I Am Still the Greatest Says Johnny Angelo

I Am Still the Greatest Says Johnny Angelo

Author: Nik Cohn

Publisher:

Published: 1980

Total Pages: 172

ISBN-13:

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"I Am Still The Greatest Says Johnny Angelo" is Nik Cohn's hymn to rock as myth, in all its crazed, absurd, and glorious excess. Partly based on the legendary rocker, PJ Proby, Johnny Angelo is the pop star to end all pop stars--narcissistic, mock-heroic, and massively destructive. The novel follows his progress from warped infancy to final messianic explosion. It is a top read, which David Bowie once claimed inspired Ziggy Stardust.


King Death/I Am Still the Greatest Says Johnny Angelo

King Death/I Am Still the Greatest Says Johnny Angelo

Author: Nik Cohn

Publisher: No Exit Press

Published: 2017-02-23

Total Pages: 0

ISBN-13: 9781843448976

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In I Am Still The Greatest Says Johnny Angelo, the protagonist goes from a weird loner kid to a famous rock singer and a murderer. In King Death, Eddie is a performer who administers Death. Both these stories are bizarre and brilliant, fables for our time. Both are written by legendary rock & roll writer Nick Cohn.


I Am Still the Greatest Says Johnny Angelo

I Am Still the Greatest Says Johnny Angelo

Author: Nik Cohn

Publisher: No Exit Press

Published: 2003-01-06

Total Pages: 0

ISBN-13: 9781842430934

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Nik Cohn's hymn to rock as myth, in all its crazed, absurd and glorious excess, I'm Still the Greatest Says Johnny Angelo was once the inspiration for David Bowie's Ziggy Stardust. Partly based on the legendary rocker PJ Proby, Johnny Angelo is the pop star to end all pop stars - narcissistic, mock-heroic and massively destructive. The novel follows his progress from warped infancy to final messianic explosion. Cohn writes in such a rich, strange prose style that its responses linger long after the book's initial impact' - Robert Holland'


Rebel Rebel

Rebel Rebel

Author: Chris O'Leary

Publisher: John Hunt Publishing

Published: 2015-03-27

Total Pages: 352

ISBN-13: 1780997132

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David Bowie: every single song. Everything you want to know, everything you didn't know. David Bowie remains mysterious and unknowable, despite 45 years of recording and performing. His legacy is roughly 600 songs, which range from psychedelia to glam rock to Philadelphia soul, from avant-garde instrumentals to global pop anthems. Rebel Rebel catalogs Bowie's songs from 1964 to 1976, examines them in the order of their composition and recording, and digs into what makes them work. Rebel Rebel is an in-depth look at Bowie's early singles and album tracks, unreleased demos, session outtakes and cover songs. The book traces Bowie's literary, film and musical influences and the evolution of his songwriting. It also shows how Bowie exploited studio innovations, and the roles of his producers and supporting musicians, especially major collaborators like Brian Eno, Iggy Pop and Mick Ronson. This book places Bowie's music in the context of its era. Readers will discover the links between Kubrick's 2001 and "Space Oddity"; how A Clockwork Orange inspired "Suffragette City". The pages are a trip through Bowie's various lives as a young man in Swinging London, a Tibetan Buddhist, a disillusioned hippie, a rock god, and a Hollywood recluse. With a cast of thousands, including John Lennon, William S. Burroughs, Andy Warhol and Cher.


