I Vecchi Burlati, a New Comic Opera, as Performed at the King's Theatre, in the Hay-Market. the Music Entirely New, by Signor Anfossi

I Vecchi Burlati, a New Comic Opera, as Performed at the King's Theatre, in the Hay-Market. the Music Entirely New, by Signor Anfossi

Author: MULTIPLE CONTRIBUTORS.

Publisher: Gale Ecco, Print Editions

Published: 2018-04-21

Total Pages: 98

ISBN-13: 9781385083321

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T071786 The libretto only. Parallel Italian text and English prose translation. London: printed by H. Reynell, 1783. 95, [1]p.; 8°


Il Convito; Or, the Banquet

Il Convito; Or, the Banquet

Author: FILIPPO. LIVIGNI

Publisher: Gale Ecco, Print Editions

Published: 2018-04-20

Total Pages: 80

ISBN-13: 9781379881384

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T071453 The libretto only, by Filippo Livigni. Parallel Italian text and English prose translation. With a correction slip pasted over part of the Italian text on p.46. London: printed by H. Reynell, 1782. 77, [1]p.; 8°