Shares insights into the iconic rock-and-roll performer's life, from his substance abuse challenges and his bisexual history to his connections to the British royal family and the secret attempt on his life.
"The Green Meadow" follows the mysterious discovery of a diary inside a strange meteorite. The journal recounts a dreamlike journey through a surreal landscape, filled with bizarre creatures and eerie, otherworldly experiences. As the narrator ventures deeper into the unknown, reality begins to blur, raising questions about the boundaries between dreams and reality, life and death, and the unknown forces that govern them.
Laveder the Purple Cat girl is the owner of a small magic potion shop with problems...many problems. Aside from her store being overrun by poisonous, pygmy elephants, the occasional alien abduction and the devil, a giant magic store chain has decided to move in next door and crush her hopes of ever making a sale. Not to mention that her only employee and faster than the speed of light bunny, Saiko, has the attention span of a chickpea and a disturbing affection for Lavender's enchanted car. Now Lavender must think fast before an over-zealous ex-superhero health inspector shuts her down for good. Will Lavender meet the inspector's demands on time? Where are the poisonous vermin coming from? Will Saiko's love for cars go too far? This publisher is a new client to Diamond Book Distributors!
"The Last Test" by H.P. Lovecraft and Adolphe de Castro follows Dr. Alfred Clarendon, a brilliant but ethically dubious scientist obsessed with developing a cure for disease. His experiments lead him down a dark path, raising questions about the morality of scientific ambition. As a plague threatens humanity, Clarendon must confront the consequences of his reckless pursuit of knowledge, culminating in a dramatic and unsettling finale.
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This 860-page collection contains all of Robert E. Howard's Conan the Cimmerian stories published during his lifetime, contextualized with biographical details of their author. The hardcover, a Multimedia Bundle Edition, includes the e-book and audiobook editions as downloadable bonus content. Excerpt from Introduction: "When the first Conan of Cimmeria story appeared in the pages of Weird Tales magazine in December 1932, nothing quite like it had ever before appeared in print.Author Robert E. Howard had been writing stories broadly similar to it for half a decade; but it was with Conan, and the Hyborian Age storyworld in which he was placed, that Howard finally fully doped out the sub-genre that would become known as "sword and sorcery," of which Howard is today considered the founding father. "Conan's origins date back to an experiment in 1926 titled "The Shadow Kingdom," featuring the character Kull, exile of Atlantis. The idea -- Howard's great innovation -- was, at its core, historical fiction set in a pre-historical period. That pre-historical period -- being, of course, lost in the mists of time -- could contain anything Howard might like to include: evil races of sentient snake-things, sorcerers, undead creatures, demons walking upon the earth, anything. "In other words, Howard was creating a secular mythology. "And as with any mythology, secular or no, there would be a hero, a Ulysses or a Theseus, an exceptional man of legend striding through that myth-world, sword in hand, righting wrongs and slaying supernatural monsters and, along the way, providing metaphorical insight onto his world and ours. "At the same time, he was finding success with another historical-fiction-fusion innovation: The grim, savage English Puritan Solomon Kane. Kane's world was the skull-strewn chaos of Europe and north Africa during the Thirty Years War, in the early 1600s. Little enough is known about specific events during that dark time that it was possible to take historical liberties with it as a storyworld, so that it could accommodate dark magic, walking skeletons, vampires, magic staffs, and, of course, N'Longa the witch-doctor. "Howard quickly realized he was onto something with Solomon Kane. The first Solomon Kane story, "Red Shadows," appeared in August 1928 in Weird Tales, and readers loved it. Here was a dark, brooding world of menace and witchcraft connected pseudo-genealogically to their own. It was easy for readers to "take the ride" -- to suspend their disbelief and envision Kane's adventures as a part of the real world. "But, perhaps the connection with the real world was too close. The countries of 1630s Europe are well known; the causes of the conflict fully understood. There was only so much Howard could do in Solomon Kane's world. Moreover, Solomon Kane is just a hard character to root for. Unlike Kull, he is, not to put too fine a point on it, really not a sane man. "So it makes perfect sense that after the shadowy, prehistoric world of Kull and the dark, necromantic world of Solomon Kane, Howard would combine these two precursors to develop a world that was far enough into the distant past to be free of actual historical constraints -- like Kull's -- yet close enough to the present to still exist as echoes and legends in the world's mythologies. "And so Howard created The Hyborian Age, circa 10,000 B.C. And to play the role of our avatar as we explore this shadowy, almost-historical world, he gave us Conan the Cimmerian - to tread the jeweled thrones of the Earth under his sandalled feet."
The author wrote the following stories about her parents becauseshe wanted the grandchildren in the family to have some idea of their grandparents? lives in Eastern Europe before they emigrated. The stories were told to the author by her parents before they passed away. She vowed that someday she would have those stories published. They were interesting and showed that young people on farms in Europe didn't spend their time only milking cows and picking potatoes. They played tricks on friends, went to wedding celebrations and dances, and flirted with other people their age. They also experienced tragedies and losses of one kind or another. In effect, their lives were a mixture of the sweet and bitter as it is for everyone else in this world. This book will give all readers an idea of what life was like in rural Eastern Europe before World War I. It's a way of life that is slowly disappearing in those countries due to encroaching western modern culture.
The Conservative was a journal edited and self-published sporadically by H. P. Lovecraft between 1915 and 1923. Some of its pieces were written by Lovecraft himself, but many of them were written by others, and included not just political and social commentary on the issues of the day, but also poetry, short stories and literary criticism. In spite of its name, Lovecraft's style of conservatism bore little resemblance to what goes by that name in America today, and instead was first and foremost a call for a cultural revival - an appeal to a return to the deepest wellsprings that had inspired Western culture from its origins. The period covered by The Conservative coincided with some of the most tumultuous events of the twentieth century, including the First World War and the Russian Revolution. For Lovecraft and his fellow authors, however, the answer to navigating the chaos of their time was not crude nationalism or socioeconomic policies, but could only be understood in terms of race, culture and a strong sense of morality. An opponent of both democracy and liberalism, Lovecraft desired a return to the aristocratic values of earlier ages. Whether one reads these texts as a record of Lovecraft's own worldview, or as a window into the times in which they were written, The Conservative remains a fascinating document. This edition includes a special introduction placing it within the context of Lovecraft's life and career by Alex Kurtagic. H. P. Lovecraft (1890-1937) is widely considered to have been the greatest writer of horror fiction of the twentieth century. Best-know for the stories that comprised his "Cthulhu Mythos," Lovecraft depicted a dark world dominated by unseen and malevolent forces, which mirrored his own hostility to everything associated with the modern world, which he saw as being in a continual state of decline and decay. He continues to be extremely influential upon writers, filmmakers and artists to this day.