NEW YORK TIMES BESTSELLER • “A simply elegant memoir.”—Newsweek In this exquisitely written memoir, Mia Farrow takes us on a journey into her remarkable life. As the daughter of actress Maureen O’Sullivan and film director John Farrow, she lived what was by all appearances a charmed and privileged childhood. But below the surface, money troubles, marital tensions, drinking, and occasionally violence marred the Hollywood illusion. And when Mia was nine, she would be forever wrenched from childhood by the terrible isolation of a bout with polio. Her father’s death propelled her out into the world, where she embarked onto an acting career that included television, theater, and film—from her debut in Peyton Place to her first starring role in Rosemary’s Baby, and on to her thirteen films with Woody Allen. Here is a luminous memoir of childhood and motherhood, a thoughtful exploration of a spiritual journey, and a candid examination of her marriages to Frank Sinatra and André Previn and her close but troubled twelve-year relationship with Woody Allen. Told with grace and deep understanding, as well as humor, What Falls Away is an unforgettable book, an extraordinary record of an extraordinary life.
The host of the podcast You Must Remember This explores Hollywood’s golden age via the cinematic life of Howard Hughes and the women who encountered him. Howard Hughes’s reputation as a director and producer of films unusually defined by sex dovetails with his image as one of the most prolific womanizers of the twentieth century. The promoter of bombshell actresses such as Jean Harlow and Jane Russell, Hughes supposedly included among his off-screen conquests many of the most famous actresses of the era, among them Billie Dove, Katharine Hepburn, Ava Gardner, Ginger Rogers, and Lana Turner. Some of the women in Hughes’s life were or became stars and others would stall out at a variety of points within the Hollywood hierarchy, but all found their professional lives marked by Hughes’s presence. In Seduction, Karina Longworth draws upon her own unparalleled expertise and an unpreceded trove of archival sources, diaries, and documents to produce a landmark—and wonderfully effervescent and gossipy—work of Hollywood history. It’s the story of what it was like to be a woman in Hollywood during the industry’s golden age, through the tales of actresses involved with Howard Hughes. This was the era not only of the actresses Hughes sought to dominate, but male stars such as Errol Flynn, Cary Grant, and Robert Mitchum; directors such as John Ford, Howard Hawks, and Preston Sturges; and studio chiefs like Irving Thalberg, Darryl Zanuck, and David O. Selznick—many of whom were complicit in the bedroom and boardroom exploitation that stifled and disappointed so many of the women who came to Los Angeles with hopes of celluloid triumph. In his films, Howard Hughes commodified male desire more blatantly than any mainstream filmmaker of his time and in turn helped produce an incredibly influential, sexualized image of womanhood that has impacted American culture ever since. As a result, the story of him and the women he encountered is about not only the murkier shades of golden-age Hollywood, but also the ripples that still slither across today’s entertainment industry and our culture in general. Praise for Seduction “Guaranteed to engross anyone with any interest at all in Hollywood, in movies, in #MeToo and in the never-ending story of men with power and women without.” —New York Times Book Review “The stories Longworth uncovers—about Katharine Hepburn and Jane Russell, yes, but also Ida Lupino and Faith Domergue and Anita Loos—are so rich, so compelling, that they urge you to question how much else in history has been lost within the swirling vortex of Great Men.” —Atlantic “A compelling and relevant must-read.” —Entertainment Weekly
From Rin Tin Tin to Casablanca to Harry Potter, the Warner Bros. story is the history of Hollywood. Eighty-five years of screen icons, legendary films, and history-making achievements are detailed in this comprehensive, photo-filled treasure trove, fully authorized by the studio. No production company has had more legendary films, stars, or influence on the course of Hollywood than Warner Bros. Among the superstars who worked for the studio are Bette Davis, Humphrey Bogart, Lauren Bacall, Joan Crawford, Marlon Brando, James Dean, and John Wayne. Filmmakers like Martin Scorsese and Stanley Kubrick made history for the studio, and it has been home to blockbuster franchises like Superman, Batman, Lethal Weapon, and Harry Potter. Produced in conjunction with Warner Bros., this volume is the ultimate guide to the greatest movie studio in history. You Must Remember This: The Warner Bros. Story is also the companion to a five part documentary in the PBS American Masters series by author Richard Schickel that will premiere at the Cannes Film Festival in the spring of 2008 and debut on PBS in the fall, to coincide with publication of the book.
