Overlooking the majestic Hudson River, the Hudson Valley has long been a favored place to live. Historic Houses of the Hudson River Valley is a sumptuous presentation of 33 houses in the region, ranging from the earliest Dutch cottages still extant to the grand Gothic and Italianate revival, stately Georgian, Federal, and beaux-arts country homes of the nineteenth and early twentieth centuries.
The majesty of the Hudson River has captivated both artists and visitors for generations, and the gardens along its banks have a special character. Those created for the Gilded Age estates are more formal; private gardens respond directly to the rolling landscape and mature forests. The area is a crucible for the development of American landscape design since the major figures—Alexander Jackson Downing, Frederick Law Olmsted, Beatrix Farrand, and Fletcher Steele—all worked in the Hudson Valley. Gardens of the Hudson Valley focuses on the historic landscape and how gardens have been integrated into it. Photographers Steve Gross and Susan Daly have selected twenty-five gardens between Yonkers and Hudson, including famous estate gardens like Kykuit, Boscobel, the Vanderbilt Mansion, and Olana (all open to the public) and private gardens that combine sweeping views and lush plantings. Garden writers Susan Lowry and Nancy Berner describe each of the gardens in detail, focusing on the history of the site and the strategies for design and plant materials.
This gorgeous oversized tome features thirty-six sublime country homes, many overlooking the Hudson River. This scenic stretch of estates along the Hudson offers some of the finest examples of American architecture and landscape design. The edition's thirty-five featured homes were designed in a range of styles by notable architects Stanford White, A. J. Davis, Calvert Vaux, Warren and Wetmore, and more. All pair exquisite interiors with expansive lush lawns and riverfront views. Formerly country homes for eighteenth-century landed gentry and nineteenth-century industrialists--Astors, Chanlers, Chapmans, Delanos, Roosevelts--they include Dutch colonial cottages and grand Gothic Revival, Federal, Georgian, and Beaux-Arts residences. Constructed on land owned by the influential Livingston family, who settled in the area in the late seventeenth century, many have been restored to their former splendor by the original owners' descendants as well as recent leaders of New York City industry and the arts, including Richard Jenrette and Brice Marden.
Private Gardens of the Hudson Valley surveys the majestic landscape that borders the Hudson River, an area rich in history and unique garden designs. The scenery, which encompasses riverfront meadows, craggy hills, and long open valleys, is inherently dramatic. Twenty-six private gardens are presented here, chosen to establish a sense of place and to convey the romance of the landscape. John Hall’s photographs give a privileged view of the life within, while Jane Garmey’s warm and engaging narrative traces the development of the gardens and the great pleasure their owners take in nurturing them. As Garmey notes in her introduction, each of these gardens has been made by the owner, and special attention given to the transition between the cultivated garden and the grandeur of the larger landscape beyond. The splendid setting of the Hudson Valley encompasses an almost infinite variety of design approaches from formal and traditional to naturalistic and an equal range of scale from multiple gardens within a vast estate to charmingly diminutive spaces between historic village houses. All have much to tell us about the complexity, challenges, and finally the unforgettable pleasure of making a garden.