When Ziggy Played Guitar

When Ziggy Played Guitar

Author: Dylan Jones

Publisher: Random House

Published: 2012-06-28

Total Pages: 228

ISBN-13: 1409052133

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And then there was David Bowie, the uber-freak with the mismatched pupils, the low-tech space face from the planet Sparkle. This was Bowie's third appearance on TOTP but this was the one that properly resonated with its audience, the one that would go on to cause a seismic shift in the Zeitgeist. This is the performance that turned Bowie into a star, embedding his Ziggy Stardust persona into the nation's consciousness. With a tall, flame-orange cockade quiff (stolen from a Kansai Yamamoto model on the cover of Honey), lavishly applied make-up, white nail polish, and wearing a multi-coloured jump-suit that looked as though it were made from fluorescent fish skin (chosen by Ziggy co-shaper, the designer Freddie Buretti), and carrying a brand spanking new, blue acoustic guitar, a bone-thin Bowie appeared not so much as a pop singer, but rather as some sort of benevolent alien, a concept helped along by the provocative appearance of his guitarist, the chicken-headed Mick Ronson, with both of them unapologetically sporting knee-length patent leather wrestler's boots (Bowie's were red). 'Most people are scared of colour,' Bowie said later. 'Their lives are built up in shades of grey. It doesn't matter how straight the style is, make it brightly coloured material and everyone starts acting weird.' Suddenly Bowie - a man called alias - had the world at his nail-varnished fingertips, and in no time at all he would be the biggest star in the world.


A Band with Built-In Hate

A Band with Built-In Hate

Author: Peter Stanfield

Publisher: Reaktion Books

Published: 2022-08-22

Total Pages: 281

ISBN-13: 1789142784

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Exploring the explosion of the Who onto the international music scene, this heavily illustrated book looks at this furious band as an embodiment of pop art. “Ours is music with built-in hatred,” said Pete Townshend. A Band with Built-In Hate pictures the Who from their inception as the Detours in the mid-sixties to the late-seventies, post-Quadrophenia. It is a story of ambition and anger, glamor and grime, viewed through the prism of pop art and the radical leveling of high and low culture that it brought about—a drama that was aggressively performed by the band. Peter Stanfield lays down a path through the British pop revolution, its attitude, and style, as it was uniquely embodied by the Who: first, under the mentorship of arch-mod Peter Meaden, as they learned their trade in the pubs and halls of suburban London; and then with Kit Lambert and Chris Stamp, two aspiring filmmakers, at the very center of things in Soho. Guided by contemporary commentators—among them, George Melly, Lawrence Alloway, and most conspicuously Nik Cohn—Stanfield describes a band driven by belligerence and delves into what happened when Townshend, Daltrey, Moon, and Entwistle moved from back-room stages to international arenas, from explosive 45s to expansive concept albums. Above all, he tells of how the Who confronted their lost youth as it was echoed in punk.


Critical Vision

Critical Vision

Author: David Kerekes

Publisher: Headpress

Published: 1995

Total Pages: 264

ISBN-13: 9780952328803

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Random Essays & Tracts Concerning Sex, Religion and Death


Let’s spend the night together

Let’s spend the night together

Author: Subcultures Network

Publisher: Manchester University Press

Published: 2023-11-07

Total Pages: 233

ISBN-13: 152615997X

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Let’s spend the night together explores how sex and sexuality provided essential elements of British youth culture in the 1950s through to the 1980s. It shows how the underlying sexual charge of rock ‘n’roll – and pop music more generally – was integral to the broader challenge embodied in the youth cultures that developed after World War Two. As teenage hormones rushed to move to the music and take advantage of the spaces opening up through consumption, education and employment, so the boundaries of British morality and cultural propriety were tested and often transgressed. Be it the assertive masculinity of the teds or the lustful longings of the teeny-bopper, the gender-bending of glam or the subterranean allure of an underground club/disco, the free love of the 1960s or the punk provocations in the 1970s, sex was forever to the fore and, more often than not, underpinned the moral panics that fitfully followed any cultural shift in youthful style and behaviour. Drawing from scholarship across a range of disciplines, the Subcultures Network explore how sex and sexuality were experienced, presented, conferred, responded to and understood within the context of youth culture, popular music and social change in the period between World War Two and the advent of AIDS. The essays locate sex, music and youth culture in the context of post-war Britain: with a widening and ever-more prevalent media; amidst the loosening bonds of censorship; in a society shaped by changing patterns of consumption and the emergence of the ‘teenager’; existing, as Jeff Nuttall famously argued, under the shadow of the (nuclear) bomb.