Iconographic Research and Subject Access
Author:
Publisher:
Published: 1993
Total Pages: 30
ISBN-13:
DOWNLOAD EBOOKPosts
Picturing Performance
Author: Thomas F. Heck
Publisher: University Rochester Press
Published: 1999
Total Pages: 286
ISBN-13: 9781580460446
DOWNLOAD EBOOKThere has long been a need to introduce performing-arts enthusiasts and students to the fascinating field of iconography, both as manifested in art history and in its more pragmatic or applied forms. Yet relatively little systematic effort has been made to collect and interpret centuries of such visual evidence in the light of the best available art-historical information, combined with corroborating textual documentation and insights from the histories of performance disciplines. Aspiring iconographers of the performing arts need to be aware that there are often several levels of interpretation which great works of visual art will sustain. This book explores these levels of interpretation: a surface or literal reading, a deeper reading of the work which seeks to enter the mind of the artist and asks how and why he put a given work together, and the deepest reading of the work relating it to the artistic traditions and culture in which the artist lived. In expounding on these levels of iconographic interpretations four discourses by scholars active in the study of visual records are given in relation to traditions, techniques, and trends: performance in general (Katritzky), music (Heck), theatre (Erenstein), and dance (Smith). Effort is made to keep abreast of modern technology influencing iconographic representations as on the Internet and virtual reality.Thomas F. Heck is Professor of Musicology and Head of the Music and Dance Library at the Ohio State University.
Introduction to Art Image Access
Author: Murtha Baca
Publisher: Getty Publications
Published: 2002-07-25
Total Pages: 105
ISBN-13: 0892366664
DOWNLOAD EBOOKWith the proliferation of information on the World Wide Web and in other networked environments, one of the main things that users search for are images of works of art and architecture. End-users generally try to search for images by subject, a process that often proves unsatisfactory and frustrating. Cataloging images of works of art has always been challenging, but now that end-users need only have access to the Internet, the challenge is more daunting than ever. This illustrated book on using metadata standards and controlled vocabularies to catalog and provide accurate end-user access to images of works of art also focuses on decisions that must be made about the arrangement of visual records, descriptive principles and methodologies, and requirements for access. Introduction to Art Image Access addresses the issues that underlie a visual collection to make it accessible in an electronic environment. A glossary, selected bibliography, and list of acronyms and URLS are included.
Subject Access to Museum Objects
Author: Steven Blake Shubert
Publisher: National Library of Canada = Bibliothèque nationale du Canada
Published: 1996
Total Pages: 588
ISBN-13:
DOWNLOAD EBOOKLinking Art Objects and Art Information
Author: Angela Giral
Publisher:
Published: 1988
Total Pages: 156
ISBN-13:
DOWNLOAD EBOOKThe SAGE Handbook of Visual Research Methods
Author: Eric Margolis
Publisher: SAGE
Published: 2011-07-31
Total Pages: 777
ISBN-13: 1446250121
DOWNLOAD EBOOKThis book captures the state of the art in visual research. Margolis and Pauwels have brought together, in one volume, a unique survey of the field of visual research that will be essential reading for scholars and students across the social sciences, arts and humanities. The SAGE Handbook of Visual Research Methods encompasses the breadth and depth of the field, and points the way to future research possibilities. It illustrates ′cutting edge′ as well as long-standing and recognized practices. This book is not only ′about′ research, it is also an example of the way that the visual can be incorporated into data collection and the presentation of research findings. Chapters describe a methodology or analytical framework, its strengths and limitations, possible fields of application and practical guidelines on how to apply the method or technique. The Handbook is organized into seven main sections: - Framing the Field of Visual Research - Producing Visual Data and Insight - Participatory and Subject-Centered Approaches - Analytical Frameworks and Approaches - Visualization Technologies and Practices - Moving Beyond the Visual - Options and Issues for Using and Presenting Visual Research. Eric Margolis is an Associate Professor in the Hugh Downs School of Human Communication. He is President of the International Visual Sociology Association. Luc Pauwels is Professor of Visual Culture at the University of Antwerp. He is Chair of the Visual Communication Studies Division of the ICA and Vice-President of the International Visual Sociology Association (IVSA).
Subject Access to Visual Resources Collections
Author: Karen Markey
Publisher: Praeger
Published: 1986-10-21
Total Pages: 222
ISBN-13:
DOWNLOAD EBOOKSearching through a resource collection for a particular type of visual image yields little more than frustration if the user lacks the knowledge of the specialized concepts that are the key to the collection's system of classification. With Karen Markey's innovative approach to subject searching, however, users will be able to translate an inquiry for a particular type of visual image into the appropriate symbolic theme or concept and will easily access any type of visual resource collection. Based on Erwin Panofsky's work on meaning in the visual arts and the author's study of users of iconographical research collections, this volume offers a step-by-step method of describing subject content in visual images. Markey's model will enable museums, libraries, and art galleries to upgrade their services significantly.
An Introduction to Iconography
Author: Roelof van Straten
Publisher: Routledge
Published: 2012-10-02
Total Pages: 174
ISBN-13: 1136614028
DOWNLOAD EBOOKAvailable for the first time in English, An Introduction to Iconography explains the ways that artists use references and allusions to create meaning. The book presents the historical, theoretical, and practical aspects of iconography and ICONCLASS, the comprehensive iconographical indexing system developed by Henri van de Waal. It gives particular emphasis to the history of iconography, personification, allegory, and symbols, and the literary sources that inform iconographic readings, and includes annotated bibliographies of books and journal articles from around the world that are associated with iconographic research. The author of numerous articles and a four-volume reference work on Italian prints, Roelof van Straten is currently working on an iconographic index covering the prints of Goltzius and his school.
Graffiti Art Styles
Author: Lisa Gottlieb
Publisher: McFarland
Published: 2014-01-10
Total Pages: 222
ISBN-13: 0786452250
DOWNLOAD EBOOKThis book presents a classification system for graffiti art styles that reflects the expertise of graffiti writers and the work of art historian Erwin Panofsky. Based on Panofsky's theories of iconographical analysis, the classification model is designed to identify the style of a graffiti art piece through its visual characteristics. Tested by image cataloguers in archives, libraries, and museums, the system assists information professionals in identifying the iconic styles of graffiti art pieces. It also demonstrates the power of Panofsky's theories to provide access to non-representational or abstract art images. The result is a new paradigm for Panofsky's theories that challenges the assumptions of traditional models. This innovative book is a valuable resource for anyone who wants to learn more about graffiti art and for information professionals concerned with both the practical and intellectual issues surrounding image access.
Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque
Author:
Publisher: BRILL
Published: 2012-11-21
Total Pages: 489
ISBN-13: 9004232249
DOWNLOAD EBOOKMary Magdalene, Iconographic Studies from the Middle Ages to the Baroque examines the iconographic inventions in Magdalene imagery and the contextual factors that shaped her representation in visual art from the fourteenth to the seventeenth centuries. Unique to other saints in the medieval lexicon, images of Mary Magdalene were altered over time to satisfy the changing needs of her patrons as well as her audience. By shedding light on the relationship between the Magdalene and her patrons, both corporate and private, as well as the religious institutions and regions where her imagery is found, this anthology reveals the flexibility of the Magdalene’s character in art and, in essence, the reinvention of her iconography from one generation to the next.
