Illustrated Catalogue of the Notable Collection of Valuable Paintings [and Artistic Property] Formed by the Late Ichabod T. Williams ...
Author: Ichabod T. Williams
Publisher:
Published: 1915
Total Pages:
ISBN-13:
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Author: Ichabod T. Williams
Publisher:
Published: 1915
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Ichabod T. Williams
Publisher:
Published: 1915
Total Pages: 140
ISBN-13:
DOWNLOAD EBOOKAuthor: Harvard University. Fine Arts Library
Publisher: Macmillan Reference USA
Published: 1971
Total Pages: 700
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1968
Total Pages: 710
ISBN-13:
DOWNLOAD EBOOKAuthor: American Art Association
Publisher:
Published: 1920
Total Pages: 1078
ISBN-13:
DOWNLOAD EBOOKAuthor: Maureen C. O'Brien
Publisher:
Published: 1986
Total Pages: 216
ISBN-13:
DOWNLOAD EBOOKAuthor: New York Public Library. Research Libraries
Publisher:
Published: 1979
Total Pages: 550
ISBN-13:
DOWNLOAD EBOOKAuthor: New York Public Library. Art and Architecture Division
Publisher:
Published: 1975
Total Pages: 730
ISBN-13:
DOWNLOAD EBOOKAuthor: Gail Feigenbaum
Publisher: Getty Publications
Published: 2024-06-25
Total Pages: 386
ISBN-13: 160606892X
DOWNLOAD EBOOKThis volume explores the crucial role of art dealers in creating a transatlantic art market in the late nineteenth and early twentieth centuries. “There was money in the air, ever so much money,” wrote Henry James in 1907, reflecting on the American appetite for art acquisitions. Indeed, collectors such as Henry Clay Frick and Andrew W. Mellon are credited with bringing noteworthy European art to the United States, with their collections forming the backbone of major American museums today. But what of the dealers, who possessed the expertise in art and recognized the potential of developing a new market model on both sides of the Atlantic? Money in the Air investigates the often-overlooked role of these dealers in creating an international art world. Contributors examine the histories of well-known international firms like Duveen Brothers, M. Knoedler & Co., and Goupil & Cie and their relationships with American clients, as well as accounts of other remarkable dealers active in the transatlantic art market. Drawing on dealer archives, scholars reveal compelling findings, including previously unknown partnerships and systems of cooperation. This volume offers new perspectives on the development of art collections that formed the core of American art museums, such as the National Gallery of Art, the Metropolitan Museum of Art, and the Frick Collection.