I Am Frankenstein unearths two creatures who were tortured and abandoned by their makers: Victor’s famous monster, and the teenage writer Mary Shelley herself. A highly theatrical retelling of Shelley's classic, the play adds two principal characters: a haunting chorus known as The Blackbirds, and the troubled Mary Shelley, the story’s creative force. Victor, a promising student obsessed with alchemy, reanimates human life in the basement laboratory of a vacationing professor, only to abandon his creature and allow it to slowly exact revenge... Drama Full-length. 90 minutes 10-25 actors, female leads, flexible chorus
I am Frankenstein. I awaken Nightmares. My truth is Terror made Flesh. Two hundred years ago, Mary Shelley told part of my story. Now hear the rest! I am the Creature of Frankenstein. The Horror of my story is more terrifying than his. I know how it feels to be stripped of flesh. So, I did to Frankenstein what he did to me, cursed him with Immortality! I am Katiasa. I traveled back in time to help Frankenstein create Life from Death. It was fun, mostly, until his Creature made me a monster, too. I am Tzigane. I am not a monster. I am a Witch, a Vampire, the Mate of Dracula. Frankenstein and his Creature? Katiasa? Three interesting monsters. I spent time with them. Why? Spend time with them yourself. Read their book! I am C. Dean Andersson. Warning: I AM FRANKENSTEIN’s editor wanted the book destroyed. Trouble is, Monsters don't stay dead. They come back. Sometimes, they even try to tell jokes. And now, I AM FRANKENSTEIN has returned. Take its hand. It has things to show you. Have a nice scream.
Mel Brooks' own words telling all about the players, the filming, and studio antics during the production of this great comedy classic. The book is alive and teeming with hundreds of photos, original interviews, and hilarious commentary. Young Frankenstein was made with deep respect for the craft and history of cinema-and for the power of a good schwanzstucker joke. This picture-driven book, written by one of the greatest comedy geniuses of all time, takes readers inside the classic film's marvelous creation story via never-before-seen black and white and color photography from the set and contemporary interviews with the cast and crew, most notably, legendary writer-director Mel Brooks. With access to more than 225 behind-the-scenes photos and production stills, and with captions written by Brooks, this book will also rely on interviews with gifted director of photography Gerald Hirschfeld, Academy Award-winning actress Cloris Leachman and veteran producer Michael Gruskoff. Mel Brooks is an American film director, screenwriter, comedian, actor, producer, composer and songwriter. Brooks is best known as a creator of broad film farces and comic parodies including The Producers, The Twelve Chairs, Blazing Saddles, Young Frankenstein, Silent Movie, High Anxiety, History of the World, Part I, Spaceballs and Robin Hood: Men in Tights. More recently, he had a smash hit on Broadway with the musical adaptation of his first film, The Producers. An EGOT winner, he received a Kennedy Center Honor in 2009, the 41st AFI Life Achievement Award in June 2013, and a British Film Institute Fellowship in March 2015. Three of Brooks' classics have appeared on AFI's 100 Years . . . 100 Laughs list. Blazing Saddles at number 6, The Producers at number 11, and Young Frankenstein at number 13. Judd Apatow is one of the most important comic minds of his generation. He wrote and directed the films The 40-Year-Old Virgin (co-written with Steve Carell), Knocked Up, Funny People, and This Is 40, and his producing credits include Superbad, Bridesmaids, and Anchorman. Apatow is the executive producer of HBO's Girls.
THE COMPLETE TORTUROUS STORY of the 1910 film version of Frankenstein is narrated in this 100th Anniversary edition. Everything you ever wanted to know about the classic first Frankenstein film and then some. This highly researched document begins in the dusty archives of Thomas A. Edison and follows a trail of evidence that leads through the tattered pages of pre- Hollywood film history. The story unfolds of the making of the film and its disappearance on to the actual re-discovery of the long-lost 1910 Frankenstein film starring Charles Ogle, Augustus Phillips, and Mary Fuller, and finally getting it released on DVD. Helped step-by-step with obscure Edison Manufacturing Co. documents and numerous rare photographs, many published for the very first time, this motion picture, its unknown impact on later Frankenstein films and intertextuality are finally revealed and brought back to life. Created in a style that appeals to all audiences, author Wiebel brings forth a living book from dead tissues. Edison's Frankenstein stands on its own in the world of horror filmography and is a welcome edition to any library. "Of the over 400 books on Frankenstein that I have in my library, this is the gem of my collection and the one I've been waiting for." - Forrest J. Ackerman
Retells, in graphic novel format, Mary Shelley's classic tale of a monster, assembled by a scientist from parts of dead bodies, who develops a mind of his own as he learns to loathe himself and hate his creator.
