This volume contains the insights of prominent artists in the field as well as critical writings by scholars and critics. It illustrates the complex, heterogeneous nature of video, and highlights its strong ties to the visual arts and social theory. While providing an essential critical context for understanding video's role as art, these writings show that video is at the forefront of contemporary cultural and aesthetic discourse. Using a wide range of strategies, from the poetic to the deconstructive, these essays provide a long overdue critical context in which to evaluate video as art and its subsequent impact on social and cultural behavior.
The purpose of this book is to provide the most comprehensive, easy-to-use, and informative guide on light microscopy. Light and Video Microscopy will prepare the reader for the accurate interpretation of an image and understanding of the living cell. With the presentation of geometrical optics, it will assist the reader in understanding image formation and light movement within the microscope. It also provides an explanation of the basic modes of light microscopy and the components of modern electronic imaging systems and guides the reader in determining the physicochemical information of living and developing cells, which influence interpretation. - Brings together mathematics, physics, and biology to provide a broad and deep understanding of the light microscope - Clearly develops all ideas from historical and logical foundations - Laboratory exercises included to assist the reader with practical applications - Microscope discussions include: bright field microscope, dark field microscope, oblique illumination, phase-contrast microscope, photomicrography, fluorescence microscope, polarization microscope, interference microscope, differential interference microscope, and modulation contrast microscope
The Division of Light and Power is the thoroughly documented, true story of one courageous American mayor who fought, and beat, a utility monopoly in an epic battle which involved corporate espionage and sabotage, bank co-conspirators, extortion, political corruption, organized crime, mob-directed assassination attempts, congressional investigations, and media cover-ups.The "powers that be" tried to buy him, and when he couldn't be bought, they tried to kill him. When that failed, the utility's bank gave him a choice: Privatize the city's electric system or the city would be thrown into default. The mayor said "no" to extortion, never gave in and saved over a billion dollars in assets for his city and its people.Meet Mayor Dennis Kucinich of Cleveland, (pictured above) who fought to give power to the people. Battling his way up from the streets of the city, he and his family lived in twenty-one different places by the time he was seventeen, including a couple of cars. By the age of thirty-one, as America's youngest big-city mayor, his stand to protect Cleveland's Muny Light against a utility monopoly and its banking partner drew international attention and praise as "The outstanding public official in America," an award presented by Bob Hope.This is Mayor Dennis Kucinich's story, but if you want to know why your utility rates are so high, it may be your city's story, too.
In this fresh and highly readable collection of South African biographical essays, a distinguished group of authors illuminate the lives of eleven colourful and complex men and women whose personal experiences throw fascinating light on the times in which they lived. The individuals whose stories are told here are very different in time, in place and in work and at play, but are united by an abundantly rich humanity and by the fascinatingly different ways in which they navigated their existence through the uneven waters of South Africa’s distant and more recent past. Including administrators and activists, sportsmen and teachers, a missionary, a pilot, a painter and a poet, Illuminating Lives is a wide-ranging and moving book which provides readers with striking and unexpected insights into history. Here are some intriguing South African lives well worth knowing about.
Video art emerged as an art form that from the 1960s and onwards challenged the concept of art - hence, art historical practices. From the perspective of artists, critics, and scholars engaged with this new medium, art was seen as too limiting a notion. Important issues were to re-think art as a means for critical investigations and a demand for visual reconsiderations. Likewise, art history was argued to be in crisis and in need of adapting its theories and methods in order to produce interpretations and thereby establish historical sense for moving images as fine art. Yet, as this book argues, video art history has evolved into a discourse clinging to traditional concepts, ideologies, and narrative structures - manifested in an increasing body of texts. Video Art Historicized provides a novel, insightful and also challenging re-interpretation of this field by examining the discourse and its own premises. It takes a firm conceptual approach to the material, examining the conceptual, theoretical, and methodological implications that are simultaneously contested by both artists and authors, yet intertwined in both the legitimizing and the historicizing processes of video as art. By engaging art history’s most debated concepts (canon, art, and history) this study provides an in-depth investigation of the mechanisms of the historiography of video art. Scrutinizing various narratives on video art, the book emphasizes the profound and widespread hesitations towards, but also the efforts to negotiate, traditional concepts and practices. By focusing on the politics of this discourse, theoretical issues of gender, nationality, and particular themes in video art, Malin Hedlin Hayden contests the presumptions that inform video art and its history.
The twenty-eight essays in this collection showcase cutting-edge research in manuscript studies, encompassing material from late antiquity to the Renaissance. The volume celebrates the exceptional contribution of John Lowden to the study of medieval books. The authors explore some of the themes and questions raised in John’s work, tackling issues of meaning, making, patronage, the book as an object, relationships between text and image, and the transmission of ideas. They combine John’s commitment to the close scrutiny of manuscripts with an interrogation of what the books meant in their own time and what they mean to us now.
A mix of theory and practical applications, Placing Shadows covers the physical properties of light and the selection of proper instruments for the best possible effect. For the student, advanced amateur, and pros trying to enhance the look of their productions, this book examines the fundamentals and is also a solid reference for tips on better performance.
The soft glow of a candle, the blink of a firefly, a burst of fireworks—light is everywhere in our world! Rhyming text and luminous illustrations follow four children as they experience many different forms of light. "[M]ultiple STEAM applications, from poetry and creative writing to introductions to energy and light to how the sun affects human life, and doubles as a great read-aloud or a starry bedtime story."—starred, Booklist
Automated Lighting: The Art and Science of Moving Light in Theatre, Live Performance and Entertainment continues to be the most trusted text for working and aspiring lighting professionals. Now in its second edition, it has been fully updated to include new advances in lamp sources such as LEDs and plasma lamps, automated and programmable displays, updates for managing color, and new methods for using electronics. Its clear, easy-to-understand language also includes enough detailed information for the most experienced technician and engineer.
