Harry Arthur Gant lived at the intersection of the Old West and the New West. He was a cowboy during the 1890s. He saw at first hand the hard work, the hard fun, and the occasional violence of that place and time. He knew cattle barons and horse thieves, con men and hustlers. As civilization spread through the Old West, he worked with the Wild West Shows that helped perpetuate the legends of that country. He was a guy who could get things done. When the first film makers came around, he soon became indispensable to them, and then followed them to the New West. With a new set of skills in the silent film era, he helped perpetuate the new form of legend that came out of Hollywood. He knew stars and extras, more con men and hustlers, movers and shakers. He tells his story with a distinctive mix of Old West plain speaking and New West sophistication, with the rough edges left on. This memoir spans two of the most fascinating parts of America's past. See more at http: //castleknob.com/
Harry Gant's memoir, I Saw Them Ride Away, led to a fascinating and surprising search for his "footprints in the sands of time" with results that far surpassed any reasonable expectations. This is the story of that cyberspace investigation and the real people encountered along the way.
An omnibus volume of three classic, long-unavailable Darkover novels--Star of Danger, The Bloody Sun, and Winds of Darkover--tell of two men of mixed Darkovan ancestry, who must choose where their true allegiances lie.
This edition includes "Thirty-One Years on the Plains and in the Mountains" and "Chief of Scouts", two autobiographical sketches of Captain William F. Drannan, Scouts Chief in which he describes his days in the Far West. The author has narrated in his own plain, blunt way, the incidents of his life. However, later researches and accounts have labeled Drannan as more of a great pretender than a fearless scout. Although the authenticity of these books are questionable they nevertheless represent classics of frontier literature.
Slocum's on the hunt for a two-bit theif—and he's makin' him pay! The pretty young Pearl and her beau Cutface sneak in while Slocum's asleep—and rob him blind. Now Slocum's hot on their trail—and he's makin' Cutface pay his interest in blood!
John Sevier had not taken much interest in the American Revolution. Homesteading in the Carolina mountains, Sevier was too busy fighting Indians and taming the wilderness to worry much about a far-off war, but when an arrogant British officer sends a message over the mountains, threatening to burn the settlers' farms and kill their families, the Revolutionary War becomes personal. That abrasive officer is British Army Major Patrick Ferguson, who is both charmingly antagonistic and surprisingly endearing. The younger son of a Scottish earl, Ferguson suffers constant misfortunes, making his dedication and courage count for nothing. When he loses the use of his arm from an injury at Brandywine, his commander sends him south, away from the war—which, in 1780, George Washington and the Continental Army are losing. Ordered to recruit wealthy Southern planters to the British cause, Ferguson courts disaster by provoking the frontiersmen, and suddenly the far-off war is a sword's length away. The British aristocrat on a fine white horse is the antihero to Sevier's American pioneer spirit. Two Tory washerwomen, Virginia Sal—whose lucid voice lends humor and mysticism to the pages—and Virginia Paul, a mysterious woman too well-acquainted with death, portray the human side of the king's army. With a regiment of British regulars and local Tory volunteers, Ferguson believes he's an indomitable force. Threatened by the Loyalists with invasion and the loss of their land, Sevier knows that Ferguson has to be stopped. In response, Sevier and his loyal comrades—many of whom would play key roles in later parts of American history—raise an unpaid volunteer militia of more than a thousand men. Bringing their own guns, riding their own horses, and wearing just their civilian clothes, the Overmountain Men ally themselves with other states' militias and march toward Charlotte in search of Ferguson's marauding army. On a hill straddling the North and South Carolina lines, in what Thomas Jefferson later called "the turning point of the American Revolutionary War," the Overmountain Men triumph, proving that the British forces can be stopped. Their victory at King's Mountain inspired the colonies to fight on, ending the war one year later at Yorktown. Peppered with lore and the authentic heart of the people in McCrumb's classic Ballads, this is an epic book that paints the brave action of Sevier and his comrades against a landscape of richly portrayed characters. Harrowing battle descriptions compete with provoking family histories, as McCrumb once again shares history and legend like no one else. Both a novel of war and family, crafted with heart and depth, King's Mountain celebrates one of Appalachia's finest hours.
As the Young Pretender and his Jacobite army approach, Coroner Titus Cragg must solve a brutal murder ― and prevent himself from being executed for the crime. November 1745. Preston, Lancashire. Rumors abound that Charles Edward Stuart, the Young Pretender, has landed in Scotland, intent on marching south to claim the English throne. Meanwhile Coroner Titus Cragg must investigate a headless body discovered in an icy pond. There is evidence to suggest a connection with the approaching rebel army ― unless someone is deliberately using the Highlanders’ invasion as a cover for murder. As simmering tensions, conflicting loyalties and open hostilities engulf the town, Cragg finds himself arrested for murder. In order to clear his name and escape execution by firing squad, Titus must team up with his old friend, Dr Luke Fidelis, to expose the real killer.
Three thrillers set in WWII-era Asia by a New York Times–bestselling author who writes “like a cross between Joseph Conrad and James Clavell” (Houston Chronicle). “A master of terse, ironic dialogue,” the author of A Covenant with Death presents a trilogy that journeys from the Gobi Desert to Peking to Burma in the chaotic years following the Second World War (Kirkus Reviews). The Chinese Bandit: An American ex-marine must run for his life in the cutthroat atmosphere of postwar China, pursued by both a dangerous criminal and Chiang Kai-shek’s forces. This one “will keep readers turning pages through the night” (Los Angeles Times). The Last Mandarin: An American mercenary chases a Japanese war criminal through the war-torn streets of Peking in this “fascinating . . . exciting” adventure (ThePhiladelphia Inquirer). The Blue-Eyed Shan: The battle between East and West explodes in a remote corner of Burma, as an anthropologist in an isolated mountain village finds himself fighting to save the people he loves from the Chinese Red Army and a fearsome tribe of headhunters. A thriller “as exciting as Raiders of the Lost Ark” (Publishers Weekly). Described as “absolutely ripping adventure” by Time and “sublime entertainment” by John Irving, the Far East Trilogy is an unforgettable saga filled with suspense, epic scope, and rich historical atmosphere.
Storyline depicts both the joys and sorrows of the entire Bengali community who lived in different parts of North-East Indian states for long time. They settled in this part of world, not as per their own wish, but rather, they were brought here by the then ruling British for running the administration and clerics at their colonies After partition of India, their next generations of faced differential treatment from the local sons of the soil. These differential treatments led to hatred towards Bengalis in many states of the North-East. However, as time passed, they had to leave their homes due to incomparable tortures, theft, arson, and loss of lives. They escaped to different parts of the so-called mainland in search of a new home. They became refugees within the country once again.
