Lama Wangdu Rinpoche is a contemporary practitioner of the Buddhist Chöd tradition. This autobiography is a delightful portrait of a great meditation master during his personal trials in feudal Tibet and his life in exile. The essence of the book is the authors spirit of ever-giving generosity and wisdom as a Buddhist teacher and healer. A true inspiration in today's world. This autobiography is supplemented by teachings on the transference of consciousness and Kusuli Chöd practice.
Brahma Purana is one of the most fundamental Puranas and covers all the 5 elements that a Purana was meant to have: Sarga (Creation), Prati Sarga (Creation merging back into the Paramatma), Vamsas (Generations of Rishis and Devas), Manvantaras (Narrations of great kings including those of Surya Vamsa and Chandra Vamsa). Brahma Purana proposes Bhagwan Vishnu as the Ultimate Parabrahma It contains about 246 5 chapters and has a supplemental text known as Gautami Mahatmya that describes the glory of the river Godavari in detail. The glory of Purushottama Kshetra (Puri Jagannath temple) is explained in detail. 11 chapters are dedicated to Yoga (as in meditation; not physical exercises). Structure of Brahma Purana * Chapters 1: 4: General lineage of Devas * Chapters 5: 7 Solar dynasty / Surya Vamsha * Chapters 6: 15: Lunar dynasty / Chandra Vamsha * Chapters 16: 22: Geography, Solar system, Syamantaka Mani (Gem) * Chapters 23: 31: Gloark of Konaditya (Konark) and the Surya Deva including 108 names of Surya * Chapters 32: 38: Parvati's tapas. Marriage of Parvati & Siva, Daksha Yagnya * Chapters 39: 44: Glory of several holy sites including Ekamra, Utkala, Avanti * Chapters 45: 54: History of Markandeya and his vision of the Pralaya (The Great Flood) * Chapters 55: 102: Sri Krishna Avatara * Chapters 103: 126: Description of Hells, Punya, Papa, Sraddha Rituals, Dharma and Virtue * Chapters: 127: 138: Samkhya, Yoga (as in meditation; not physical exercises) and the dialogue between Vasishta & Janaka This book contains chapters 1: 138 and excludes Gautami Mahatmya (which is published as a second part)
This critical study of the group of remarkably talented poets who flourished in Spain between the First World War and the Spanish Civil War includes copious quotations accompanied by English prose translations. Mr Morris treats his poets as a group, showing how they shared certain themes and attitudes. He begins with a general study of the generation as a whole and then examines the use of tradition; the zest and levity of the Jazz Age; the exaltation of life as a shared attitude; then its converse; the escape from life; and finally the expression in complex imagery of personal tensions and disturbances. These are often 'difficult' poets, but become less so when they are sympathetically examined in this way and in relation to earlier literary traditions. Mr Morris enables the reader to take bearings and establish relationships which are enhanced by reproductions of photographs of the poets.
Twentieth-century Spanish poetry has received comparatively little attention from critics writing in English. Andrew Debicki now presents the first English-language history published in the United States to examine the sweep of modern Spanish verse. More important, he is the first to situate Spanish poetry in the context of European modernity, to trace its trajectory from the symbolists to the postmodernists. Avoiding the rigid generational schemes and catalogs of names found in traditional Hispanic literary histories, Debicki offers detailed discussions of salient books and texts to construct an original and compelling view of his subject. He demonstrates that contemporary Spanish verse is rooted in the modem tradition and poetics that see the text as a unique embodiment of complex experiences. He then traces the evolution of that tradition in the early decades of the century and its gradual disintegration from the 1950s to the present as Spanish poetry came to reflect features of the postmodern, especially the poetics of text as process rather than as product. By centering his study on major periods and examining within each the work of poets of different ages, Debicki develops novel perspectives. The late 1960s and early 1970s, for example, were not merely the setting for a new aestheticist generation but an era of exceptional creativity in which both established and new writers engendered a profound, intertextual, and often self-referential lyricism. This book will be essential reading for specialists in modern Spanish letters, for advanced students, and for readers inter-ested in comparative literature.
These Tales Of Hindu Gods And Demons Express In Vivid Symbols The Metaphysical Insights Of Ancient Indian Priests And Poets. This Selection And Translation Of Seventy-Five Seminal Myths Spans The Wide Range Of Classical Indian Sources, From The Serpent-Slaying Indra Of The Vedas (C. 1200 Bc) To The Medieval Pantheon&Mdash;The Phallic And Ascetic Siva, The Maternal And Bloodthirsty Goddess, The Mischievous Child Krishna, The Other Avatars Of Vishnu, And The Many Minor Gods, Demons, Rivers And Animals Sacred To Hinduism. The Traditional Themes Of Life And Death Are Set Forth And Interwoven With Many Complex Variations Which Give A Kaleidoscopic Picture Of The Development Of Almost Three Thousand Years Of Indian Mythology. &Nbsp;
The Apocalypse of Enoch and Bhuśunda The Apocalypse of Enoch and Bhuśunda challenges the underlying assumptions of the classical roots of civilization by restoring the original context of creation mythology. In this second volume of A Chronology of the Primeval Gods and the Western Sunrise, ancient myths from multiple geographies are correlated to spikes in cosmic rays over the past 120,000 years – as documented in ice core data. The chronology and content of these myths tell us that the primary forces behind these cataclysms were the most ancient gods - hyper-nova at the Galactic Center associated with Sgr A*(The Dragon), Sgr West (The Beast) and Sgr East (Hiranyâksha and Hiranyakas'ipu), with secondary supernova seen as the birth of new, destructive gods. Ancient myth has documented the cataclysmic destruction of the world on at least twenty occasions with four major geo-polar migrations, which has resulted in a shift of the earth’s equator on at least one occasion. Multiple myths are shown to represent a view of the sky that can only be seen from the Antarctic region. Multiple versions of the myths of Orion are analyzed, showing clear linkages between the Vedic myth of Trisanku, the Book of Genesis, Senmut's Tomb, and the myths of Prajāpati Daksa representing the oldest version of the Orion myth – older than Trishanku and Genesis by 20,000 years! The stunning conclusion explains how the “Watchers” of Enoch were the Vedic descendants of Ila and Iksvaku. These descendants of the seventh Manu had been observing and recording the stars as a source of cataclysm for at least 15,000 years prior to Enoch, thus allowing Enoch to prophesize a ‘new heaven.’ That prophecy became the foundation for St John’s Book of Revelations, which is shown to be a description of a series of cataclysms attributed to Sgr West. The book offers a new theory for explaining geo-polar migration. That theory suggests small shifts in the location of the earth’s center of gravity underlie each migration, but that there are multiple causes for the shifts.
