“Nicole Galland is exceptionally well versed in the fine nuances of storytelling.” —St. Petersburg Times “Galland has an exceptional gift.” —Neal Stephenson The critically acclaimed author of The Fool's Tale, Nicole Galland now approaches William Shakespeare's classic drama of jealousy, betrayal, and murder from the opposite side. I, Iago is an ingenious, brilliantly crafted novel that allows one of literature's greatest villains--the deceitful schemer Iago, from the Bard's immortal tragedy, Othello--to take center stage in order to reveal his "true" motivations. This is Iago as you've never known him, his past and influences breathtakingly illuminated, in a fictional reexamination that explores the eternal question: is true evil the result of nature versus nurture...or something even more complicated?
A masterful collection of mindboggling questions guaranteed to have bibliophiles wracking their brains. This engaging and stimulating book of quizzes will test readers' knowledge of classic and contemporary literature. From Charlotte Brontë to Chinua Achebe, hidden double entendres to famous opening lines, Who Killed Iago? runs the gamut and challenges even the most avid readers. Readers can flex their literary muscle with questions such as: ? In Pride and Prejudice, what is Mr. Darcy's first name? ? Which classic novel of the Second World War begins: "It was love at first sight"? ? In Chaucer's Canterbury Tales, how many times has the Wife of Bath been married? ? In the Harry Potter novels, what are the first four names of Professor Dumbledore? ? In Othello, who kills Iago?
An unforgettable adventure beginning where Shakespeare's Othello leaves off Wounded in love, tormented by his past, Shakespeare's most complex villain is brought magnificently to life in this tale of two adversaries—one an accused killer; the other, one of the most powerful men in Venice. Having escaped from Cyprus, accused of the murders of the governor, known as the Moor, and his lovely young wife, Iago is now locked in battle with Annibale Malipiero, known as Il Terribile, the chief inquisitor of Italy's greatest city. Malipiero is repelled by the more brutal tasks of the interrogante. His obsession is with the very nature of evil. What makes a man into a murderer, he longs to know? Is Iago a lone psychopath, or does he lie at the heart of a more widespread Ottoman conspiracy? Malipiero knows that torture will not provide him with the answers he seeks. But there is, perhaps, a more audacious and unusual route to the truth . . . Exuberantly inventive, thrillingly complex, and richly entertaining, Iago will captivate fans already familiar with Shakespeare and appeal to anyone who loves a rich historical novel. Iago marks the emergence of a remarkable new literary voice.
From one of the greatest Shakespeare scholars of our time, Harold Bloom presents Othello’s Iago, perhaps the Bard’s most compelling villain—the fourth in a series of five short books about the great playwright’s most significant personalities. Few antagonists in all of literature have displayed the ruthless cunning and deceit of Iago. Denied the promotion he believes he deserves, Iago takes vengeance on Othello and destroys him. One of William Shakespeare’s most provocative and culturally relevant plays, Othello is widely studied for its complex and enduring themes of race and racism, love, trust, betrayal, and repentance. It remains widely performed across professional and community theatre alike and has been the source for many film and literary adaptations. Now award-winning writer and beloved professor Harold Bloom investigates Iago’s motives and unthinkable actions with razor-sharp insight, agility, and compassion. Why and how does Iago use lies and deception—the fake news of the 15th century—to destroy Othello and several other characters in his path? What can Othello tell us about racism? Bloom is mesmerizing in the classroom, treating Shakespeare’s characters like people he has known all his life. He delivers exhilarating intimacy and clarity in these pages, writing about his shifting understanding—over the course of his own lifetime—of this endlessly compelling figure, so that Iago also becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity. “There are few readers more astute than Bloom” (Publishers Weekly), and his Iago is a provocative study for our time.
In this brilliant sequel to The Rise and Fall of D.O.D.O.—an enthralling, history-bending adventure traversing time and space, fact and fiction, magic and science co-written with #1 New York Times bestselling author Neal Stephenson—a daring young time traveler must return to Jacobean England to save the modern world. This fast-paced sequel to the New York Times bestselling near-future adventure The Rise and Fall of D.O.D.O. picks up where the original left off, as Tristan Lyons, Mel Stokes, and their fellow outcasts from the Department of Diachronic Operations (D.O.D.O.) fight to stop the powerful Irish witch Gráinne from using time travel to reverse the evolution of all modern technology. Chief amongst Gráinne’s plots: to encrypt cataclysmic spells into Shakespeare’s “cursed” play, Macbeth. When her fellow rogue agents fall victim to Gráinne’s schemes, Melisande Stokes is forced to send Tristan’s untested, wayward sister Robin back in time to 1606 London, where Edmund Tilney, the king’s Master of Revels, controls all staged performances in London. And now Gráinne controls Tilney. While Robin poses as an apprentice in Shakespeare’s Globe Theatre, Mel travels to the ancient Roman Empire and, with the help of double-agent Chira in Renaissance Florence, untangles the knotted threads of history while the diabolical Gráinne jumps from timeline to timeline, always staying frustratingly one stop ahead—or is it behind? Historical objects disappear, cities literally rise and fall, and nothing less than the fate of humanity is at stake. As Gráinne sows chaos across time and space, the ragtag team of ex-D.O.D.O. agents must fix the past—in order to save the future. Critically acclaimed author Nicole Galland brings her deep knowledge of history and signature wit to this gripping romantic adventure.
An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.
Autobiography of the former chief executive of the Victorian division of the National Safety Council of Australia, finished just before his death. Includes an afterword by his solicitor and copies of letters from people with whom he worked.
