We are human and respectable creations of God, be it women or any other gender, we have the fundamental right to dignity - says the author in his plea to be heard and recognised as he speaks as ‘Draupadi’. He speaks straight from the heart of Draupadi with an aim to share with everyone the torment and anguish that Draupadi and alike undergo every day and that every human being has the right to respect, freedom, happiness and the right to his or her opinion and point of view. But, is it possible in this male-dominated world? This is a question that is explored in this book and explained in a simple and contemporary fashion. The Author, who is himself a male, describes beautifully the pain of a women and alike.
Taking us back to a time that is half history, half myth and wholly magical, bestselling author Chitra Banerjee Divakaruni gives voice to Panchaali, the fire-born heroine of the Mahabharata, as she weaves a vibrant retelling of an ancient epic saga. Married to five royal husbands who have been cheated out of their father's kingdom, Panchaali aids their quest to reclaim their birthright, remaining at their side through years of exile and a terrible civil war. But she cannot deny her complicated friendship with the enigmatic Krishna—or her secret attraction to the mysterious man who is her husbands' most dangerous enemy—as she is caught up in the ever-manipulating hands of fate.
The Mahabharata, an ancient and vast Sanskrit poem, is a remarkable collection of epics, legends, romances, theology, and ethical and metaphysical doctrine. The core of this great work is the epic struggle between five heroic brothers, the Pandavas, and their one hundred contentious cousins for rule of the land. This is the second volume of van Buitenen's acclaimed translation of the definitive Poona edition of the text. Book two, The Book of the Assembly Hall, is an epic dramatization of the Vedic ritual of consecration that is central to the book. Book three, The Book of the Forest, traces the further episodes of the heroes during their years in exile. Also included are the famous story of Nala, dealing with the theme of love in separation, and the story of Rama, the subject of the other great Sanskrit epic, the Ramayana, as well as other colorful tales.
The Mahabharata is the more recent of India's two great epics, and by far the longer. First composed by the Maharishi Vyasa in verse, it has come down the centuries in the timeless oral tradition of guru and sishya, profoundly influencing the history, culture, and art of not only the Indian subcontinent but most of south-east Asia. At 100,000 couplets, it is seven times as long as the Iliad and the Odyssey combined: far and away the greatest recorded epic known to man. The Mahabharata is the very Book of Life: in its variety, majesty and, also, in its violence and tragedy. It has been said that nothing exists that cannot be found within the pages of this awesome legend. The epic describes a great war of some 5000 years ago, and the events that led to it. The war on Kurukshetra sees ten million warriors slain, brings the dwapara yuga to an end, and ushers in a new and sinister age: this present kali yuga, modern times. At the heart of the Mahabharata nestles the Bhagavad Gita, the Song of God. Senayor ubhayor madhye, between two teeming armies, Krishna expounds the eternal dharma to his warrior of light, Arjuna. At one level, all the restless action of the Mahabharata is a quest for the Gita and its sacred stillness. After the carnage, it is the Gita that survives, immortal lotus floating upon the dark waters of desolation: the final secret! With its magnificent cast of characters, human, demonic, and divine, and its riveting narrative, the Mahabharata continues to enchant readers and scholars the world over. This new rendering brings the epic to the contemporary reader in sparkling modern prose. It brings alive all the excitement, magic, and grandeur of the original-for our times.
Amidst all the chaos in her life, she holds on to the desperate hope of finding an emerald love, a love that will make her whole. Aparnesh is a village boy whose life is dominated by his family's carpet business. He has an unsaid debt to her for the freedom she's brought into his life. Is he the love she's been looking for? Or is it someone, or some thing, else entirely? Even through all the confusion and hurt, she's thankful for every human who's been a part of her life, be it her best friend Kafiza or the orphan, Abheer, who taught her what it is to love. Will she find what she knows is around her but just can't get? And when, if ever, will she forge her own dreams and live?