The Hudson Valley's role in the mid-1800s as the birthplace of American landscape architecture is explored through the romantically designed grounds of the valley's historic estates and the works of “the father of American landscape design,” Hudson Valley native Andrew Jackson Downing. Landscape gardening is a hidden but unequaled historic resource along the Hudson River, exhibiting some of the most significant designed 19th-century landscapes in America. Landscape Gardens on the Hudson is the first comprehensive study of the development of these landscapes and the important role they played in the cultural underpinnings of the young United States—a legacy that continues today with the design of America's urban parks and nearly every rural or suburban home. This garden design work in the 19th century stands at the center of historic events that decisively shaped the concept of scenic beauty in America and became a core value of the American dream. It was undeniably indigenous, because it reflected America's “genius of the place”—the genius loci of the Hudson River Valley. Fueled by sympathetic political, religious and nationalistic principles, America's cultural aspirations joined with the nation's physical assets, the landscape, to achieve a distinctive artistic expression. Most famously, this aesthetic found expression in the landscape paintings of the Hudson River School artists. Less well known is how this aesthetic determined the way Americans transformed the natural world around them.The sense of America as “Nature's Nation” was a central theme for romanticism in the early republic. In America, wild nature was an essential component of the “genius of the place.” America was seen as special, distinguished by its wilderness condition. “In the beginning,” wrote the English philosopher John Locke, “all the world was America.” This romantic sensibility expressed itself along the Hudson in the “Picturesque” landscape design approach, wherein art is hidden so that a fully natural and vernacular expression could prevail. These thoughts were exemplified at Washington Irving's Sunnyside and other cottage-style properties, and it reached a magnificent aesthetic crescendo with Olana, the unique and famed landscape creation by renowned Hudson River School painter Frederic Edwin Church. Olana has been rightly called by a recent commentator “one of the most perfectly realized Romantic landscape gardens in the world.” First, the predominantly English history of landscape gardening is traced as a prelude to landscape gardening in America. Then, the evolution of landscape design in New York's long colonial period is described at such historic sites as Philipse Manor (Yonkers), Livingston Manor (Clermont), Van Cortlandt Manor (Croton), and Schuyler House (Albany). After the Revolutionary War, with the blossoming of the Romantic period, landscape gardening achieved a regional culmination that was unique in America. A dozen of the finest examples on the Hudson are presented. The history and design of such well-known historic properties as David Hosack's Hyde Park (today's Vanderbilt Mansion), Irving's Sunnyside, the Livingstons' Montgomery Place, Samuel F. B. Morse's Locust Grove, and Olana are interpreted not as historic houses alone, but as landscape garden compositions. The historical commentary of Andrew Jackson Downing (1815–1852) is included at each site visited. Downing was a Hudson Valley native and America's leading landscape gardener in the antebellum years. His protégé, Calvert Vaux, coined the term “landscape architect” and later teamed with Frederick Olmsted on the design of Central Park (1858), a triumph of romantic landscape design and the inspiration for nearly every American public park created in the subsequent 150 years.The text is illustrated with over 140 period and contemporary images, including plans, photographs, bird's-eye views, paintings and engravings, many in color.
Q. What is the most-watched TV format in history, seen by about 100 million people weekly around the world? A. Wheel of Fortune, a game show. Without putdowns or pandering, the author looks at 260 such shows, concluding that culture has triumphed over technology. For despite our capacity to transmit the same content world-wide, McLuhan's global village has not come to pass. Technology has, however, encouraged already-existing "cultural continents" to coalesce. About one-third of the world's game shows have been licensed or adapted from another country, especially from the United States. Conversely, a single program can cross borders unchanged, such as Sabado Gigante, which appeals to Spanish speakers in 18 countries. The first truly global study of TV entertainment, this book includes interviews with producers, contestants, and licensers. With its tables, illustrations and appendices, the text provides details on content and audiences, as well as explanatory overviews.
Drama Hamilton Deane and John L. Balderston, from Bram Stoker's novel Characters: 6 male, 2 female 3 Interior Scenes An enormously successful revival of this classic opened on Broadway in 1977 fifty years after the original production. This is one of the great mystery thrillers and is generally considered among the best of its kind. Lucy Seward, whose father is the doctor in charge of an English sanitorium, has been attacked by some mysterious illness. Dr. Van Helsing,
During the 1850s and '60s, by far the most prominent author in all of New York State was the writer, editor, and publisher Nathaniel Parker Willis (1806–1867). Nearly as prominent as Willis himself was his Hudson Valley estate, Idlewild, where literary elites gathered and about which Willis himself wrote and published extensively. In 1846, Willis founded the Home Journal, which would go on to become Town and Country. In Out-Doors at Idlewild, first published in 1855, Willis chronicled the creation of his estate at Cornwall-on-Hudson (near West Point), as well as life amid its countryside. The land afforded brilliant views of the river and the mountains to the East. Calvert Vaux, the famed architect of both landscapes and houses, designed the elaborate and ornate Gothic Revival home, which Willis named Idlewood (whereas he called the estate Idlewild), and into which the Willis family moved in July of 1853. Here, Willis wrote a series of papers for the Home Journal documenting life at the seventy-acre estate. These papers were gathered together in Out-Doors at Idlewild, a celebration of Willis's home and estate.
