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Author: William Shakespeare
Publisher: Classic Books Company
Published: 2001-04
Total Pages: 510
ISBN-13: 0742652866
DOWNLOAD EBOOKKing Lear, one of Shakespeare's darkest and most savage plays, tells the story of the foolish and Job-like Lear, who divides his kingdom, as he does his affections, according to vanity and whim. Lear's failure as a father engulfs himself and his world in turmoil and tragedy.
Author: Brigitte Peucker
Publisher: Stanford University Press
Published: 2007
Total Pages: 276
ISBN-13: 9780804754316
DOWNLOAD EBOOKFocusing on intermediality, The Material Image situates film within questions of representation familiar from the other arts: What is meant by figuring the real? How is the real suggested by visual metaphors, and what is its relation to illusion? How is the spectator figured as entering the text, and how does the image enter our world? The film's spectator is integral to these concerns. Cognitive and phenomenological approaches to perception alike claim that spectatorial affect is "real" even when it is film that produces it. Central to the staging of intermediality in film, tableaux moments in film also figure prominently in the book. Films by Scorsese, Greenaway, Wenders, and Kubrick are seen to address painterly, photographic, and digital images in relation to effects of the real. Hitchcock's films are examined with regard to modernist and realist effects in painting. Chapters on Fassbinder and Haneke analyze the significance of tableau for the body in pain, while a final chapter on horror film explores the literalism of psychopathic tableau. Here, too, art and the bodyimages and the realare juxtaposed and entwined in a set of relations.
Author: Fred Botting
Publisher: Manchester University Press
Published: 2013-07-19
Total Pages: 349
ISBN-13: 1847797164
DOWNLOAD EBOOKHorror isn’t what it used to be. Nor are its Gothic avatars. The meaning of monsters, vampires and ghosts has changed significantly over the last two hundred years, as have the mechanisms (from fiction to fantasmagoria, film and video games) through which they are produced and consumed. Limits of horror, moving from gothic to cybergothic, through technological modernity and across a range of literary, cinematic and popular cultural texts, critically examines these changes and the questions they pose for understanding contemporary culture and subjectivity. Re-examining key concepts such as the uncanny, the sublime, terror, shock and abjection in terms of their bodily and technological implications, this book advances current critical and theoretical debates on Gothic horror to propose a new theory of cultural production based on an extensive discussion of Freud’s idea of the death drive. Limits of horror will appeal to students and academics in Literature, Film, Media and Cultural Studies and Cultural Theory.
Author: Georges Didi-Huberman
Publisher: University of Chicago Press
Published: 2008-10-15
Total Pages: 250
ISBN-13: 0226148165
DOWNLOAD EBOOKOf one and a half million surviving photographs related to Nazi concentration camps, only four depict the actual process of mass killing perpetrated at the gas chambers. Images in Spite of All reveals that these rare photos of Auschwitz, taken clandestinely by one of the Jewish prisoners forced to help carry out the atrocities there, were made as a potent act of resistance. Available today because they were smuggled out of the camp and into the hands of Polish resistance fighters, the photographs show a group of naked women being herded into the gas chambers and the cremation of corpses that have just been pulled out. Georges Didi-Huberman’s relentless consideration of these harrowing scenes demonstrates how Holocaust testimony can shift from texts and imaginations to irrefutable images that attempt to speak the unspeakable. Including a powerful response to those who have criticized his interest in these images as voyeuristic, Didi-Huberman’s eloquent reflections constitute an invaluable contribution to debates over the representability of the Holocaust and the status of archival photographs in an image-saturated world.
Author: William Shakespeare
Publisher:
Published: 1908
Total Pages: 524
ISBN-13:
DOWNLOAD EBOOKAuthor: Ron Kimmel
Publisher: Springer Science & Business Media
Published: 2011-03-14
Total Pages: 747
ISBN-13: 3642193080
DOWNLOAD EBOOKThe four-volume set LNCS 6492-6495 constitutes the thoroughly refereed post-proceedings of the 10th Asian Conference on Computer Vision, ACCV 2009, held in Queenstown, New Zealand in November 2010. All together the four volumes present 206 revised papers selected from a total of 739 Submissions. All current issues in computer vision are addressed ranging from algorithms that attempt to automatically understand the content of images, optical methods coupled with computational techniques that enhance and improve images, and capturing and analyzing the world's geometry while preparing the higher level image and shape understanding. Novel gemometry techniques, statistical learning methods, and modern algebraic procedures are dealt with as well.
Author: Eyal Peretz
Publisher: Stanford University Press
Published: 2008
Total Pages: 258
ISBN-13: 9780804756846
DOWNLOAD EBOOKHow is one to think the significance of the art of film for philosophy? What would it mean to introduce film as a question into the heart of the philosophical enterprise? This book develops a matrix for thinking the relations between philosophy and film and, by extension, between philosophy and the arts.
Author: Daniel Coffeen
Publisher: John Hunt Publishing
Published: 2016-08-26
Total Pages: 147
ISBN-13: 1785354159
DOWNLOAD EBOOKA Deleuzian guide to reading the world, Reading the Way of Things is an exploration of the ideas of McLuhan, Deleuze, Guattari, Merleau-Ponty, Foucault, Burroughs, and more. It is a book that aims at getting the reader past teleological interpretations and questions, letting the reader in on new ways of doing criticism as well as new ways of going, being, and thinking.
Author: William Shakespeare
Publisher:
Published: 1880
Total Pages: 522
ISBN-13:
DOWNLOAD EBOOKAuthor: Anna Powell
Publisher: Edinburgh University Press
Published: 2005-03-24
Total Pages: 240
ISBN-13: 0748628789
DOWNLOAD EBOOKUsing Deleuze's work on art and film, Anna Powell argues that film viewing is a form of 'altered consciousness' and the experience of viewing horror film an 'embodied event'. The book begins with a critical introduction to the key terms in Deleuzian philosophy and aesthetics.
