Idea. A Concept in Art Theory. (Second Corrected Edition.) Translated by Joseph J.S. Peake
Author: Erwin Panofsky
Publisher:
Published: 1975
Total Pages: 268
ISBN-13: 9780064300490
DOWNLOAD EBOOKRead and Download eBook Full
Author: Erwin Panofsky
Publisher:
Published: 1975
Total Pages: 268
ISBN-13: 9780064300490
DOWNLOAD EBOOKAuthor: Erwin Panofsky
Publisher:
Published: 1968
Total Pages: 268
ISBN-13:
DOWNLOAD EBOOKAuthor: Moshe Barasch
Publisher: Routledge
Published: 2013-09-13
Total Pages: 434
ISBN-13: 1135199809
DOWNLOAD EBOOKThis book, the first in Moshe Barasch's series on art theory, offers a comprehensive analysis and reassessment of major trends in European art theory and its development from the time of Plato to the early eighteenth century. Barasch expertly guides the reader from the interwoven attitudes and traditions of antiquity, through the writings of St. Thomas Aquinas and the aesthetic values of the Middle Ages, to the branching out of several disciplines--art history, art criticism, abstract aesthetics--in the late Renaissance. Clearly outlining the development of art theory and exploring the central issues of each historical period, Theories of Art is a valuable resource for the art historian as well as a stimulating introduction for the general reader.
Author: Carl Goldstein
Publisher: Cambridge University Press
Published: 2012-02-13
Total Pages: 239
ISBN-13: 1139505033
DOWNLOAD EBOOKIn this book, Carl Goldstein examines the print culture of seventeenth-century France through a study of the career of Abraham Bosse, a well-known printmaker, book illustrator, and author of books and pamphlets on a variety of technical subjects. The consummate print professional, Bosse persistently explored the endless possibilities of print – single-sheet prints combining text and image, book illustration, broadsides, placards, almanacs, theses, and pamphlets. Bosse had a profound understanding of print technology as a fundamental agent of change. Unlike previous studies, which have largely focused on the printed word, this book demonstrates the extent to which the contributions of an individual printmaker and the visual image are fundamental to understanding the nature and development of early modern print culture.
Author: Eva T. H. Brann
Publisher: Rowman & Littlefield
Published: 2016-11-28
Total Pages: 843
ISBN-13: 144227364X
DOWNLOAD EBOOKIn this book, Eva Brann sets out no less a task than to assess the meaning of imagination in its multifarious expressions throughout western history. The result is one of those rare achievements that will make The World of the Imagination a standard reference.
Author: Josh Ellenbogen
Publisher: Penn State Press
Published: 2012
Total Pages: 281
ISBN-13: 0271052597
DOWNLOAD EBOOK"Examines three projects in late nineteenth-century scientific photography: the endeavors of Alphonse Bertillon, Francis Galton, and Etienne-Jules Marey. Develops new theoretical perspectives on the history of photographic technology, as well as the history of scientific imaging more generally"--
Author: Christian Michel
Publisher: Getty Publications
Published: 2018-02-06
Total Pages: 436
ISBN-13: 1606065351
DOWNLOAD EBOOKThe Académie Royale de Peinture et de Sculpture (French Academy of Painting and Sculpture)—perhaps the single most influential art institution in history—governed the arts in France for more than 150 years, from its founding in 1648 until its abolition in 1793. Christian Michel's sweeping study presents an authoritative, in-depth analysis of the Académie’s history and legacy. The Académie Royale assembled nearly all of the important French artists working at the time, maintained a virtual monopoly on teaching and exhibitions, enjoyed a priority in obtaining royal commissions, and deeply influenced the artistic landscape in France. Yet the institution remains little understood today: all commentary on it, during its existence and since its abolition, is based on prejudices, both favorable and critical, that have shaped the way the institution has been appraised. This book takes a different approach. Rather than judging the Académie Royale, Michel unravels existing critical discourse to consider the nuances and complexities of the academy’s history, reexamining its goals, the shifting power dynamics both within the institution and in the larger political landscape, and its relationship with other French academies and guilds.
Author: A. Riehl
Publisher: Springer
Published: 2010-05-10
Total Pages: 262
ISBN-13: 0230106749
DOWNLOAD EBOOKThe Face of Queenship investigates the aesthetic, political, and gender-related meanings in representations of Elizabeth I by her contemporaries. By attending to eyewitness reports, poetry, portraiture, and discourses on beauty and cosmetics, this book shows how the portrayals of the queen s face register her contemporaries hopes, fears, hatreds, mockeries, rivalries, and awe. In its application of theories of the meaning of the face and its exploration of the early modern representation and interpretation of faces, this study argues that the face was seen as a rhetorical tool and that Elizabeth was a master of using her face to persuade, threaten, or comfort her subjects.