A NEW YORK TIMES BESTSELLER AN NPR BEST BOOK OF THE YEAR A CHICAGO PUBLIC LIBRARY BEST BOOK OF THE YEAR "Inescapably compelling." —VICTORIA SCHWAB, #1 New York Times bestselling author of The Invisible Life of Addie Larue "A masterful and monstrous retelling." —STEPHANIE GARBER, #1 New York Times and internationally bestselling author of Caraval and Legendary A stunning and dark reimagining of Frankenstein told from the point-of-view of Elizabeth Lavenza, who is taken in by the Frankenstein family. Elizabeth Lavenza hasn't had a proper meal in weeks. Her thin arms are covered with bruises from her "caregiver," and she is on the verge of being thrown into the streets . . . until she is brought to the home of Victor Frankenstein, an unsmiling, solitary boy who has everything—except a friend. Victor is her escape from misery. Elizabeth does everything she can to make herself indispensable—and it works. She is taken in by the Frankenstein family and rewarded with a warm bed, delicious food, and dresses of the finest silk. Soon she and Victor are inseparable. But her new life comes at a price. As the years pass, Elizabeth's survival depends on managing Victor's dangerous temper and entertaining his every whim, no matter how depraved. Behind her blue eyes and sweet smile lies the calculating heart of a girl determined to stay alive no matter the cost . . . as the world she knows is consumed by darkness. **Ebook exclusive: the full text of Mary Shelley's FRANKENSTEIN**
The delicious horror of Ransom Riggs and the sass of Mean Girls meets Titanic in this follow-up to the #1 New York Times bestseller How to Hang a Witch, in which a contemporary teen finds herself a passenger on the famous “ship of dreams”—a story made all the more fascinating because the author’s own relatives survived the doomed voyage. Samantha Mather knew her family’s connection to the infamous Salem Witch Trials might pose obstacles to an active social life. But having survived one curse, she never thought she’d find herself at the center of a new one. This time, Sam is having recurring dreams about the Titanic . . . where she’s been walking the deck with first-class passengers, like her aunt and uncle. Meanwhile, in Sam’s waking life, strange missives from the Titanic have been finding their way to her, along with haunting visions of people who went down with the ship. Ultimately, Sam and the Descendants, along with some help from heartthrob Elijah, must unravel who is behind the spell that is drawing her ever further into the dream ship . . . and closer to sharing the same grim fate as its ghostly passengers. Praise for How to Hang a Witch: “It’s like Mean Girls meets history class in the best possible way.” —Seventeen “Mather shines a light on the lessons the Salem Witch Trials can teach us about modern-day bullying—and what we can do about it.” —Bustle.com “Strikes a careful balance of creepy, fun, and thoughtful.” —NPR “I am utterly addicted to Adriana Mather’s electric debut. It keeps you on the edge of your seat, twisting and turning with ghosts, witches, an ancient curse, and—sigh—romance. It’s beautiful. Haunting. The characters are vivid and real. I. Could. Not. Put. It. Down.” —Jennifer Niven, bestselling author of All the Bright Places
For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein, Elizabeth Young identifies and interprets the figure of a black American Frankenstein monster as it appears with surprising frequency throughout nineteenth- and twentieth-century U.S. culture, in fiction, film, essays, oratory, painting, and other media, and in works by both whites and African Americans. Black Frankenstein stories, Young argues, effect four kinds of racial critique: they humanize the slave; they explain, if not justify, black violence; they condemn the slaveowner; and they expose the instability of white power. The black Frankenstein's monster has served as a powerful metaphor for reinforcing racial hierarchy—and as an even more powerful metaphor for shaping anti-racist critique. Illuminating the power of parody and reappropriation, Black Frankenstein tells the story of a metaphor that continues to matter to literature, culture, aesthetics, and politics.
