In Telling Time, Stuart Sherman argues that innovations in prose emerged with this technological breakthrough, enabling authors to recount the new kind of time by which England was learning to live and work.
Dawks is the name of a family of booksellers and printers who practised their craft in London during the seventeenth century and later. The younger Thomas Dawks was honoured with the title of 'His Majesty's Printer for the British Language' in 1676. Ichabod Dawks, 'honest Ichabod' as Steel called him, and the best-known member of the family, published Dawks's NewsLetter on the evenings of Post Nights (i.e. Tuesday, Thursday and Saturday) from 1696 to 1716. For this periodical a special script type in imitation of handwriting was used, the matrices of which have recently been identified. Mr Morison's account of the Dawkses, based upon a family diary which he lately discovered, enlarges at several points our knowledge of their respective careers, and, in the case of Ichabod, demonstrates the character of his contribution to the progress of English journalism. Illustrated with type facsimiles, line blocks and nine pages of collotype facsimiles of newsletters.
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The years 1676 and 1774 marked two turning points in the social and legal treatment of madness in England. In 1676, London’s Bethlehem Hospital expanded in grand new premises, and in 1774 the Madhouses Act attempted to limit confinement of the insane. This study explores almost a century of the English history of madness through the texts of five poets who were considered mentally troubled according to contemporary standards: James Carkesse, Anne Finch, William Collins, Christopher Smart and William Cowper were hospitalized, sequestered or exiled from society. Their works cope with representations of insanity, medical definitions or practices, imputed illness, and the judging eye of the ‘sane other’, shedding new light on the dis/continuities in the notion of madness of this period.