Image Brokers

Image Brokers

Author: Zeynep Devrim Gursel

Publisher: Univ of California Press

Published: 2016-04-12

Total Pages: 424

ISBN-13: 0520286367

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Image Brokers" is an in-depth ethnography of the labor and infrastructure behind news images and how they are circulated. Zeynep Gursel presents an intimate look at the ways image brokers - the people who manage the distribution or restriction of images - construct and culturally mediate the images they circulate. Through this framework, news images become visual commodities that impact how politics and culture are visualized in the world. Set against the backdrop of the War on Terror and the industry-wide transition from analog to digital technologies, Image Brokers is a multi-sited ethnography based on fieldwork conducted at the industry's centers of power in New York and Paris. It also explores how new digital and social media platforms continue to change photojournalism and create ever-widening distribution networks. The book is a powerful investigation of the processes of decision making amid the changing infrastructures of representation.


Image operations

Image operations

Author: Jens Eder

Publisher: Manchester University Press

Published: 2016-12-14

Total Pages: 380

ISBN-13: 1526108658

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Still and moving images are crucial factors in contemporary political conflicts. They not only have representational, expressive or illustrative functions, but also augment and create significant events. Beyond altering states of mind, they affect bodies and often life or death is at stake. Various forms of image operations are currently performed in the contexts of war, insurgency and activism. Photographs, videos, interactive simulations and other kinds of images steer drones to their targets, train soldiers, terrorise the public, celebrate protest icons, uncover injustices, or call for help. They are often parts of complex agential networks and move across different media and cultural environments. This book is a pioneering interdisciplinary study of the role and function of images in political life. Balancing theoretical reflections with in-depth case studies, it brings together renowned scholars and activists from different fields to offer a multifaceted critical perspective on a crucial aspect of contemporary visual culture.


Image Brokers

Image Brokers

Author: Zeynep Devrim Gursel

Publisher: Univ of California Press

Published: 2016-04-12

Total Pages: 425

ISBN-13: 0520961617

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How does a photograph become a news image? An ethnography of the labor behind international news images, Image Brokers ruptures the self-evidence of the journalistic photograph by revealing the many factors determining how news audiences are shown people, events, and the world. News images, Zeynep Gürsel argues, function as formative fictions – fictional insofar as these images are constructed and culturally mediated, and formative because their public presence and circulation have real consequences in the world. Set against the backdrop of the War on Terror and based on fieldwork conducted at photojournalism’s centers of power, Image Brokers offers an intimate look at an industry in crisis. At the turn of the 21st century, image brokers—the people who manage the distribution and restriction of news images—found the core technologies of their craft, the status of images, and their own professional standing all changing rapidly with the digitalization of the infrastructures of representation. From corporate sales meetings to wire service desks, newsrooms to photography workshops and festivals, Image Brokers investigates how news images are produced and how worldviews are reproduced in the process.


Gatekeeping in Transition

Gatekeeping in Transition

Author: Timothy Vos

Publisher: Routledge

Published: 2015-06-08

Total Pages: 293

ISBN-13: 1317910524

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Much of what journalism scholars thought they knew about gatekeeping—about how it is that news turns out the way it does—has been called into question by the recent seismic economic and technological shifts in journalism. These shifts come with new kinds of gatekeepers, new routines of news production, new types of news organizations, new means for shaping the news, and new channels of news distribution. Given these changing realities, some might ask: does gatekeeping still matter? In this internationally-minded anthology of new gatekeeping research, contributors attempt to answer that question. Gatekeeping in Transition examines the role of gatekeeping in the twenty-first century from organizational, institutional, and social perspectives across digital and traditional media, and argues for its place in contemporary scholarship about news and journalism.


Getting the Picture

Getting the Picture

Author: Jason E. Hill

Publisher: Routledge

Published: 2020-09-09

Total Pages: 320

ISBN-13: 1000211320

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Powerful and often controversial, news pictures promise to make the world at once immediate and knowable. Yet while many great writers and thinkers have evaluated photographs of atrocity and crisis, few have sought to set these images in a broader context by defining the rich and diverse history of news pictures in their many forms. For the first time, this volume defines what counts as a news picture, how pictures are selected and distributed, where they are seen and how we critique and value them. Presenting the best new thinking on this fascinating topic, this book considers the news picture over time, from the dawn of the illustrated press in the nineteenth century, through photojournalism’s heyday and the rise of broadcast news and newsreels in the twentieth century and into today’s digital platforms. It examines the many kinds of images: sport, fashion, society, celebrity, war, catastrophe and exoticism; and many mediums, including photography, painting, wood engraving, film and video. Packed with the best research and full colour-illustrations throughout, this book will appeal to students and readers interested in how news and history are key sources of our rich visual culture.


The International Photojournalism Industry

The International Photojournalism Industry

Author: Jonathan Ilan

Publisher: Routledge

Published: 2018-07-17

Total Pages: 367

ISBN-13: 1351714376

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How are events turned into news pictures that define them for the audience? How do events become commodified into pictures that both capture them and reiterate the values of the agencies that sell them? This book looks at every stage of the production of news photographs as they move to and from the ground and are sold around the world. Based on extensive fieldwork at a leading international news agency that includes participant observation with photographers in the field, at the agency’s local and global picture desks in Israel, Singapore, and the UK, in-depth interviews with pictures professionals, and observations and in-depth interviews at The Guardian’s picture desk in London, the findings in this book point to a wide cultural production infrastructure hidden from – and yet also nurtured and thus very much determined by – the consumer’s eye.


