Latin America
Imagery, Spirituality and Ideology in Baroque Spain and Latin America

Author: Marta Bustillo

Publisher: Cambridge Scholars Publishing

Published: 2010-02-19

Total Pages: 165

ISBN-13: 1443820040

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This volume offers a series of essays that explore the significance of visual imagery as a medium for the representation of spiritual and ideological concerns by the Catholic Church in the Spanish Habsburg Empire. Each of these essays provides a valuable contribution to established areas of research such as Velázquez studies, St. Teresa of Avila as spiritual exemplar for the Counter-Reformation in Spain, the iconography of St. Francis of Assisi, or the evolution of Peruvian Christian iconography. A valuable contribution of all these essays is their discussion of new visual and textual sources which are revealing of the diverse modes of representation developed by the Church to ‘Delight, Move and Instruct’ the many and diverse spectators of its artistic message. Together these essays provide a range of critical perspectives on the complex cultural, political and spiritual context that shaped the evolution of Religious Art in cities as distant as Cuzco and Madrid.

Allegory and Ideology
Allegory and Ideology

Author: Fredric Jameson

Publisher: Verso Books

Published: 2019-05-07

Total Pages: 433

ISBN-13: 1788730453

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Fredric Jameson takes on the allegorical form Works do not have meanings, they soak up meanings: a work is a machine for libidinal investments (including the political kind). It is a process that sorts incommensurabilities and registers contradictions (which is not the same as solving them!) The inevitable and welcome conflict of interpretations - a discursive, ideological struggle - therefore needs to be supplemented by an account of this simultaneous processing of multiple meanings, rather than an abandonment to liberal pluralisms and tolerant (or intolerant) relativisms. This is not a book about "method", but it does propose a dialectic capable of holding together in one breath the heterogeneities that reflect our biological individualities, our submersion in collective history and class struggle, and our alienation to a disembodied new world of information and abstraction. Eschewing the arid secularities of philosophy, Walter Benjamin once recommended the alternative of the rich figurality of an older theology; in that spirit we here return to the antiquated Ptolemaic systems of ancient allegory and its multiple levels (a proposal first sketched out in The Political Unconscious); it is tested against the epic complexities of the overtly allegorical works of Dante, Spenser and the Goethe of Faust II, as well as symphonic form in music, and the structure of the novel, postmodern as well as Third-World: about which a notorious essay on National Allegory is here reprinted with a theoretical commentary; and an allegorical history of emotion is meanwhile rehearsed from its contemporary, geopolitical context.