A comprehensive and profusely illustrated accompaniment to the exhibition The Manuscripts of Iceland which was organised by the Arni Magnusson Institute and opened in the Culture House in Reykjavik on October 5, 2002. In this collection of articles scholars present the story of Icelandic manuscripts, their medieval origins, the literature they contain and its influence up to the present day. The meeting of written Christian and classical culture with the rich oral traditions in Iceland brought forth a remarkable literary flowering, an eloquent source of information about pagan Scandinavian culture and thought. In time this literature came to inspire the sense of national character in the Nordic countries and exerted notable influence in the German- and English- speaking worlds. This book is a tribute to the central role that medieval Icelandic literature played in forging national identities in Northern Europe.
This book examines a cultural revolution that took place in the Scandinavian artistic landscape during the medieval period. Within just one generation (c. 1340?1400), the Augustinian monastery of Helgafell became the most important centre of illuminated manuscript production in western Iceland. By conducting interdisciplinary research that combines methodologies and sources from the fields of Art History, Old Norse-Icelandic manuscript studies, codicology, and Scandinavian history, this book explores both the illuminated manuscripts produced at Helgafell and the cultural and historical setting of the manuscript production.00Equally, the book explores the broader European contexts of manuscript production at Helgafell, comparing the similar domestic artistic monuments and relevant historical evidence of Norwich and surrounding East Anglia in England, northern France, and the region between Bergen and Trondheim in western Norway. The book proposes that most of these workshops are related to ecclesiastical networks, as well as secular trade in the North Sea, which became an important economic factor to western Icelandic society in the fourteenth century. The book thereby contributes to a new and multidisciplinary area of research that studies not only one but several European cultures in relation to similar domestic artistic monuments and relevant historical evidence. It offers a detailed account of this cultural site in relation to its scribal and artistic connections with other ecclesiastical and secular scriptoria in the broader North Atlantic region.
One of the earliest preserved Skaldic poems, which were based on highly complex rules of alliteration and metre, this 10th-century work praises the gift of a painted shield depicting mythological scenes. This is a bilingual edition of the poem.
“A rose can rest in the casket for a thousand years without fading. An egg can remain there for centuries without going bad. A person could lie there for a hundred years, a thousand years, ten thousand years, completely protected from time." What happens when the world starts to fall apart, and no one will take responsibility for mending it? Sigrun’s family, along with everyone else, finds refuge from the crisis in a new technology called TimeBox®, which lets you hibernate until the world’s problems solve themselves. But Sigrun’s TimeBox® opens early, and she wakes to a city in chaos, overrun by nature. Sigrun joins a roving band of kids and a wise researcher named Grace, who tells them of the ancient kingdom of Pangea, and the greedy king who wanted to protect his daughter Obsidiana from pain, gloomy days, and growing older by putting her in a silken casket that time could not penetrate. But Obsidiana learns that sabotaging time is a dangerous business, with effects that ripple outward even to the present day. Sigrun realizes it’s up to her and her friends to face the crisis, break the curse, and fix the world before it’s too late! Winner of The Icelandic Literary Prize for Children and Young People’s Books Winner of The Icelandic Booksellers Prize for Best Teenage Book of the Year Nominated for the Nordic Council Children and Young People’s Literature Prize Winner of the The West Nordic Literature Prize Winner of the Reykjavik Children’s Literature Prize “The story confronts the concept of time and twists old fairy-tale memories with a passionate creativity.” —The Nordic Council Children and Young People’s Literature Prize Citation “Andri Snær Magnason has created an intimate epic that floats effortlessly between genres as diverse as fairy tale and political commentary, science fiction and social realism. The Casket of Time spans the chasm between ‘once upon a time’ and ‘have you heard the news today’ in a way that makes his philosophical fable feel both timely and timeless.” —Bjarke Ingels “The largest box of chocolate written in the Icelandic language that I have ever laid my hands on... This is confectionery for the mind!... This is a book for the 3 year old, the 30 year old, the 300 year old.” —Audur Haraldsdóttir, Channel 2, National Radio (Iceland) “The power of story animates a tale that communicates—but is not overpowered by—urgent messages.” — Kirkus Reviews
The medieval Norse-Icelandic saga is one of the most important European vernacular literary genres of the Middle Ages. This Introduction to the saga genre outlines its origins and development, its literary character, its material existence in manuscripts and printed editions, and its changing reception from the Middle Ages to the present time. Its multiple sub-genres - including family sagas, mythical-heroic sagas and sagas of knights - are described and discussed in detail, and the world of medieval Icelanders is powerfully evoked. The first general study of the Old Norse-Icelandic saga to be written in English for some decades, the Introduction is based on up-to-date scholarship and engages with current debates in the field. With suggestions for further reading, detailed information about the Icelandic literary canon, and a map of medieval Iceland, this book is aimed at students of medieval literature and assumes no prior knowledge of Scandinavian languages.
The International Mystery Double Blind: The Icelandic Manuscript Murders is a wild ride through the cultural landscape of Iceland, from rural farmsteads to icy fjords to the high-tech world of DNA forensics. A young boy disappears in the chill of North Iceland. Twenty years later, a mysterious poem lands on the desk of his twin sister Brynja, a forensic geneticist, and rekindles her hopes that her brother might be alive. As Brynja unravels the clues, more poems arrive, each bearing dire consequences for those who receive them: the guard of the medieval manuscript of Icelandic sagas that may have the answer to her burning question, the prime minister's secretary, the local pastor. Is the poet out to stop Brynja from finding her brother and shut down her access to the DNA database? Or is the verse maker simply a psychopath copycat killer? Fighting the visual auras that have plagued her since childhood and now threaten everything she holds dear, Brynja must summon the strength to navigate the twisted labyrinth of the poet's mind and confront the dark secret buried in her family's past.
The Old Norse-Icelandic Maríu saga survives in nineteen manuscripts. In the extant manuscripts Maríu saga rarely exists in the codex by itself. The present study, then, restores the saga to its manuscript contexts in order to better understand the
This major survey of Old Norse-Icelandic literature and culturedemonstrates the remarkable continuity of Icelandic language andculture from medieval to modern times. Comprises 29 chapters written by leading scholars in thefield Reflects current debates among Old Norse-Icelandicscholars Pays attention to previously neglected areas of study, such asthe sagas of Icelandic bishops and the fantasy sagas Looks at the ways Old Norse-Icelandic literature is used bymodern writers, artists and film directors, both within and outsideScandinavia Sets Old Norse-Icelandic language and literature in its widercultural context