Contemporary Latina/o Media

Contemporary Latina/o Media

Author: Arlene M. Dávila

Publisher: NYU Press

Published: 2014

Total Pages: 372

ISBN-13: 1479848115

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The cultural politics creating and consuming Latina/o mass media. Just ten years ago, discussions of Latina/o media could be safely reduced to a handful of TV channels, dominated by Univision and Telemundo. Today, dramatic changes in the global political economy have resulted in an unprecedented rise in major new media ventures for Latinos as everyone seems to want a piece of the Latina/o media market. While current scholarship on Latina/o media have mostly revolved around important issues of representation and stereotypes, this approach does not provide the entire story. In Contemporary Latina/o Media, Arlene Dávila and Yeidy M. Rivero bring together an impressive range of leading scholars to move beyond analyses of media representations, going behind the scenes to explore issues of production, circulation, consumption, and political economy that affect Latina/o mass media. Working across the disciplines of Latina/o media, cultural studies, and communication, the contributors examine how Latinos are being affected both by the continued Latin Americanization of genres, products, and audiences, as well as by the whitewashing of "mainstream" Hollywood media where Latinos have been consistently bypassed. While focusing on Spanish-language television and radio, the essays also touch on the state of Latinos in prime-time television and in digital and alternative media. Using a transnational approach, the volume as a whole explores the ownership, importation, and circulation of talent and content from Latin America, placing the dynamics of the global political economy and cultural politics in the foreground of contemporary analysis of Latina/o media.


Photojournalism and Citizen Journalism

Photojournalism and Citizen Journalism

Author: Stuart Allan

Publisher: Routledge

Published: 2017-06-26

Total Pages: 656

ISBN-13: 1351813447

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If everyone with a smartphone can be a citizen photojournalist, who needs professional photojournalism? This rather flippant question cuts to the heart of a set of pressing issues, where an array of impassioned voices may be heard in vigorous debate. While some of these voices are confidently predicting photojournalism's impending demise as the latest casualty of internet-driven convergence, others are heralding its dramatic rebirth, pointing to the democratisation of what was once the exclusive domain of the professional. Regardless of where one is situated in relation to these stark polarities, however, it is readily apparent that photojournalism is being decisively transformed across shifting, uneven conditions for civic participation in ways that raise important questions for journalism’s forms and practices in a digital era. This book's contributors identify and critique a range of factors currently recasting photojournalism's professional ethos, devoting particular attention to the challenges posed by the rise of citizen journalism. This book was originally published as two special issues, in Digital Journalism and Journalism Practice.


Brokers of Public Trust

Brokers of Public Trust

Author: Laurie Nussdorfer

Publisher: JHU Press

Published: 2009-11-16

Total Pages: 370

ISBN-13: 080189509X

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A fast-growing legal system and economy in medieval and early modern Rome saw a rapid increase in the need for written documents. Brokers of Public Trust examines the emergence of the modern notarial profession—free market scribes responsible for producing original legal documents and their copies. Notarial acts often go unnoticed, but they are essential to understanding the history of writing practices and attitudes toward official documentation. Based on new archival research, Brokers of Public Trust focuses on the government officials, notaries, and consumers who regulated, wrote, and purchased notarial documents in Rome between the 14th and 18th centuries. Historian Laurie Nussdorfer chronicles the training of professional notaries and the construction of public archives, explaining why notarial documents exist, who made them, and how they came to be regarded as authoritative evidence. In doing so, Nussdorfer describes a profession of crucial importance to the people and government of the time, as well as to scholars who turn to notarial documents as invaluable and irreplaceable historical sources. This magisterial new work brings fresh insight into the essential functions of early modern Roman society and the development of the modern state.


Double Exposure

Double Exposure

Author: Olga Shevchenko

Publisher: Routledge

Published: 2017-09-08

Total Pages: 255

ISBN-13: 1351521675

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Over the past decade, historians and sociologists have increasingly used visual materials, in particular photographs, in their work. This volume brings together historians, sociologists, anthropologists, and media and visual scholars to articulate how photography, as a practice and as a visual medium, can provide insights into national memory, collective identities, and the historical imagination. This collection allows the reader to trace parallel conceptual developments occurring in the sociology and anthropology of memory and in the history and theory of photography, and to illustrate the unique "angles of vision" these disciplines offer. Photographic images commonly accompany historical accounts, from documentaries to family scrapbooks, and since the early days of commercial photography, pictures have been viewed as tools to capture memories. Later critical writing has challenged this equation by inverting it: photos, along with other archival practices, were often viewed as falling short of their supposed function as vessels of memory and at times even denounced as devices that distorted memories. How does photography participate in the formation and maintenance of collective identities and shared memory discourses, from the family to the nation? Furthermore, how can we begin to conceptualize photography's effects on the historical imagination of individuals and groups? Double Exposure endeavors to answer these questions by calling attention to the variety of contexts in which images circulate and to the narratives from which they spring and which they, in turn, shape. This is the latest volume in Transaction's Memory and Narrative series.