Cracker Westerns are rip-roarin, action-packed, can't-put-'em-down tales set in the frontier days of Florida. They are full of adventure, real heroes, and vivid, authentic details that bring Florida's history to life. With enough shoot-outs and stampedes for any good Western story, Alligator Gold adds its unique Florida twist with an alligator in a deep blue spring. The Civil War is over and Caleb Hawkins is finally on his way home from a Northern prisoner-of-war camp. Hawk's been trying to get his mind off giving the rotten Snake Barber part of the secret to finding his family's hidden cache of gold when he was delirious with malaria at the camp. Now he's focused on getting back to the D-Wing, his Florida cattle ranch, and Travis, his only son. But his code of honor intervenes when he encounters a very pregnant Madelaine Wilkes along the trail. Hawk is duty-bound to help her, which comes to include taking her home with him. What he learns about the father of her baby tarnishes his clear attraction to her. Maddy Wilkes has her own code of honor, which gets in the way of her strong attraction to Hawk. And Snake Barber's singular lack of moral code gets in the way of any normal life on the D-Wing. See all of the books in this series
Crossing Rivers: A young Maasai girl's world is turned upside down when she is traded to an old Gikuyu woman in exchange for food, by her starving parents. Compelled to become a Gikuyu she goes through adoption and initiation rituals. She falls in love but soon after her marriage her world, once again, changes forever. Crossing Rivers is Book One in The Agikuyu Series "Brilliantly written and uncompromising in its perspective, Crossing Rivers by Skeeter Wilson delivers us into the hands of the peoples of pre-colonial eastern Africa allowing us to learn at their fires, listen to a voice most have never heard, and appreciate a way of life all too often misrepresented." T.L. O'Hara
For more than a decade, Skeeter Wilson has been interviewing elders in Kenya to better understand them as they see themselves, rather than defined by the missionary culture. Take Nothing With You does not doubt the sincerity and good intentions of most missionaries worldwide-especially in Africa, where the author grew up. Neither does it question the sincerity that drives them to believe that they are fulfilling a divine calling. What Take Nothing With You does question is how faithfully the missionary movement reflects the teachings and examples of the Christ-the One who is the purported subject of their message. It questions if the message, as delivered in the missionary context, can really be considered "Good News."
"May be the nearest thing to an American Ulysses . . . wildly funny and infinitely sad." —Fintan O'Toole, The Irish times Focusing on the lives of more than a dozen characters—among them the Oregon rave boy Skeeter; the progressive-thinking octogenarian Violet, remembering her life from her bohemian youth in prewar Paris to her jazz-clubbing in postwar Greenwich Village; and the street-smart prostitute Bushie, holding forth on the profanity of the world—Heather Woodbury has forged a unique kind of fiction that combines the immediacy of performance art with the narrative structure and subtle characterization of a traditional novel. Taking off from her acclaimed one-woman show of the same title, Woodbury continually surprises in this novel with her ability to create new forms while always locating the unique, resonant humanity that links all the characters to one another—and to the reader.
The Color of Angels is about two friends, born in the Great Depression, confronting the challenges of growing up in a small southern town haunted by old hatreds and prejudices.
This book is a collection of stories, which were written because of the author's interest in the stories themselves and because of a whimsical fondness for the people of that race to whom God has given two supreme gifts, - music and laughter. The author was deeply inspired by reality. Many of the events in this book were real, and many of the characters and places mentioned did exist.