When two friends—a sock monkey and a plush toy dog—get into an argument during playtime, Monkey gets his feelings hurt and proclaims, “You are not my friend!” But when he takes his ball to find someone new to play with, he quickly learns that maybe he hasn’t been a very good friend, either.Bestselling author/illustrator Daniel Kirk uses bold and humorous illustrations to convey the important message that sharing and other acts of friendship are two-way streets. Praise for You Are Not My Friend, But I Miss You "Kirk’s skillfully paced mix of vignettes, close-ups and long shots guide readers smoothly through this emotional odyssey." --Kirkus Reviews "His frequent use of bold, large-scale drawing captures Monkey’s equally outsize temperament, while the emphatic, minimal text is subtly poignant and supremely performable." --Publishers Weekly
It is a truth universally acknowledged that a good white person of liberal leanings must be in want of a Black friend. In the biting, hilarious vein of What Doesn’t Kill You Makes You Blacker and We Are Never Meeting in Real Life comes Ben Philippe’s candid memoir-in-essays, chronicling a lifetime of being the Black friend (see also: foreign kid, boyfriend, coworker, student, teacher, roommate, enemy) in predominantly white spaces. In an era in which “I have many black friends” is often a medal of Wokeness, Ben hilariously chronicles the experience of being on the receiving end of those fist bumps. He takes us through his immigrant childhood, from wanting nothing more than friends to sit with at lunch, to his awkward teenage years, to college in the age of Obama, and adulthood in the Trump administration—two sides of the same American coin. Ben takes his role as your new black friend seriously, providing original and borrowed wisdom on stereotypes, slurs, the whole “swimming thing,” how much Beyoncé is too much Beyoncé, Black Girl Magic, the rise of the Karens, affirmative action, the Black Lives Matter movement, and other conversations you might want to have with your new BBFF. Oscillating between the impulse to be "one of the good ones" and the occasional need to excuse himself to the restrooms, stuff his mouth with toilet paper, and scream, Ben navigates his own Blackness as an "Oreo" with too many opinions for his father’s liking, an encyclopedic knowledge of CW teen dramas, and a mouth he can't always control. From cheating his way out of swim tests to discovering stray family members in unlikely places, he finds the punchline in the serious while acknowledging the blunt truths of existing as a Black man in today’s world. Extremely timely, Sure, I’ll Be Your Black Friend is a conversational take on topics both light and heavy, universal and deeply personal, which reveals incisive truths about the need for connection in all of us.
In her most ambitious novel to date, New York Times bestselling author Joyce Maynard returns to the themes that are the hallmarks of her most acclaimed work in a mesmerizing story of a family—from the hopeful early days of young marriage to parenthood, divorce, and the costly aftermath that ripples through all their lives Eleanor and Cam meet at a crafts fair in Vermont in the early 1970s. She’s an artist and writer, he makes wooden bowls. Within four years they are parents to three children, two daughters and a red-headed son who fills his pockets with rocks, plays the violin and talks to God. To Eleanor, their New Hampshire farm provides everything she always wanted—summer nights watching Cam’s softball games, snow days by the fire and the annual tradition of making paper boats and cork people to launch in the brook every spring. If Eleanor and Cam don’t make love as often as they used to, they have something that matters more. Their family. Then comes a terrible accident, caused by Cam’s negligence. Unable to forgive him, Eleanor is consumed by bitterness, losing herself in her life as a mother, while Cam finds solace with a new young partner. Over the decades that follow, the five members of this fractured family make surprising discoveries and decisions that occasionally bring them together, and often tear them apart. Tracing the course of their lives—through the gender transition of one child and another’s choice to completely break with her mother—Joyce Maynard captures a family forced to confront essential, painful truths of its past, and find redemption in its darkest hours. A story of holding on and learning to let go, Count the Ways is an achingly beautiful, poignant, and deeply compassionate novel of home, parenthood, love, and forgiveness.