It was the sober time of the Great Depression, World War II, and general want, but it was also a time to live and enjoy life as much as possible. The memories include two black men, our nearest neighbors, one of whom had a wife and a son. The hard times drew us together. My father was trying to succeed with his sawmill and store so he hired the black men to look after his farm and to look after us. Mama often helped in the store and or in the church so the black man's wife was often our housekeeper, cook, and second mother. The black couple's son was our playmate so the color line was indistinct and we lived on both sides of it. Segregation had crystallized around laws, customs, and public opinion. Some people made a science of it-unwritten but widespread views about what to do under various conditions. Jim Crow was harsh and we saw some horrible things making these memories all the more melancholy and all the more precious because we did some things right.
Janis Ian provides insight into her personal and professional life, discussing her relationships with other musicians, songs, difficult marriage, hiatus from music, health, and other related topics.
KYLIE: Mexico? What a nightmare! I should be putting the finishing touches on my valedictorian speech. Graduation is TODAY! Wait! Is this a wedding band on my finger?? MAX: It started with Kylie's laptop and a truck full of stolen electronics and it ended in Ensenada. It was hot, the way she broke us out like some chick in an action movie. But now we're stranded here, with less than twenty-four hours before graduation. WILL: Saving Kylie Flores from herself is kind of a full-time occupation. Luckily, I, Will Bixby, was born for the job. And when I found out she was stuck in Mexico with dreamy Max Langston, sure, I agreed to bring their passports across the border but there's no reason to rush back home right away. This party is just getting started. LILY: This cannot be happening. It's like some cruel joke. Or a bad dream. I close my eyes and when I reopen them, they're still there. Max and Kylie Flores, freak of the century. In bed together. If Kylie thinks I'm giving him up without a fight, she's dead wrong.
In Things I Want to Remember Not to Forget Chris Waddell achieves honesty rarely seen. From the drawing on the cover, replete with erased first attempts, he lets us see and benefit from his struggle. His 2011 Middlebury College commencement address provided the genesis of this book that provides great insight and inspiration. "Commencements are glorious moments when a beginning and an ending occupy the same space. In our non-stop lives, they represent an opportunity to pause, to assess the past and to plan for the future. Amidst the reflection, celebration, and optimism lay the landmarks, if we can recognize them." He concludes saying, "If there is anything to take from a graduation speech, it's that everyday should be a graduation. Everyday should be an opportunity to stop, just for a moment, and look forwards and backwards. Otherwise, one day spills into the next. One day becomes ten or twenty years." Between the two thoughts, he makes everyday graduation, inviting us into the start of a ski race, the bright lights of open-mic night at a comedy club, first steps and trying something new like learning to draw. Along the way he introduces us to our best selves--the fun, bright and charismatic ones. Chris Waddell's story is different from ours, but it feels familiar--familiar to the lives that we hope to lead. Things That I Want to Remember Not to Forget is a fun read. Read it once. Reread it again and again. Give it to your friends.
From Hollywood B-movies to Hollywood classics, A Night at the Movies invents what "might have happened" in these Saturday afternoon matinees. Mad scientists, vampires, cowboys, dance-men, Chaplin, and Bogart, all flit across Robert Coover's riotously funny screen, doing things and uttering lines that are as shocking to them as they are funny to the reader. As Coover's Program announces, you will get Coming Attractions, The Weekly Serial, Adventure, Comedy, Romance, and more, but turned upside-down and inside-out.
This volume of the classic stories of Philip K. Dick offers an intriguing glimpse into the early imagination of one of science fiction's most enduring and respected names. Since his untimely death in 1982, interest in Dick's work has continued to mount and his reputation has been enhanced by a growing body of critical attention as well as many films based on his stories and novels. Featuring the story We Can Remember It for You Wholesale, which inspired the major motion picture Total Recall, this collection draws from the writer's earliest fiction, written during the years 1952-55. Also included are fascinating works such as The Adjustment Team (basis of the 2011 movie The Adjustment Bureau), Impostor (basis of the 2001 movie), and many others. "A useful acquisition for any serious SF library or collection." --Kirkus Reviews "More than anyone else in the field, Mr. Dick really puts you inside people's minds." --Wall Street Journal "The collected stories of Philip K. Dick are awe-inspiring." --Washington Post
