The two epic plays in this volume stand, together with Peer Gynt and The Pretenders, at the fulcrum of Ibsen's career. Brand (1865) stated sharply and vividly the necessity of following one's private conscience and 'being oneself'. It created an immediate sensation and was hailed by Strindberg as 'the voice of a Savonarola'. Emperor and Galilean (1873), which Ibsen referred to as his masterpiece, is both his farewell to the epic drama and the forerunner of his great naturalistic prose plays that were to burst on the nineteenth century. Michael Meyer's translations are 'crisp and cobweb-free, purged of verbal Victoriana' (Kenneth Tynan)
In the history of modern theatre, Ibsen is one of the dominating figures. The sixteen chapters of this 1994 Companion explore his life and work, providing an invaluable reference work for students. In chronological terms they range from an account of Ibsen's earliest pieces, through the years of rich experimentation, to the mature 'Ibsenist' plays that made him famous towards the end of the nineteenth century. Among the thematic topics are discussions of Ibsen's comedy, realism, lyric poetry and feminism. Substantial chapters account for Ibsen's influence on the international stage and his challenge to theatre and film directors and playwrights today. Essential reference materials include a full chronology, list of works and essays on twentieth-century criticism and further reading.
Collects five plays spanning Ibsen's career, with general introductions, explanatory annotations, criticism, and selections from his correspondence and other writings.
Ibsen's twelve outstanding plays, from Pillars of Society to When We Dead Awaken, are accompanied by brief introductions illuminating the distinctive features of each
A major biography of one of the most important figures in modern drama, evoked through a biographical reading of his playsNorwegian playwright Henrik Ibsen achieved unparalleled success in his lifetime and remains one of the most important figures in modern drama. The culmination of a lifetime of scholarship, Evert Sprinchorn’s biography constructs Ibsen’s life through a biographical reading of his plays with provocative and insightful analyses of his works, placing them and their author within the social, political, and intellectual foment of nineteenth-century Europe. This thought-provoking book will captivate anyone interested in the history of drama and the foundations of modernism.
Step into the world of societal expectations and personal liberation with Henrik Ibsen's groundbreaking play, "A Doll's House." This poignant narrative follows Nora Helmer, a seemingly content wife, as she grapples with the constraints of her marriage and the roles imposed on her by society. As the story unfolds, Ibsen masterfully reveals the complexities of marriage, gender roles, and individual identity. Nora's journey of self-discovery challenges the traditional notions of femininity and duty, making this play a timeless exploration of personal freedom and societal norms. But here’s the provocative question that will ignite your curiosity: What happens when a woman decides to reclaim her autonomy in a world that expects her to conform? Nora’s bold choices lead to dramatic revelations that resonate deeply with audiences, prompting reflection on the nature of love and sacrifice. With its rich character development and powerful dialogue, "A Doll's House" remains a cornerstone of modern theater. Ibsen's unflinching examination of societal expectations encourages readers to confront their own beliefs about relationships and personal agency. Are you ready to witness Nora's transformative journey as she challenges the confines of her domestic life? This play is essential for anyone interested in literature that examines social issues and the human condition. Ibsen's compelling storytelling invites audiences to engage with the fundamental questions of identity, duty, and freedom. Don’t miss the opportunity to experience this revolutionary work. Purchase "A Doll's House by Henrik Ibsen" today and join the conversation about the roles we play in our own lives.
The study of Naturalist theatre remains a staple and often foundational part of the curriculum at all levels of drama education. This anthology of six of the most commonly studied and revived Naturalist plays from the European repertoire offers a unique compendium that will serve as required reading for drama courses and is ideal for theatre practitioners and fans. The selected plays perfectly reflect the formal and geographical diversity of Naturalist theatre as well as its major philosophical, political and theatrical preoccupations. A critical introduction by Dr Chris Megson contextualises the emergence of Naturalist theatre in the late nineteenth century, identifying its principal aims and methods; provides an analysis of the selected plays, mapping their key preoccupations, and ends by considering Naturalism's enduring legacy and resonance today.
'The Wild Duck' is an unsettling play of profound, keen psychology and absolute truth. Gregers Werle is an uncompromising idealist, and invites himself into the house of Hjalmar Ekdal, his childhood friend. His intention is to free the Ekdal family from the mesh of lies on which their contented lives are based. But Gregers drowns the family even as he is trying to raise them up, his well-meaning investigations shredding the lies they have told themselves in order to live. 'The Wild Duck' was published in 1884 and premiered in 1885 at Bergen in Norway. This version, translated by Michael Meyer, was first performed in 1963 at the Everyman Theatre, Cheltenham.