Suddenly the attack came close to us, not yet directly upon us but very close; we had to increase the intensity and we did. I was in sublime touch shooting off arrow after arrow. The targets were drifting across my vision and all it took was one aim and release; the arrows shot off with a swish only to hit the target where I intended it and killed the recipient of the shot. A few left-handed shots depending on the angle of the shot where I could find the target best positioned for the shot; others right handed. The bow was drifting from one hand to the other flawlessly and the arrows were flowing out like spit from a cobra’s mouth, both accurate and deadly. Before we realised there were hardly any leaders standing. By the time Jarasandha recovered, his leaders and his entire army had perished. Jarasandha gave a loud shout and invited us to come out in the open and fight like real warriors. By this time Balarama also came into the battlefield. Jarasandha did not turn back and run; he was livid and angry; he started challenging us to come down and fight like real warriors.Rama and I descended into battleground. Jarasandha was aghast to see Kids trying to defeat him. Jarasandha invited us for a duel. He said two versus one couldn’t be fair in a war. Balarama moved ahead and chose mace as his weapon. He was adept at mace and Jarasandha was no less a mace warrior. The fight that took place was of a quality that I wouldn’t witness for a long time to come. Jarasandha was more than accomplished. While Jarasandha unleashed himself upon Balarama with full force and vigour, Balarama was deftly defending himself. Mace was flying into Rama from all directions. Balarama was saving his energy for the future; if he could wear Jarasandha down, he could then unleash himself upon him. Balarama was not through and through defensive. There would be moments when he surprised Jarasandha by his speed and power. Rama’s mace would start banging into Jarasandha with immense strength and speed. Before Jarasandha would recover from one bout of attack the second one would begin in a different style of attack. The lesson and practice with our Guru was paying results; I could see that in this bout. Jarasandha couldn’t fathom the skill level of Rama. He had thought it would be child’s play and he would crush Rama in no time and head for me. But this challenge was more than what he had imagined. The fact that his theory proved wrong gave him the mental agony which the real fight had not given. That agony was showing in his inconsistent fighting method. He would burst at Rama; Rama would easily read the move and defend himself; that would frustrate Jarasandha; he would change his move, which Rama easily anticipated and countered, Jarasandha would get more frustrated and soon he lost his mace to a vicious shot by Rama. Now it was Rama with his mace facing an unarmed Jarasandha. Rama shouted at me and said he wanted to finish this fight right away, and lifted his mace to hit Jarasandha. I stopped Rama, it’s unfair to kill someone who is unarmed on a battlefield. I said another day would come and he had to let him go with honour.
In this book, the author explains how he came in close contact with Sai Baba of Shirdi when he was 21 years old and why he felt the need to write this book. He says that he was inspired by Sai Himself. This book targets the youth of today as they need Sai regardless of caste, creed, religion and geographies. The author is convinced that all the readers, irrespective of their age, will find the right direction through this book, which will add meaning not only to their lives, but also to the lives of many directionless souls. WE NEED SAI FOREVER…AT 6, 16 AND 60! SAURABH KHANNA
Experiencing Philosophy begins with the assumption that philosophy is not merely something you know, but also something you experience and participate in. The book presents philosophical theories and ideas with reference to their practical relevance to the lives of student readers. To this end, a number of engaging features and inserts are provided: • Original Sources: Numerous primary readings are included, introducing students directly to the philosophical work of diverse thinkers ranging from Plato to Martin Luther King Jr. Each reading is thoughtfully excerpted and is followed by reflective questions. • Philosopher Profiles: Abstract ideas are connected to the lives of real historical figures through fascinating biographical profiles. • Take It Personally: To illustrate how philosophy can be useful and relevant, each chapter begins by placing the material in a personal context. • Know Thyself Diagnostics: This book takes seriously—as did Socrates—the Delphic Oracle’s dictum to “know thyself.” Students are given self-diagnostics to explore their own philosophical values, ideals, and beliefs. • Philosophers in Action: Philosophy is something you do, not just something you know. Prompts are provided throughout the text inviting students to conduct thought experiments, analyze concepts, and discuss and debate controversial points. • Thinking about Your Thinking: These “metacognitive prompts” require students to engage in higher-order thinking, not only about the presented readings and ideas, but also with respect to their own values, assumptions, and beliefs. • Plus: Built-in study guides, diagrams, famous philosophical quotations, comics, feature boxes, and more!
