Grace Nichols' poetry has a gritty lyricism that addresses the transatlantic connections central to the Caribbean-British experience. Her work brings a mythic awareness and a sensuous musicality that is at the same time disquieting. Born and educated in Guyana, Grace Nichols moved to Britain in 1977. I Have Crossed an Ocean is a comprehensive selection spanning some 25 years of her writing.
Descended from West African kings and healers, raised in the turbulence of Guinea in the 1960s, Kadiatou Diallo was married off at the age of thirteen and bore her first child when she was sixteen. Twenty-three years later, that child—a gentle, innocent young man named Amadou Diallo—was gunned down without cause on the streets of New York City. Now Kadi Diallo tells the astonishing, inspiring story of her life, her loss, and the defiant strength she has always found within. It was Kadi Diallo’s voice that captivated the public when she came to America to defend her slain son, and it is that same voice—candid, wise, and generous—that fills the pages of this extraordinary book. Kadi reaches back to her earliest memories of growing up in Guinea, the daughter of a strict man who was thwarted by the relics of the French colonial system. Raised in a world in which age-old religious and cultural rituals were disappearing before the onslaught of modernity, Kadi saw her own childhood end abruptly at age thirteen when her father literally gave her away in marriage. Kadi prayed for death, but instead she found herself plunged into a baffling new life—the life of a second wife in a strange household in a distant country, and soon afterwards the teenage mother of a sweet-natured son. Yet somehow, Kadi managed not only to survive but to flourish. Despite the rigid strictures of African-Islamic culture, she attended school and later started a successful business of her own. She eventually divorced and remarried and lived for eight years in Bangkok. Back in Guinea, she learned that her oldest child Amadou had been shot in New York City in a case of racial profiling. Kadi read with outrage the American newspaper description of her son as “an unarmed West African street vendor.” “Nothing,” she writes, “could be more distant from the truth.” Now, with great pride and searing love, Kadi Diallo finally tells the truth about herself and her son. My Heart Will Cross This Ocean is an extraordinary book—a girl’s story of desire and innocence, a wife’s story of defiance, a mother’s story of unbearable loss, and a woman’s story of unshakable strength and love.
Crossing the Unknown Sea is about reuniting the imagination with our day to day lives. It shows how poetry and practicality, far from being mutually exclusive, reinforce each other to give every aspect of our lives meaning and direction. For anyone who wants to deepen their connection to their life’s work—or find out what their life’s work is—this book can help navigate the way. Whyte encourages readers to take risks at work that will enhance their personal growth, and shows how burnout can actually be beneficial and used to renew professional interest. He asserts that too many people blindly trudge through a mediocre work life because so many “busy” tasks prevent significant reflection and analysis of job satisfaction. People often turn to spiritual practice or religion to nurture their souls, but overlook how work can actually be our greatest opportunity for discovery and growth. Crossing the Unknown Sea combines poetry, gifted storytelling and Whyte’s personal experience to reveal work’s potential to fulfill us and bring us closer to ultimate freedom and happiness.
An activists and athlete recounts her inspiring, record-breaking row across the Atlantic to raise awareness in the fight against modern slavery. The Talisker Whiskey Atlantic Challenge is known as The World’s Toughest Row. Very few have completed the three-thousand-mile race from the Canary Islands to Barbados—fewer than those who have climbed Mount Everest or gone into space. But thirty-two-year-old Julia Immonen and four or the women were determined to not only complete the challenge, but to become the fastest all-female team to ever do so. Row for Freedom chronicles that dramatic journey, detailing the grueling, peril-filled crossing that broke two world records. It weaves together Julia’s search for hope and purpose against a background of relationships scarred by violence. As Julia’s physical and emotional treks unfold, you also learn about the plight of the thirty million victims of the modern-day slave trade that serves as the motivation for her row.
The instant New York Times Bestseller • Nominated for the 2019 National Book Award for Fiction “A lyrical work of self-discovery that’s shockingly intimate and insistently universal…Not so much briefly gorgeous as permanently stunning.” —Ron Charles, The Washington Post Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years. Named a Best Book of the Year by: GQ, Kirkus Reviews, Booklist, Library Journal, TIME, Esquire, The Washington Post, Apple, Good Housekeeping, The New Yorker, The New York Public Library, Elle.com, The Guardian, The A.V. Club, NPR, Lithub, Entertainment Weekly, Vogue.com, The San Francisco Chronicle, Mother Jones, Vanity Fair, The Wall Street Journal Magazine and more!
Describes the successful laying of a cable across the Atlantic Ocean in 1866, exploring the physical, financial, and technological challenges of the project and assessing the impact of the cable on the course of twentieth-century history.
We Are the Ocean is a collection of essays, fiction, and poetry by Epeli Hau‘ofa, whose writing over the past three decades has consistently challenged prevailing notions about Oceania and prescriptions for its development. He highlights major problems confronted by the region and suggests alternative perspectives and ways in which its people might reorganize to relate effectively to the changing world. Hau‘ofa’s essays criss-cross Oceania, creating a navigator’s star chart of discussion and debate. Spurning the arcana of the intellectual establishments where he was schooled, Hau‘ofa has crafted a distinctive—often lyrical, at times angry—voice that speaks directly to the people of the region and the general reader. He conveys his thoughts from diverse standpoints: university-based analyst, essayist, satirist and humorist, and practical catalyst for creativity. According to Hau‘ofa, only through creative originality in all fields of endeavor can the people of Oceania hope to strengthen their capacity to engage the forces of globalization. “Our Sea of Islands,” “The Ocean in Us,” “Pasts to Remember,” and “Our Place Within,” all of which are included in this collection, outline some of Hau‘ofa’s ideas for the emergence of a stronger and freer Oceania. Throughout he expresses his concern with the environment and suggests that the most important role that the “people of the sea” can assume is as custodians of the Pacific, the vast area of the world’s largest body of water.
The acclaimed author of Gone Primitive interweaves autobiographical moments with engrossing interpretations of American cultural icons, from Dr. Doolittle to Lionel Trilling, from The Godfather to Camille Paglia, to create this unflinching account of crossing cultural boundaries--of what it means to be an Italian American.
For the first time the Dutch-speaking regions of the Caribbean and Suriname are brought into fruitful dialogue with another major American literature, that of the anglophone Caribbean. The results are as stimulating as they are unexpected. The editors have coordinated the work of a distinguished international team of specialists. Read separately or as a set of three volumes, the History of Literature in the Caribbean is designed to serve as the primary reference book in this area. The reader can follow the comparative evolution of a literary genre or plot the development of a set of historical problems under the appropriate heading for the English- or Dutch-speaking region. An extensive index to names and dates of authors and significant historical figures completes the volume. The subeditors bring to their respective specialty areas a wealth of Caribbeanist experience. Vera M. Kutzinski is Professor of English, American, and Afro-American Literature at Yale University. Her book Sugar's Secrets: Race and The Erotics of Cuban Nationalism, 1993, treated a crucial subject in the romance of the Caribbean nation. Ineke Phaf-Rheinberger has been very active in Latin American and Caribbean literary criticism for two decades, first at the Free University in Berlin and later at the University of Maryland. The editor of A History of Literature in the Caribbean, A. James Arnold, is Professor of French at the University of Virginia, where he founded the New World Studies graduate program. Over the past twenty years he has been a pioneer in the historical study of the Négritude movement and its successors in the francophone Caribbean.