A young woman holds her newborn son And looks at him lovingly. Softly she sings to him: "I'll love you forever I'll like you for always As long as I'm living My baby you'll be." So begins the story that has touched the hearts of millions worldwide. Since publication in l986, Love You Forever has sold more than 15 million copies in paperback and the regular hardcover edition (as well as hundreds of thousands of copies in Spanish and French). Firefly Books is proud to offer this sentimental favorite in a variety of editions and sizes: We offer a trade paper and laminated hardcover edition in a 8" x 8" size. In gift editions we carry: a slipcased edition (8 1/2" x 8 1/4"), with a laminated box and a cloth binding on the book and a 10" x 10" laminated hardcover with jacket. And a Big Book Edition, 16" x 16" with a trade paper binding.
When Poppy picks up a woman on the run, her life changes forever. Vanya, sex trafficking victim now escaped, finds refuge and friendship with Poppy. Their friendship blooms on the little farmstead, with the animals and the quilting projects. Theirs is a quiet life, a temporary situation turning into something more permanent, as Vanya finds the space to heal. Her protective, intense feelings are just friendship...right? Poppy has never been interested in men, and she didn't think she was interested in women, either. Perfectly content to live her life without romantic relationships, it's a surprise to her to find feelings bubbling up for Vanya. Vanya grew up in a culture where lesbianism was unimaginable, unacceptable. She always assumed she'd find a husband she could stand, but lately, all she wants is to be close to Poppy. But if these feelings she's getting for Poppy are what people mean when they talk about falling in love...maybe she's not as straight as she thought. Is their friendship turning into something more? Can Poppy and Vanya find a happy ending? Genre: asexual, lesbian Heat level: sweet 26,000 words
This collection of poems was written for everyone to enjoy. These poems were written straight from the heart through good times, sad times, and lonely times that author Gwen Swinton has experienced in her life.
Speaking Being: Werner Erhard, Martin Heidegger, and a New Possibility of Being Human is an unprecedented study of the ideas and methods developed by the thinker Werner Erhard. In this book, those ideas and methods are revealed by presenting in full an innovative program he developed in the 1980s called The Forum—available in this book as a transcript of an actual course led by Erhard in San Francisco in December of 1989. Since its inception, Erhard’s work has impacted the lives of millions of people throughout the world. Central to this study is a comparative analysis of Erhard’s rhetorical project, The Forum, and the philosophical project of Martin Heidegger. Through this comparative analysis, the authors demonstrate how each thinker’s work sometimes parallels and often illuminates the other. The dialogue at work in The Forum functions to generate a language which speaks being. That is, The Forum is an instance of what the authors call ontological rhetoric: a technology of communicating what cannot be said in language. Nevertheless, what does get said allows those participating in the dialogue to discover previously unseen aspects of what it currently means to be human. As a primary outcome of such discovery, access to creating a new possibility of what it is to be human is made available. The purpose of this book is to show how communication of the unspoken realm of language—speaking being—is actually accomplished in The Forum, and to demonstrate how Erhard did it in 1989. Through placing Erhard’s language use next to Heidegger’s thinking—presented in a series of “Sidebars” and “Intervals” alongside The Forum transcript—the authors have made two contributions. They have illuminated the work of two thinkers, who independently developed similar forms of ontological rhetoric while working from very different times and places. Hyde and Kopp have also for the first time made Erhard’s extraordinary form of ontological rhetoric available for a wide range of audiences, from scholars at work within a variety of academic disciplines to anyone interested in exploring the possibility of being for human beings. From the Afterword: I regard Speaking Being as an enormously important contribution to understanding Heidegger and Erhard. The latter has received far too little serious academic attention, and this book begins to make up for that lack. Moreover, the book’s analysis of Heidegger’s thought is among the best that I have ever read. I commend this book to all readers without reservation. Michael E. Zimmerman, Professor Emeritus, University of Colorado, Boulder