Universal Women
Universal Women

Author: Mark Garrett Cooper

Publisher: University of Illinois Press

Published: 2010-10-01

Total Pages: 266

ISBN-13: 025209087X

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A Choice Outstanding Academic Title, 2011. Between 1912 and 1919, the Universal Film Manufacturing Company credited eleven women with directing at least 170 films, but by the mid-1920s all of these directors had left Universal and only one still worked in the film industry at all. Two generations of cinema historians have either overlooked or been stymied by the mystery of why Universal first systematically supported and promoted women directors and then abruptly reversed that policy. In this trailblazing study, Mark Garrett Cooper approaches the phenomenon as a case study in how corporate movie studios interpret and act on institutional culture in deciding what it means to work as a man or woman. In focusing on issues of institutional change, Cooper challenges interpretations that explain women's exile from the film industry as the inevitable result of a transhistorical sexism or as an effect of a broadly cultural revision of gendered work roles. Drawing on a range of historical and sociological approaches to studying corporate institutions, Cooper examines the relationship between institutional organization and aesthetic conventions during the formative years when women filmmakers such as Ruth Ann Baldwin, Cleo Madison, Ruth Stonehouse, Elise Jane Wilson, and Ida May Park directed films for Universal.

Companions Without Vows
Companions Without Vows

Author: Betty Rizzo

Publisher: University of Georgia Press

Published: 2008-09-01

Total Pages: 474

ISBN-13: 0820332186

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Companions Without Vows is the first detailed study of the companionate relationship among women in eighteenth-century England--a type of relationship so prevalent that it was nearly institutionalized. Drawing extensively upon primary documents and fictional narratives, Betty Rizzo describes the socioeconomic conditions that forced women to take on or to become companions and examines a number of actual companionate relationships. Several factors fostered such relationships. Husbands and wives of the period lived largely separate social lives, yet decorum prohibited genteel women from attending engagements unaccompanied. Also, women of position insisted on having social consultants and confidantes. Filling this need were the many well-born young women without sufficient funds to live independently. Because family money and property were concentrated in the hands of eldest sons, these women frequently had to seek the protection of female benefactors for whom they performed unpaid, nonmenial tasks, such as providing a hand at cards or simply offering pleasant company. The companionate relationship between women could assume many forms, Rizzo notes. It was often analogous to marriage, with one partner dominant and the other subservient, while some women experimented in establishing partnerships that were truly egalitarian. Rizzo explores these various types of relationships both in real life and in fiction, noting that much of the period's discourse about women's relationships can be seen as a tacit commentary on marriage. Provocative and engagingly written, this authoritative work casts new light on women's attempts to deal with a patriarchal power structure and offers new insight into eighteenth-century social history.