"I Saw Three Ships and Other Winter Tales" by Arthur Quiller-Couch is a collection of old fashioned ghost stories, or as Shakespeare called them winter's tales. These stories are all eerie and perfectly encapsulate the dark and dreary nature of cold winter nights. From the first to the last story, readers will feel immersed in a haunting adventure.
I Saw Three Ships and Other Winter Tales by Arthur Thomas Quiller-Couch CHAPTER I. THE FIRST SHIP. In those west-country parishes where but a few years back the feast of Christmas Eve was usually prolonged with cake and cider, "crowding," and "geese dancing," till the ancient carols ushered in the day, a certain languor not seldom pervaded the services of the Church a few hours later. Red eyes and heavy, young limbs hardly rested from the Dashing White Sergeant and Sir Roger, throats husky from a plurality of causes-all these were recognised as proper to the season, and, in fact, of a piece with the holly on the communion rails. On a dark and stormy Christmas morning as far back as the first decade of the century, this languor was neither more nor less apparent than usual inside the small parish church of Ruan Lanihale, although Christmas fell that year on a Sunday, and dancing should, by rights, have ceased at midnight. The building stands high above a bleak peninsula on the South Coast, and the congregation had struggled up with heads slanted sou'-west against the weather that drove up the Channel in a black fog. Now, having gained shelter, they quickly lost the glow of endeavour, and mixed in pleasing stupor the humming of the storm in the tower above, its intermittent onslaughts on the leadwork of the southern windows, and the voice of Parson Babbage lifted now and again from the chancel as if to correct the shambling pace of the choir in the west gallery. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
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YOU enter the village of Gantick between two round-houses set one on each side of the high road where it dips steeply towards the valley bottom. On the west of the opposite hill the road passes out between another pair of round-houses. And down in the heart of the village among the elms facing the churchyard lych-gate stands a fifth, alone. The five, therefore, form an elongated St. Andrew’s cross; but nobody can tell for certain who built them, or why. They are all alike; each built of cob, circular, whitewashed, having pointed windows and a conical roof of thatch with a wooden cross on the apex. When I was a boy these thatched roofs used to be pointed out to me as masterpieces; and they still endure. But the race of skilled thatchers, once the peculiar pride of Gantick, has come to an end. What time has eaten modern and clumsy hands have tried to repair; yet a glance will tell you that the old sound work means to outwear the patches. The last of these famous thatchers lived in the round-house on your right as you leave Gantick by the seaward road. His name was old Nat Ellery, or Thatcher Ellery, and his age (as I remember him) between seventy or eighty. Yet he clung to his work, being one of those lean men upon whom age, exposure, and even drink take a long while to tell. For he drank; not socially at the Ring of Bells, but at home in solitude with a black bottle at his elbow. He lived there alone; his neighbours, even of the round-house across the road, shunned him and were shunned by him: children would run rather than meet him on the road as he came along, striding swiftly for his age (the drink never affected his legs), ready greaved and sometimes gauntleted as if in haste for his job, always muttering to himself; and when he passed us with just a side-glance from his red eyes, we observed that his pale face did not cease to twitch nor his lips to work. We felt something like awe for the courage of Archie Passmore, who followed twenty paces behind with his tools and a bundle of spars or straw-rope, or perhaps at the end of a ladder which the two carried between them. Archie (aged sixteen) used to boast to us that he did not fear the old man a ha’penny; and the old man treated Archie as a Gibeonite, a hewer of wood, a drawer of water, never as an apprentice. Of his craft, except what he picked up by watching, the lad learned nothing.
