Celebrated by the Boston Globe as “a brilliant anthropologist of the suburbs,” the deliciously weird and darkly offbeat Lauren Acampora returns to the secret lives of the polished Connecticut haven that got us all hooked on NPR Best Book of the Year The Wonder Garden, and jolts us with the sparks that fly when those lives collide “Acampora’s prose has a seductive, pearlescent allure.”—TIME Magazine Formerly a model and photographer trying to make it in New York, Louisa Rader is back in her affluent hometown of Nearwater, Connecticut, where she’s married to a successful older architect, raising a preteen daughter, and trying to vitalize the provincial local art center. As the years pass, she’s grown restless in her safe and comfortable routine, haunted by the flash of the life she used to live. When intense and intriguing young artist-environmentalist Gabriel arrives in town with his aristocratic family, his impact on the Raders has hothouse effects. As Gabriel pushes to realize his artistic vision for the world, he pulls both Louisa and her daughter Sylvie under his spell, with consequences that disrupt the Raders’ world forever. A strange, sexy, and sinister novel of art and obsession, in The Hundred Waters Acampora gives us an incisive, page-turning story of ambition, despair, desire, and the pursuit of fulfillment and freedom at all costs.
An internationally recognized authority on Chinese history and a leading innovator in its telling, Cho-yun Hsu constructs an original portrait of Chinese culture. Unlike most historians, Hsu resists centering his narrative on China's political evolution, focusing instead on the country's cultural sphere and its encounters with successive waves of globalization. Beginning long before China's written history and extending through the twentieth century, Hsu follows the content and expansion of Chinese culture, describing the daily lives of commoners, their spiritual beliefs and practices, the changing character of their social and popular thought, and their advances in material culture and technology. In addition to listing the achievements of emperors, generals, ministers, and sages, Hsu builds detailed accounts of these events and their everyday implications. Dynastic change, the rise and fall of national ambitions, and the growth and decline of institutional systems take on new significance through Hsu's careful research, which captures the multiple strands that gave rise to China's pluralistic society. Paying particular attention to influential relationships occurring outside of Chinese cultural boundaries, he demonstrates the impact of foreign influences on Chinese culture and identity and identifies similarities between China's cultural developments and those of other nations.
When one first contemplates a voyage of many thousand miles, attended with long absence, loss of old associates, together with all the charms of home, country, and friends, often too lightly estimated whilst possessed, but always sorely missed when no longer within call; one is yet, and this through no lack of sensibility, apt to regard the sacrifice about to be made to duty as sufficiently light, and, with the aid of manhood and a little philosophy, easy of endurance. The very task, which a resolution of this grave nature necessarily imposes, of making as little of the matter as possible to those dear ones who yield up their fears, and subdue their strong affections, in obedience to your judgment, serves for a time the double purpose of hoodwinking oneself as well as blinding those on whom we seek to practise this kind imposition. Next comes the bustle of getting ready, assisted and cheered by the redoubled attentions of all who love, or feel an interest in one's fortunes. Amidst the excitement, then, of these various feelings, the deep-seated throb of natural apprehension, or home regret, if even felt, struggling for expression, is checked or smothered in the loud note of preparation. The day of departure is fixed at length, it is true; but then it is not yet come: even when contemplating its near approach, one feels wondrous firm and most stoically resolved: at last, however, come it does; and now our chief friend Philosophy, like many other friends, is found most weak when most needed. In vain do we invoke his approved maxims, hitherto so glibly dealt out to silence all gainsayers; yet now, they are either found inapt or are forgotten wholly, until, after a paltry show of defence, braggart Philosophy fairly takes to his heels, and leaves us abandoned to the will of old mother Nature. Now, indeed, arrives the tug; and I, for my part, pity the man who, however savagely resolute, does not feel and own her power. The adieus of those one loves are, at best,—that is, for the shortest absence,—sufficiently unpleasant; but when there lie years, and, to the eye of affection, dangers, in the way of the next meeting, as the old Scotch ballad has it, "O but it is sair to part!" I should, I confess, were I free to choose, prefer the ignominy of cowardly flight, to the greatest triumph firmness ever yet achieved, and be constrained to hear and respond to that last long "good-b'ye!" As I honestly own that, for various good reasons, I set out with the intention of keeping such a close record of my feelings and doings as my errant habits might permit, with the premeditated design also of giving them to that public which from the beginning had decided that I should do so, I concluded there was nothing like an early start; and finding these thoughts preface, or rather commence, my journal, so do I give them like precedence here.
What do Howard Hughes and 50 Cent have in common, and what do they tell us about Americans and our desires? Why did Sean Connery stop wearing a toupee, and what does this tell us about American customers for any product? What one thing did the Beatles, Malcolm Gladwell and Nike all notice about Americans that helped them win us over? Which uniquely American traits may explain the plights of Krispy Kreme, Ford, and GM, and the risks faced by Starbuck's? Why, after every other plea failed, did "Click It or Ticket" get people to buy the idea of fastening their seat belts? To paraphrase Don Draper's character on the hit show Mad Men, "What do people want?" What is the new American psyche, and how do America's shrewdest marketers tap it? Drawing from dozens of disciplines, the internationally acclaimed marketing expert Harry Beckwith answers these questions with some surprising, even startling, truths and discoveries about what motivates us.
Edward Bulwer-Lytton was an English novelist, poet, playwright and politician. He wrote in a variety of genres, including historical fiction, mystery, romance, the occult, and science fiction. Bulwer-Lytton's literary works were highly popular and bestselling novels at the time. Novels & Novellas: The Last Days of Pompeii The Pilgrims of the Rhine Rienzi, the last of the Roman tribunes Falkland Pelham The Disowned Devereux Paul Clifford Eugene Aram Godolphin Asmodeus at Large Ernest Maltravers Alice, or The Mysteries (A sequel to Ernest Maltravers) Calderon, the Courtier Leila, or The Siege of Granada Zicci: A Tale (A prequel to Zanoni) Zanoni Night and Morning The Last of the Barons Lucretia Harold, the Last of the Saxons The Caxtons: A Family Picture A Strange Story My Novel, or Varieties in English Life The Haunted and the Haunters, or The House and the Brain What Will He Do With It? The Coming Race, or Vril: The Power of the Coming Race Kenelm Chillingly The Parisians Pausanias, the Spartan Short Stories: The Incantation The Brothers Historical Works: Athens: Its Rise and Fall Plays: The Lady of Lyons, or Love and Pride Poetry
